Published by David Bellingham
The Art Business is a bi-weekly podcast dedicated to talking about both cultural and business aspects of the art world with some of its key players. It is hosted by Dr David Bellingham, Programme Director of the MA in Art Business at Sotheby‘s Institute of Art London.
Listen on Apple PodcastsHost Dr David Bellingham, Programme Director of the MA Art Business, Sotheby's Institute of Art, London, speaks with independent London curator and writer Maria Hinel about building a curatorial career outside commercial institutions and the philosophical threads that shape her exhibitions. They discuss her training (UCL, Courtauld), early work at Skarstedt Gallery, and independent projects at spaces including General Assembly, Shtager & Shch and Hypha Studios. The episode covers recurring themes in Hinel's practice: the relations between the human and the non-human; language; identity; gender; temporality; ecology and the agency of animals. They explore how these ideas informed exhibitions such as Drive Your Plow Over the Bones of the Dead, Timescapes, Carbon, Carbon Everywhere and The Middle Voice. Artists referenced include Susan Eyre, Amalia Pica & Rafael Ortega, Francis Alÿs, Jochen Lempert, Anne Marie Maes, Kat Lyons, Claudia Losi and Alina Zamanova. Key points: the dialogic process between curator and artist; staging multi-media shows across project spaces; making invisible forces (cosmic rays, magnetic vision) and animal perspectives visible; ethical and political questions around animal personhood, activism and visibility; and upcoming projects and ambitions, including a broader focus on contemporary Ukrainian art. Official / profile pages Website: mariahinel.com Hypha Studios bio: hyphastudios.com/maria-hinel-2-2/ LinkedIn: linkedin.com/in/4b7b98b9/ Instagram: @mariahinel ArtRabbit curator profile: artrabbit.com/people/maria-hinel/curator Exhibitions (in episode order) Timescapes (Shtager & Shch, 2023) — covered on her FAD Magazine tag page The Middle Voice (Shtager & Shch, 2024) — listed on ArtRabbit Carbon, Carbon Everywhere (Hypha HQ, 2025) — artplugged.co.uk write-up The Pleasure of Misuse (Royal Society of Sculptors, 2025) — her own page or the institution's page Drive Your Plow Over the Bones of the Dead (Hypha Gallery 1, 2026) — artplugged.co.uk write-up music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this episode of The Art Business Podcast, Dr David Bellingham, Programme Director of the MA Art Business at Sotheby's Institute of Art, London, is joined by leading antiquities specialist Dr Judith Nugée. Drawing on more than forty years of experience as a scholar, auctioneer, advisor and valuer, Judith offers a fascinating insight into one of the art market's most complex and compelling sectors. Together they explore how antiquities challenge conventional ideas of value, ownership and authenticity, discussing provenance research, cultural heritage, collecting, ethics and the valuation of national treasures. Far more than a conversation about the ancient world, this episode reveals what the antiquities market can teach us about the wider art business today. https://hornsbynugee.com/ music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this episode David Bellingham interviews Michalina Maria Franasik, an MA Art Business graduate who now works as Communications Manager for the Treasure House Art Fair in London and as creative director of a contemporary art space in Lodz, Poland. They discuss: Michalina’s transition from business studies to the art world; her use of social media and content creation to learn and make connections; and practical career advice for graduates. The conversation covers behind-the-scenes logistics of staging Treasure House at the Royal Hospital Chelsea (24–30 June), the role of art fairs in a digital and sustainability-conscious age, and trends in antiques, decorative arts and small boutique fairs. Michalina also describes her work representing Polish artists and upcoming exhibition projects that bridge Polish and UK audiences. Listeners will hear actionable tips on networking (attending previews, speaking to exhibitors), the value of experience in smaller organisations, and how digital storytelling and consistent, genuine content can open professional doors in the cultural sector. Links: https://www.treasurehousefair.com/ https://www.linkedin.com/in/michalina-maria-franasik-597849249/ https://www.linkedin.com/company/kantor-sztuki/ music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this episode David Bellingham welcomes back alumna Blythe Hogan, Vice President and Senior Director of Art & Collections Practice at Aon Private Risk Management. They explore Blythe’s journey from studying art history to nearly two decades specializing in art insurance, risk management and collection strategy for private collectors and family offices. Topics covered include how fine art insurance works (scheduled vs blanket policies and retail replacement values), common collector misconceptions, valuation and provenance, emergency planning, transit and storage risks, climate and catastrophe considerations, and the role of technology and AI in modern risk assessment. Blythe shares practical examples and anecdotes, discusses the evolving global market and logistics of works on the move, and offers career advice for young professionals interested in interdisciplinary art careers. Listeners will learn what to expect in protecting valuable collections, the importance of proactive risk management and documentation, and how leadership and trusted relationships shape success in this niche field.
Georgina Adam, editor‑at‑large of The Art Newspaper and author of multiple books about decades of change in the global art market, joins the show to discuss the forces reshaping how at is bought, sold and valued today. We explore the shift from antiques to contemporary art, the rise of private museums, and the evolution of auction practices including guarantees, white‑glove sales and pre‑auction arrangements. We also look at transparency, market opacity, and the growing overlap between art and luxury goods. Key insights include regional market dynamics (China, India and the Middle East); the influence of mega‑galleries and collectors on cultural value; how younger collectors prioritize identity, social media and experiences; and both the concerns and reasons for optimism about the future of the art world.
In this episode of the Art Business Podcast David Bellingham, Programme Director of the MA Art Business, Sotheby's Institute of Art, visits the Wolf Collective, a curatorial platform run from the co-founders’ modernist home in Primrose Hill. Guests Lupe Sanchez, a curator and advisor with experience in blue-chip galleries and deep ties to Japanese craft traditions, and architect/developer Iain Pattie discuss how their domestic space has evolved into an intimate exhibition platform. The current solo presentation by Chicago-based artist Jaclyn Mednicov , whose ceramics, prints and installations reflect long periods of research in Japan, anchors the conversation. Topics covered include: the practical and emotional value of showing art in a lived-in home rather than a white-cube gallery; how architecture and natural light shape viewer experience; programming that blends music and performance with exhibitions; curatorial relationships rooted in long-term support; and the social dynamics of invitation-based shows. Lupe and Iain explain why intimacy, community, and multisensory experiences guide their model, how it complements (and differs from) commercial galleries and fairs, and what the Wolf Collective offers artists and local audiences. Listeners can expect reflections on artistic process, cross-cultural collaboration, the economics and sustainability of private home galleries, and the ways small, intentional spaces can shift values around attention, care and community in the contemporary art world. The Wolf Collective’s exhibitions are open by appointment; the current Jaclyn Mednicov show runs into late summer. Links: https://www.madeinbed.co.uk/emerging-artists/imprints-fragments-reliefs-jaclyn-mednicov?rq=jaclyn%20mednicov https://cabanamagazine.com/blogs/atlas-of-craftsmanship/jaclyn-mednicov-multi-disciplinary-artist?_pos=1&_sid=a04cfbf27&_ss=r music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this episode of the Art Business Podcast, host David speaks with Alisa Demchenko, an MA Art Business (Sotheby’s Institute, London) graduand, and Nilanjan Das, a printmaker and PhD artist from Bhubaneswar, NE India, about their optional TAF (The Arts Family) collaboration. They discuss Alisa’s dissertation on AI in art valuation and personalization, and how algorithmic visibility shapes how emerging artists present their work online. The conversation explores Nilanjan’s practice—serigraphy, cyanotype and concrete-board works that investigate public space, plant life, urban beautification and power structures—and how Elisa supported him with portfolio sequencing, narrative framing, artist statements, gallery research and strategic positioning for both UK and Indian contexts. Key takeaways include practical mentorship methods (regular remote meetings, clarity over reinvention), ethical boundaries for art-business professionals, the importance of artist statements and sequencing, and steps for presenting to galleries and curators. The episode closes with next steps, contact handles (LinkedIn for Alisa, Instagram for Nilanjan) and actionable advice for emerging artists and arts professionals. Links: https://www.linkedin.com/in/alisa-demchenko-bb24ab235/ https://www.instagram.com/nelvsnel/?hl=en https://www.theartsfamily.com/artists/nilanjan-das music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
Dr. David Bellingham speaks with Shahane Hakobyan, MA Art Business alumna and founder/CEO of ARTanalyst, about her journey from artist to gallery director to tech entrepreneur. They discuss the fragmented nature of art market data, the value of measuring financial, cultural and social indicators, and how ARTanalyst’s AI-driven platform helps galleries connect internal CRM and inventory data with external signals (auctions, press, social) to generate actionable insights, KPIs and meeting prep. They cover lessons from Art Dubai and Galerie Kornfeld, building and testing measurement frameworks, ethical data use and security, and the practical benefits of bringing analytics to the primary market. Shahane shares advice for emerging professionals, challenges of fundraising and adoption, and her vision for a networked, collaborative art ecosystem. Links: Website: https://artanalyst.ai/ Gallery Centric-Demo (where you can try and test some of the features): https://app.artanalyst.ai/assistant music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
We meet guests Kasia Piszkos (Art Director) and Lukasz Sinitsyn (Gallery Manager) live from Warsaw to discuss the founding of Bliss Gallery earlier in 2025, the meaning behind its name, and its location in a historic fourth‑floor apartment. They outline the gallery’s curatorial focus on abstraction and minimalism and describe standout shows such as Hydrofornia and Material Tendencies, plus their presentation of Urszula Bról at Artissima. The episode covers: practical gallery logistics (including installing water on an upper floor!); Warsaw’s gallery ecology and Warsaw Gallery Weekend; strategies for art fairs (Vienna, Artissima) and growing international ambitions; the role of social media; and plans to revisit overlooked Polish artists and collaborate with foreign curators. Links: https://blissgallery.pl/en/home/ @bliss_warsaw music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
David Bellingham speaks with Victor Custot and Carmen Hu of Waddington Custot Gallery about continuing a 70-year family legacy, the gallery’s curatorial identity, and their approaches to artist representation and international engagement. They discuss the gallery’s focus on technical excellence, relationships with artist estates (including Peter Blake and Barry Flanagan), and recent contemporary exhibitions such as Qiong Er and textile artist Kenia Almaraz Murillo. The hosts also cover operational choices, including reconfiguring the reception to highlight artworks, and the role of gallery staff and technicians in executing ambitious shows. Victor and Carmen reflect on trends in collector behaviour post-pandemic, the importance of art fairs, online sales dynamics, and generational shifts in collecting. They share advice for MA Art Business students on finding a niche, being curious, and building long-term professional relationships. Listeners are invited to visit the gallery on Cork Street and follow updates at waddingtoncustot.com. music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
Join host Dr David Bellingham, Programme Director of the MA in Art Business at Sotheby’s Institute of Art London, and guest Dr. Natasha Degen, incoming Director of Sotheby’s Institute of Art New York (January 2026), Chair of Art Market Studies at FIT, and author of The Market and Merchants of Style, for a wide-ranging conversation about the evolving art market and the future of art education. Natasha outlines her academic and professional journey from Princeton to China, the UK and New York, explaining what drew her to study the market side of art and how interdisciplinary training shaped her approach. She reflects on leading the MA in Art Market Studies at FIT, the challenges of curriculum design and the balance between academic rigour and practical vocational training for students seeking careers across galleries, auction houses, museums, fashion and luxury. The episode surveys major market shifts of the last decade: the impact of the 2008 financial crisis, China’s rise and contraction, and the pandemic’s role as an accelerator for digital sales, NFTs and online auctions. Natasha and David discuss globalization’s new phase, the rising cost of doing art business, and how auction houses have diversified into luxury, increasingly relying on luxury sales to offset fine art volatility. They explore the deepening convergence of art and fashion, from Warhol and Paul Poiret to contemporary brand collaborations, and consider how luxury houses and cultural institutions are reshaping value and taste. The conversation also tackles digital platforms, NFTs, and social media as new routes to recognition that have fractured traditional dealer-critic pathways. Natasha shares her vision for Sotheby’s Institute New York: strengthening academic programming, launching new offerings (including an MA in Luxury Business), leveraging ties with the auction house, and cultivating a close-knit, interdisciplinary student community. Ethics, law, sustainability, diversity and repatriation debates are highlighted as central topics that should be re-integrated into art-business curricula. Practical advice for students and early-career professionals focuses on identifying what excites you, playing to your strengths, being open to entrepreneurial paths, and recognizing the breadth of careers available, from studio management and logistics to artist representation and brand partnerships. Natasha concludes with a reading recommendation (Mary Davis’s Paul Poiret: Inventing Modern Luxury) and reflections on the continuing importance of fieldwork and international exposure despite environmental and ethical trade-offs. Expect an informed, candid and interdisciplinary conversation that bridges history, theory and market practice: essential listening for students, curators, collectors and anyone tracking the intersections of art, fashion, luxury and digital innovation. music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
Welcome to the Art Business Podcast with David Bellingham. In this episode David speaks with Charlotte Stewart, Managing Director of MyArtBroker, about her non‑traditional route into the art world, her decade at Christie’s, and the digital pivot that led her to help build a leading online prints and editions brokerage. Charlotte describes how editorial storytelling and business management skills learned in traditional auction-house roles have shaped her approach to marketing, valuation and running a profitable tech-enabled business. She explains why MyArtBroker focuses on prints and editions, how the platform combines a machine‑learning valuation engine (drawing on data from some 400 auction houses) with specialist human expertise, and why authenticity, condition reports and conservator checks remain central to every sale. The conversation covers MyArtBroker’s business model — private sales, referrals and trade business — and practical differences from galleries and auction houses, including zero percent seller fees and taking a buyer-side margin. Charlotte reflects on how the pandemic accelerated online buying, why Banksy prints were particularly well-suited to digital brokerage, and how the company balanced rapid growth with maintaining trust and authority in the market. Key themes include the interplay of technology and human judgement (Charlotte’s “sandwich” analogy for AI as an assistant, not a replacement), the importance of focused specialism rather than chasing shiny new products, and the role of curated content and data in building credibility. She also discusses collector demographics, the looming wealth transfer from boomers to younger buyers, and predictions for how brokerage, authentication and digital tools may evolve over the next five years. Listeners can expect practical insights for anyone interested in art careers, digital transformation in the art market, and the operational realities of running an online brokerage — from valuation methodology and trust-building to when to use technology and when human specialists must lead the process. Guest: Charlotte Stewart, Managing Director at My Art Broker. Host: David Bellingham, Programme Director, MA Art Business, Sotheby's Institute of Art London. Topics: career paths in the art market; prints and editions brokerage; valuation algorithms and machine learning; pandemic acceleration of online sales; authentication and condition reporting; AI as an assistant; collector behaviour and the future of art brokerage. Links: https://www.myartbroker.com/ https://www.linkedin.com/in/charlotte-stewart-775a35a1/?originalSubdomain=uk music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this episode David interviews Zein Khalifa, alumna of the MA in Photography at Sotheby's Institute of Art London and co-founder of Tintera, the only private gallery in Egypt dedicated to fine art photography, about her journey from photographer to gallerist and the gallery’s mission to showcase and preserve contemporary Egyptian photography. They discuss analog vs digital practices, curatorial choices, working with Egyptian and regional artists, building audiences locally and internationally, and Tintera’s participation in the forthcoming 1:54 (London) and Paris Photo art fairs. Links: https://www.tintera.art/ https://www.linkedin.com/in/zein-khalifa-90767425/?originalSubdomain=uk music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
David interviews painter Georgia Dymock about her artistic journey since leaving Slade: solo shows, selection for New Contemporaries, representation by Gillian Jason, and winning the ACS x Gurr John Studio Prize. They discuss how the prize and gallery exposure are shaping her career. Georgia explains her studio routine in Camden and her process of moving from digital sculpture (ZBrush, rendering) to oil on herringbone linen, exploring themes of connectedness, ambiguity, hybrid mythic figures and the balance between surface and psychological distance. She also reflects on influences, practical art‑business skills, and plans to expand her work. Links: https://www.georgiadymock.com/ https://www.gillianjason.com/artists/97-georgia-dymock/ https://www.gurrjohns.com/ https://artistscollectingsociety.org/news/2025-acs-studio-prize-x-gurr-johns-exhibition/ music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
This lecture explores Sandro Botticelli's Venus and Mars, examining its Neoplatonist layers of meaning, ambiguous identities, and possible identifications with historical figures like Giuliano de' Medici and Simonetta Vespucci. The talk discusses iconography, seasonal symbolism, botanical clues (including the thorn apple/Datura), Christian readings (Adam and Eve, Mary Magdalene), and the painting's likely function in a marriage chamber, offering a multi-semantic interpretation that blends myth, history, and moral commentary. music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this second episode of a two-part lecture series, Dr David Bellingham continues his exploration of the art market, tracing its development from the Renaissance to the contemporary global scene. Drawing on historical, economic, and ethical perspectives, the lecture examines how art evolved from elite patronage into a commodified asset shaped by imperialism, celebrity culture, and financial speculation. Topics include: The rise of branded artists and the value of materials The emergence of auction houses and commercial galleries Colonial plunder and the ethics of restitution The impact of globalisation and digital transparency The role of collectors, dealers, and art fairs in shaping today’s market This episode completes the journey begun in Part I, offering a critical overview of the forces that continue to shape the art world today. Keywords: Art Market History, Renaissance Patronage, Auction Houses, Colonial Acquisitions, Contemporary Art Fairs, MAAB, David Bellingham music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this first episode of a two-part lecture series, Dr David Bellingham traces the evolution of the art market from its prehistoric origins to the medieval period. Drawing on archaeological, literary, and technical evidence, the lecture explores how art objects transitioned from ritual and utilitarian functions into exchangeable commodities. Topics include: Long-distance trade and stylistic diffusion in ancient cultures The emergence of artist signatures and competition in Classical Greece Roman collecting, auctions, and the replication of originals The role of advisors and secondary markets The shift to church patronage and the proto-Renaissance This episode sets the stage for Part II, which will examine the rise of the modern art market from the Renaissance to the present day. Keywords: Art Market History, Ancient Trade, Artist Branding, Roman Collecting, Medieval Patronage, MAAB, David Bellingham music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
Welcome to the Art Business Podcast! In this episode, David Bellingham, Programme Director of the MA Art Business, Sotheby's Institute of Art London, investigates the dynamic landscape of Ukrainian art during wartime. Alongside curator and art historian Bohdan Mysiuha and interpreter Olena Grubb, the discussion explores the shifting priorities among Ukrainian art collectors, emphasizing the cultural significance and quality of national art. The conversation highlights the resurgence of early Ukrainian modernism, revealing how historical events influence contemporary art. Bohdan shares his journey in documenting lesser-known Ukrainian artists, reflecting on the importance of understanding Ukraine's art history in the global context. Listeners gain insight into the innovative models supporting Ukrainian art, including the privately funded Mercury Center for Intellectual Art. The dialogue underscores the vital role of art in visualizing the world and fostering a vibrant cultural identity, even amid the challenges posed by the ongoing conflict. Links: https://ciamercury.com/en/about-us/?srsltid=AfmBOorgTdTn0p3sTAhdCRqeliWmnrIreZtAAWzuZFy6U-rlhObnvrTC https://www.artsy.net/partner/center-of-intellectual-art-mercury https://lvivgallery.org.ua/museums/muzey-modernizmu music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
In this engaging episode of The Art Business Podcast, host David Bellingham sits down with Anastasia Lander, Associate Director at Pelham Communications in London and a notable alumna of Sotheby’s Institute of Art. Anastasia shares her fascinating journey from shaping the world's biggest beauty brands like Dior and MAC to navigating the dynamic landscapes of international art communications. Anastasia discusses her initial exposure to art through family influences and her academic journey at Sotheby’s Institute, as well as her experiences at global events such as the Venice Biennale. The conversation explores her career transition from PR for luxury cosmetics to the art world, revealing how the meticulous skills from the beauty industry informed her current role in art communications. Listeners will gain insights into Anastasia’s strategic expertise, especially in managing international projects in regions such as Saudi Arabia and Uzbekistan, and her ability to adapt and craft stories that resonate across different cultural landscapes. Join this adventure into the intersection of art, business, and cultural storytelling, reflecting on their vibrant fusion in today's global art scene. Links: https://pelhamcommunications.com/ https://landerlander.com/ music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)
Welcome back to the Art Business Podcast with David Bellingham, Programme Director at MA Art Business at Sotheby's Institute of Art in London. In this episode, David engages in an enlightening conversation with Anna Kuznetsova, Managing Director of Conscious Tech BV and Board Chair of Art Zuiderzee. Anna's rich experience across law, business, and the arts offers listeners a masterclass in blending strategic thinking with creative ambition. Join them as they revisit their recent study trip to the Netherlands, exploring TEFAF art fair, artists' studios and exhibitions, and engaging in discussions on the impact of global market dynamics on the art scene. Anna shares insights from her guest lectures and her unique journey from a young artist to a leader in global business initiatives. The episode also touches on the fascinating world of cross-cultural influences, particularly the rise of Chinese art in the West, and the recently rediscovered legacy of Ukrainian artist Alexander Bogomazov (1880-1930). Anna also sheds light on the innovative Art Zuiderzee initiative and its significance in connecting history with contemporary art. Tune in for a journey through the intricate world of art and business, enriched by Anna Kuznetsova's unique art business perspective. Biography: Anna Kuznetsova is a dynamic global leader with over 20 years of experience spanning investment management, government contracting, art advocacy, and international relations. As Managing Director of a Conscious tech B.V., she strategically guides a Dutch investment fund focused on the US government contracting industry. Her portfolio includes serving as Board Chair at Art Zuiderzee, a cultural heritage foundation that spans its activities across the historic Zuiderzee region, and as Board Member at Alagant Tech LLC, supporting public sector IT services. With an educational background including a Master's in Art Business from Sotheby's Institute of Art (with Distinction), a BA in Law, and training at London Business School, Anna brings a rare combination of business acumen, artistic passion, and cross-cultural expertise to her endeavors. Fluent in multiple languages and experienced across Asia, Europe, and North America, she excels at building strategic partnerships that bridge diverse sectors and cultures, creating meaningful impact through innovation and social responsibility. Links: www.linkedin.com/in/anna-kuznetsova-1858571 https://www.artzuiderzee.com/art-zuiderzee-about-us-en.html music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama) by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)