Pop Screen is The Geek Show's new podcast tackling movies starring, about or by pop stars - and that's all genres, from rock to hip-hop, jazz to disco. Each week Graham and one of his stable of trusty co-hosts picks a pop movie and examines its history, its film-making and its music in-depth. It's an irreverent ride through an oft-misunderstood strain of cinema, from era-defining masterpieces to kitsch atrocities.
After the inevitable Christmas number one, the life of an X Factor winner isn't always easy. But Shayne Ward, of 'That's My Goal' fame - stop pretending you don't know it - had something unique to fall back on. A stint on Coronation Street gave him enough acting cred, and willing co-stars, to star in his own murder mystery series where he plays an ex-cop turned cruise ship singer with a murder to solve in every port. Listeners, it is insane. This week, Graham is joined by Mark Harrison of Film Stories and the forthcoming First Question quiz podcast to discuss his chance discovery of a series that has become an obsession. We also talk about the strange world of straight-to-VHS soap opera spin-offs, the show's Guy Ritchie-inspired poker tournament episode, the other shows and films that could benefit from The Good Ship Murder's earworm of a theme tune, and how the show might end up doing an episode about Morrissey. If you'd like to go on an adventure with us in mind, you can donate to our Patreon. We're currently working on a bonus episode of this very show about Christopher Nolan's The Odyssey, as well as keeping our two new podcasts - They'll Love Me When I'm Dead and The Arts Hole - running. Backers also get an end-of-month round-up podcast, weekly articles about The Twilight Zone and Doctor Who, and more - follow us on Bluesky, Twitter, Instagram and Facebook to find out more.
Have you ever seen a hitman movie and thought "It's good, but it needs to be shot entirely in infra-red?" No, because no-one has - except Harmony Korine. After looking at his most famous film Spring Breakers a couple of years back, Robyn and Graham now reunite to talk about the first film from his excellently-named production company EDGELRD, a film whose strangeness is not limited to the fact that Travis Scott gives the most sensitive performance in it. Along the way, we'll discuss Scott's unexpected role in The Odyssey, and talk about that time when Korine wanted to make a whole film of people beating him up. We'll also talk about the film's, uh, distinctive promotional roll-out, its use of generative AI and its video game influences. There's also a long detour about how great the new Boards of Canada album is. That's nothing to do with the film, it's just really good. The old world is collapsing, but our Patreon remains strong - backers will get a bonus episode of this show every month, along with Graham's other podcast The Arts Hole, about all the silliest happenings in the world of arts and culture. There's also a review of classic franchises in They'll Love Us When We're Dead, weekly articles on The Twilight Zone and Doctor Who, and more. Follow us on Twitter, Bluesky, Instagram and Facebook to find out more.
Has Pop Screen gone highbrow? A biopic of a classical composer isn't normally the kind of film we'd cover, but then biopics of classical composers aren't usually anything like Lisztomania. The final instalment in Ken Russell's legendary series of films about his classical music heroes, it stars Roger Daltrey from The Who as Franz Liszt, Ringo Starr as the Pope, and this is not even close to the strangest thing about it. Join Graham and Mike as they unpick the real-life animus between Liszt and Wagner that inspired the somewhat unorthodox Nazi-vampire-zombie-Frankenstein-Thor subplot in this movie, as well as the historical phenomenon that gave the film its title - it's not just a Phoenix song! - and, of course, the chequered and glorious career of Uncle Ken. Plus: a plea for better biopics, a history of the Strauss film that forced Russell to leave the BBC, and a defence of Emerald Fennell's Wuthering Heights. If you don't want to see us reduced to marrying a domineering Russian countess for money, you can donate to our Patreon where you'll get a bonus episode of this podcast every month, plus Graham's other show The Arts Hole, Mike's Twilight Zone reviews, regular essays on Doctor Who's cast and crew and the unclassifiable end-of-month podcast that is Last Night... Follow us on Bluesky, Twitter, Instagram and Facebook to find out more.
Madness! Madness, they call them Madness, which is fair enough, because that's their name. At a very early stage in their quest to become one of Britain's most beloved bands, the Nutty Boys starred in a semi-improvised film about their formation and rise to fame. It was called Take It Or Leave It, it was surprisingly serious in tone, and it was, as Suggs put it, "the beginning and the end of our film careers". Well, not in his case, actually - as Graham and Mark note, he had some other acting roles. But what about Take It Or Leave It? It turns out it's well worth revisiting, as a time capsule of both an iconic band in their early days and working-class London in the early '80s. We also discuss the differences between Jamaican, British and American ska, the time the band nearly made a sitcom with the writers of Blackadder, and the reason why you should never let Chas Smash use your hairdryer. Fans of naughty boys in nasty schools will surely enjoy Graham and Mark's other podcast The Arts Hole, which is only available on our Patreon. Backers will also get a monthly bonus episode of this show, weekly articles on Doctor Who and the Twilight Zone, and our uncategorisable end-of-month miscellany Last Night... Follow us on Facebook, Instagram, Bluesky and Twitter for more info.
It's playtime! Pop Screen is starting a themed month on "autobiopics" - films where pop stars play themselves, but in a different context to the standard rock doc. The nearest we'll get to documentary is this film by Morgan Neville, which sees Pharrell Williams talk about his incredible career and range of star collaborators - Kendrick Lamar, Gwen Stefani, Jay-Z and more - through the medium of, er, Lego. Joining regular host Graham, Mark Harrison talks about the history of "brickfilms", the Lego franchise's move from studio to studio, and the vexed question of whether 'Happy' is annoying or not. We also talk about the film's insight into creativity, the other Pharrell Williams movie directed by Michel Gondry that you'll never see, and, of course, try to imagine what he thought he was doing with that bloody hat. It's the podcast of the summer! Our Patreon brings all the boys to the yard, and no wonder - we've just launched Graham and Mark Cunliffe's exclusive new arts and culture podcast The Arts Hole there. You'll find that along with Patreon exclusive episodes of this show - listen to the end to find out what's next - written articles about The Twilight Zone and Doctor Who, and much more. Follow us on Facebook, Instagram and Twitter to find out more.
"So we're doing this, right?" The new film from David Lowery, the director of The Green Knight, is not a love story, it's not a ghost story, and a lot of people aren't sure what it is at all. We know it's definitely about a very Gaga-esque pop star played by Anne Hathaway trying to heal the wounds of the past with her estranged dress designer (Michaela Coel), and we know it's got a storming FKA Twigs cameo which qualifies it for this show. But what lies beyond these facts? Join Graham and Robyn as they look at the many musical and cinematic inspirations Lowery and Hathaway took - from Persona to Taylor Swift: The Eras Tour! - and discuss the film's soundtrack cuts from Charli XCX, Jack Antonoff and Twigs herself. We also talk about the responses we had to the film - both emotional and stigmatic - talk about Charli's busy year at the movies, and relitigate the eternal question of whether Jack Antonoff is actually a good producer or not. Plus a bit of Billie Eilish concert film talk, if that's your bag. If you don't want to see us doing mildly lewd Gievenchy adverts for money, you can donate to our Patreon where you'll get Graham's new culture podcast The Arts Hole, plus Rob's franchise run-down They'll Love Us When We're Dead, weekly written articles about Doctor Who and The Twilight Zone, and more. Follow us on Twitter, Instagram, Bluesky and Facebook to find out more.
It's one of the great films of the '90s, from one of the most Pop Screen-friendly directors of all time: Jim Jarmusch, a man who can't even make a little family drama without sticking Tom Waits in there. Here, he's making a Western starring Johnny Depp, Robert Mitchum, a lot of people who would go on to be very famous, and the former lead singer of the Stooges. In a dress and bonnet. It's so good that we've redone the show's theme music in its honour this week. Join Graham and Rob as they discuss the light the film sheds on the Western genre, its place as the first of Jarmusch's offbeat genre exercises, and the film's other hidden punk rock cameo that will blow you away. Plus: the pre-wearing-wacky-hats-for-Disney-money years of Depp's career, Iggy Pop's advice to young musicians and more! If you don't want us to have to go to the town of Machine to earn our fortune, you can donate to our Patreon where we're just about to drop an exclusive episode of this show about Michael Jackson's Ghosts. Also, Graham is about to launch his new podcast The Arts Hole, and there are weekly articles about Doctor Who, The Twilight Zone and more that you won't find anywhere else. Follow us on Twitter, Bluesky, Instagram and Facebook for more.
Back to the '90s, and a time when a movie could just be, y'know, anything you wanted. The co-writer of Sid & Nancy, Abbe Wool, went to test this theory with this wilfully inconsequential road movie in which a member of X (John Doe) and a member of The Beastie Boys (Adam "Ad-Rock" Horowitz) set off to scatter the ashes of a friend of the former musician. It's really the excuse for an eclectic set of cameos, and we mean eclectic - everyone from David Carradine to Timothy Leary, Arlo Guthrie to Flea. But what if there was something deeply profound beneath the surface? Well, we don't quite go that far, but debuting co-host Rob Spencer from Caliber 9 From Outer Space makes a good account of this as a movie of its moment. Joining him to pick over Roadside Prophets's cameos, connections and subtexts is Graham, and their conversation is as free-ranging as the movie: Patty Hearst, cinema's greatest scenes of gluttony, the wonder of Fatma Mohamed and Neil Kinnock's election broadcasts are all under consideration. If you want to help us quit our factory jobs, you can donate to our Patreon, where we've just launched one of our new shows for 2026 - They'll Love Us When We're Dead - with an episode on the Blade franchise. Our new culture show, The Arts Hole, is coming in May, plus Pop Screen exclusives, weekly articles on Doctor Who and the Twilight Zone, and much more. Follow us on Instagram, Bluesky and Facebook to find out more.
The Jimi Hendrix estate have been notably controlling of the film rights to his life story since his death at the totemic age of 27. Hollywood, though, cannot stand for a classic rock star to go un-biopicised (it's a word now), which is why in 2013 John Ridley got Andre Benjamin - yes, Andre 3000 from OutKast - to play the legendary guitarist in Jimi: All is By My Side, a film tackling Hendrix's rise to success that breaks off conveniently before he wrote any of the classic songs the film doesn't have the rights to. Our 27 Club correspondent Aidan rejoins Graham to discuss Hendrix's musical and cinematic legacies, his famous covers of everything from Bob Dylan to the American national anthem, the perils of watching films from a location manager's perspective, and the complaints levelled against the film by Hendrix's ex Kathy Etchingham. We also discuss the fractious screenwriting career and awful op-ed writing career of John Ridley, and the research process that led to him apparently deciding a book where Hendrix shoots purple lasers from his eyes was a reliable source. No, really. If you want to hear us tackle an even more baffling film about Hendrix, you're in luck, because this month's Patreon bonus episode of Pop Screen is all about Larry Buchanan's Down On Us. We're also gearing up to launch another Patreon-only podcast, They'll Love Us When We're Dead, looking at overlooked and dormant film franchises, as well as producing weekly articles on The Twilight Zone and Doctor Who. All of these are only available at Patreon - follow us on Instagram, Bluesky and Facebook to find out more.
The history of pop is as much about subcultures as it is music, and this week Pop Screen is diving into one of the most enduring (at least round co-host Mick's gaff): mod. From its origins, which were so controversial the phrase "moral panic" was coined to describe the press reaction (fact!) to the late '70s revival that gave the world The Jam, there's always been some corner of Britain where Lambretta scooters are still the main mode of transport. Chris Green's 2021 film The Pebble and the Boy is a coming-of-age road movie that asks what the legacy of Mod is today. Join Graham and Mick as they attempt to come up with their own answer to this question, one that takes in the pop career of co-star Patsy Kensit and a quiz we will never do again. We also give an appreciation of the late Stone Roses bassist Mani, who makes a cameo here, and the unexpected way in which his old band may have swung the Gorton and Denton by-election. Maybe. You can hear our Second Coming every month on Patreon, where we release a bonus episode of this show - the next one, about the bizarre low-budget rock conspiracy film Down On Us, is coming in April - plus weekly articles about Doctor Who and The Twilight Zone, an end-of-month podcast pot-pourri we call Last Night, and much more. Follow us on Instagram, Bluesky and Facebook to find out more.
SAMMEH! Yes, finally we're getting round to Ryan Coogler's box-office-busting, Oscars-history-making period vampire gangster epic. Joe from Dreaming Machine rejoins Graham to talk about how Coogler's hit film explores the history, tradition and continued relevance of the blues, all the time mindful of our... let's say shaky status as two white guys talking about this. We want your songs, we want your stories, etc. etc. Join us and find out which literary masterpiece might have inspired Coogler's choice of music for Remmick and his crew, which legendary folk singer was a regular at one of the cast's childhood church, and which legends of Black culture are nodded to in the film's legendary one-take musical number. We also talk about IMAX aspect ratio changes, Coogler's time with Marvel and how it may have impacted this film, and - the hot topic of the moment! - Timothee Chalamet's opinions on ballet. If you can just let us in your house, we'll give you all kinds of rewards from our Patreon. We've just released an exclusive episode of this very episode about Roger Corman's Frankenstein Unbound, and we're about to launch two new podcast series in tandem with our regular features Last Night... - a monthly round-up of everything our critics couldn't fit in anywhere else - articles about The Twilight Zone and Doctor Who, and much more. Follow us on Bluesky, Instagram and Facebook to learn more.
Have you seen The Bride yet? No, not Maggie Gyllenhaal's new film - we mean the 1985 film by Frank Roddam, director of Quadrophenia. Like Gyllenhaal's film, it's an attempt at a female-centred sequel to Mary Shelley's novel. Unlike Gyllenhaal's film, it has an actively deranged cast list including Quentin Crisp, Alexei Sayle, Ken Campbell, David Rapaport... and, as Dr. Frankenstein, Sting. Join Graham and Mark as they divide Roddam's film cleanly into the bits that work and the bits that don't, which is made surprisingly easy by its two-stranded plot. We also discuss how the film compares to Poor Things, talk about Rapaport's remarkable career, reflect on the end of Sting's movie-star dreams and play a challenging game of FMK. Plus, an appreciation of Roddam's TV work, including one of the most groundbreaking documentaries ever made and Masterchef. If you don't want to see us reduced to joining a travelling circus, you can donate to our Patreon where we're about to follow up this episode with an exclusive bonus discussion of Roger Corman's Frankenstein Unbound - and we're also about to launch two new podcasts, including Rob's They'll Love Me When I'm Dead and Graham's The Arts Hole. None of this is available anywhere else, and the same goes for our weekly written features on classic TV SF. Follow us on Bluesky, Facebook and Instagram to find out more.
It's the documentary you never knew you needed, and you do need it. Marcie Hume's chronicle of life on the road with '80s child actor Corey Feldman and his backing band of skimpily-dressed 'Angels' tracks the fallout from his infamous 2016 Today Show performance, which went viral and had the world asking questions like "Is this a sex cult?" and "No, seriously, is this a s*x cult?" Join Jeff and Graham as they answer all these posers and more, with detours to consider Feldman's episode of Wife Swap, the different eras of his music, and Jeff's experience watching Corey's infamous 2023 Riot Fest performance. We also talk about the 'Two Coreys' years and the strange economics of '80s nostalgia. What are you waiting for? Just Go 4 It! As we discuss on the podcast, there's another episode where we talk Corey... but to hear that you'll have to donate to our Patreon, where you'll also get exclusive access to our end-of-month round-up podcast Last Night..., weekly written articles on Doctor Who and The Twilight Zone, plus more features that we're working up for 2026. Follow us on Instagram, Bluesky and Facebook for more info.
This week, Pop Screen takes you to church. On its release, Aretha Franklin's Amazing Grace became the biggest-selling gospel album of all time, but it was only supposed to be half the story. Originally, it was going to accompany a concert film with the Queen of Soul going back to her roots at an LA baptist church - but that fell through for the dumbest imaginable reason. To find out what that was, join Aidan and Graham as they discuss Amazing Grace's long road to its 2018 release, the reasons why Franklin refused to see it finished during her lifetime, the cameos from two members of the Rolling Stones and a long digression about the show Cop Rock for some reason. We also discuss what makes '60s soul and '70s fashion so appealing, and discuss our favourite secular Aretha songs. You can say a little prayer for us, or you can donate some actual money at our Patreon, where we're about to do a bonus episode about Jesus Lizard lead yelper David Yow. We're also planning two new podcasts about movie franchises and arts and books respectively, and you can still enjoy weekly articles about The Twilight Zone and Doctor Who. Follow us on Instagram, Facebook and Bluesky for more information.
Can it really be ten years since David Bowie died? This week, Pop Screen dives back into the prolific screen career of the Thin White Duke with one of his sexiest, most stylish and silliest films - Tony Scott's 1983 debut The Hunger. A story of vampirism, lesbianism and extremely '80s stylistic mannerisms, it co-stars Susan Sarandon and Catherine Deneuve. Join Graham and Mick as they discuss the movie's place in Bowie's then-rapidly-mainstreaming career, his artiest music videos and tour promos, the film's position in the '80s neon-and-smoke-machines canon, and who - if anyone - could pull off a performance like this today. We also talk about Bowie's fabled gift for reinvention, the film's electrifying Bauhaus performance, and insult Morrissey. If you want to hear more of this - the Bowie discussion, not the Morrissey-insulting, although... - we're prepping a bonus episode on his 1978 film Just a Gigolo. You can get that over on our Patreon, as well as weekly articles about The Twilight Zone and Doctor Who, plus our end-of-month round-up podcast Last Night... Follow us on Instagram, BlueSky and Facebook to find out more.
Another year's over, so it's time to convene an Avengers movie's worth of Geek Show contributors to answer the only question that matters: what was good this year? Did Sinners live up to the hype? What was our pick of the Oscar race? Did 28 Years Later live up to Simon's extremely exacting standards of realism for Geordie accents? In this packed show, Graham and Rob are joined by Kat, Mike, Robyn, Aidan, Andrew, Simon and Caitlyn to talk about the first half of 2025 - everything from Nosferatu to Novocaine, Flow to Final Destination: Bloodlines. And there's also room at the end for our worst of 2025. You know what Graham's inflicted on himself for this podcast, but what film made Aidan feel like he was trapped in a room full of CGI zombies for two hours? Find out now! The second half of this year-end review is coming on the Uncut Network in a week's time, but there'll be more Pop Screen before the month's out, including our monthly bonus episode over on Patreon. Backers will also get weekly articles on Doctor Who and The Twilight Zone, our end-of-month round-up podcast Last Night..., plus several new written and audio features we're launching in 2026. To find out more, follow us on Bluesky, Facebook or Instagram.
Roll up, roll up, and let Mark and Graham take you back to 1967, a time when the Beatles had already conquered cinema with Richard Lester. As a result, they decided to make their own film, with no script and the entire band as co-directors, then broadcast it on BBC One on Boxing Day. What could possibly go wrong? A lot, as it turned out, although Magical Mystery Tour still has a substantial cult following and a fair bit to recommend it beyond Beatles music - there's Bonzo Dog Doo-Dah Band music as well. Join us as we explore the origins of the film's strangest scenes, its influences on everything from Spice World to 2000s emo bands, the lives of the supporting cast and Paul McCartney's secret life of crime. Plus: Mark talks about his television big break! If you want to hear more of us dancing to songs that were a hit before your mother was born, we release a bonus episode of Pop Screen every month on Patreon. We're currently in the middle of refurnishing our Patreon for 2026, with some new podcasts as well as regulars like Last Night..., Dimension of Imagination and Outside the Blue Box. Follow us on Instagram and Facebook for more.
It's the dead of winter, so what better time to watch the frostiest of music movies - in every sense? Set in a bitterly cold early '60s New York, the Coen brothers' Inside Llewyn Davis sees Oscar Isaac's titular folk singer getting the cold shoulder wherever he goes, whether it's from his volcanically angry ex, played by Carey Mulligan, or the strange hand of fate itself. This week, Joe from Dreaming Machine rejoins the show to decide whether this is one of the Coens' sad funny movies or one of their funny sad movies, as well as dissecting the film's real-life inspirations, the response it got from veterans of the real-life 1960s NY folk scene, and its supporting turns from Justin Timberlake and Adam Driver. Plus, we get with the modern podcast market and come up with a conspiracy theory... If you want to give us money that isn't contingent on us recording a space-race themed novelty song, you can donate to our Patreon, where we're about to launch a whole new series of podcasts and article series for 2026, as well as continuing our ongoing Doctor Who and Twilight Zone series. Follow us on Instagram and Facebook to find out more.
Get yourself a couple of small beers, pop The Battle of Algiers on and enjoy a (French) 75 minutes with Graham and Simon talking about arguably THEE film of 2025 - Paul Thomas Anderson's One Battle After Another. The story of a gone-to-seed revolutionary fighting to protect his daughter from a simultaneously ridiculous and plausible nemesis, it's a big-budget epic with the soul of a weird little cult political satire. It also has tons of musicians in the cast, from an attention-grabbing role for Teyana Taylor to the drummer from Haim, and several others you might have missed. We'll guide you through all its cameos and real-life inspirations, as well as talking about what it takes - and what it cuts - from its source novel, Thomas Pynchon's Vineland. Plus, we pitch the Pop Screen New Testament... If you want to be part of a club just as exclusive as - but substantially less right-wing than - the Christmas Adventurers, we've got a Patreon where we're about to drop an exclusive episode of this very show concerning the Kinks and the origins of a British TV classic... Plus, written articles on The Twilight Zone and Doctor Who, an end-of-month round-up podcast called Last Night... and some exciting new features coming for 2026. To find out more, follow us on Bluesky, Instagram and Facebook.
Greetings from Castbury Pod! For our latest episode, Graham is joined by new co-host Ian to discuss a Bruce Springsteen movie - but not the one you're thinking of. Yes, while Deliver Me From Nowhere is still in theatres, we're rewinding a few years to look at Gurinder Chadha's Blinded by the Light, a true story of an ordinary British Pakistani boy in 1980s Luton finding his voice through a sustained obsession with The Boss. Part of our hero's dilemma is that, by this point in the '80s, Bruce is not cool - but when was his star at its brightest? We discuss the ups and downs of his commercial fortunes, as well as the film's well-chosen cast of young newcomers in the lead and familiar faces in support. We also pitch an Ozzy Osbourne biopic, talk about formative music fandoms we were part of - everything from Frankie Goes to Hollywood to REM! - and decide on which musical subculture deserves to have a movie made about it. You can find Ian at https://medium.com/@smoggywood.productions - yes, this is what happens when you don't remember your blog address during the podcast. As for us, we can, as ever, be found on Patreon, where you can get a monthly bonus episode of this show as well as weekly written articles on The Twilight Zone, Doctor Who and much more. Follow us on Instagram and Facebook for more.
