The Screen Show

Director Lance Oppenheim, discusses Primetime, his acclaimed feature starring Robert Pattinson, whose portrayal of television journalist Chris Hansen, host of To Catch a Predator, has earned widespread praise. Australian director Anthony Maras on Pressure, a historical meteorological thriller set in the days leading up to the D-Day landings and starring Andrew Scott and Brendan Fraser.

A look at the latest season of Nobody Wants This, the hit rom-com starring Kristen Bell and Adam Brody; and the new season of Lupin, with Omar Sy back as Assane Diop for another round of cons and close calls in the City of Light.

Clayface director James Watkins, along with actors Tom Rhys Harries and Naomi Ackie, discuss bringing DC's shape-shifting villain to the screen as a dark body-horror thriller. Acclaimed Australian filmmaker Jennifer Peedom discusses Tenzing , her film about Sherpa mountaineer Tenzing Norgay (Genden Phunsok), whose historic ascent of Everest alongside Edmund Hillary (Tom Hiddleston) changed the course of mountaineering and shone a light on the man behind one of the world's most famous expeditions. But to begin this episode, Jason shares his thoughts on the buzziest film of the moment, You Can See Everything , which arrives in cinemas next month. The film sees Nathan Fielder take on the Elizabeth Holmes story.

The Diplomat returns with another season of high-stakes political intrigue, while Ethan Hawke leads the very good neo-noir comedy The Lowdown. Jason Di Rosso and Wenlei Ma are back on The Couch with their verdicts.

Following the sad news of RJ Mitte's passing, we're revisiting our Top Shelf conversation with the actor best known for playing Walter White Jr. in Breaking Bad, widely regarded as one of the greatest television series of all time. In 2019, Mitte joined us in the studio to reflect on the films and television that shaped him, sharing some of his favourite screen classics and the performances that left a lasting impression.

Jane Austen's Sense and Sensibility returns to the screen for a new generation, with Daisy Edgar-Jones and Esmé Creed-Miles stepping into the iconic roles of sisters Elinor and Marianne Dashwood. The A-list duo discuss re-imagining one of literature's most enduring stories. In the harrowing new documentary Naza , anonymous Israeli whistleblowers describe the remote killing of Palestinians in Gaza during recent military operations. Directed by Oscar-winning filmmakers Yuval Abraham and Rachel Szor (No Other Land), the film uses its nocturnal setting to explore surveillance, accountability and moral distance, making it one of the most powerful and unsettling films of the year. Dragana Jurišić is a photographer and filmmaker from the former Yugoslavia. Her documentary The Balkan Cowboy (screening at the Adelaide Film Festival ), follows the folklore of a larger-than-life amateur filmmaker whose homemade Westerns captured her imagination as a child, and sets her on a path to shooting her own Western using locals from across the splintered Balkan divides, to create a new story that pieces together a history fractured by war crimes. La Bola Negra has emerged as one of the most talked-about films of the year. The ambitious Spanish-language drama from Javier Calvo and Javier Ambrossi weaves stories of love, memory and queer identity across generations, and is already being tipped as a serious Oscar contender after a celebrated festival run.

Two new television dramas reviewed: the ABC's Dustfall, which investigates a harrowing sexual assault case after a teenage girl is found with amnesia in a sugarcane field, and HBO Max's War, a series starring Sienna Miller and Dominic West that follows a bitter, high-profile divorce.

Two Academy Award winners, Aaron Sorkin and Mikey Madison, discuss The Social Reckoning, Sorkin's return to the world he helped create with The Social Network. The writer-director reflects on revisiting the rise of social media in a dramatically different political and cultural moment, while Madison talks about stepping into one of the film's central roles. Film critic and MIFF programmer Kate Jinx joins us fresh from the New York Film Festival to discuss two of the event's stand-out films, both heading to Australian screens soon: You Can See Everything and The History of Concrete. Plus, in anticipation of The History of Concrete, we revisit part of our conversation with filmmaker John Wilson about his hugely popular TV series How To with John Wilson (Listen to the whole thing here .) We want to know what you think of The Screen Show. Help us understand what's working, what's not, and how we can make our program even more useful, compelling and unmissable. Please take this quick survey.

John Steinbeck's East of Eden gets a lavish new Netflix adaptation led by Florence Pugh, while My Sad Dead turns Mariana Enríquez's unsettling ghost stories into a supernatural drama directed by acclaimed Chilean director Pablo Larraín. Jason and Wenlei weigh in.

Tom Cruise disappears beneath layers of prosthetics to play a Texas oil baron in Digger , Alejandro G. Iñárritu’s ambitious satire about climate catastrophe, power and the stories powerful men tell...Jason meets with the Oscar-winning director, which also stars John Goodman, Jesse Plemons, Sandra Hüller and Riz Ahmed. Plus, filmmaker Arlo Dean Cook on Jebediah: Are We OK? , an intimate documentary following the Perth alt rock band across decades of friendship, success and addiction. Plus, a look back at the acclaimed Rowland S. Howard documentary Autoluminescent, and why the latest Resident Evil reboot proves to be one of the year's most entertaining horrors. We want to know what you think of The Screen Show. Help us understand what's working, what's not, and how we can make our program even more useful, compelling and unmissable. Please take this quick survey.

This week we're reviewing two star-driven dramas. In Brothers , Matthew McConaughey and Woody Harrelson play versions of themselves whose long friendship is turned upside down by the suggestion they could actually be related. And in American Hostage , Jon Hamm stars as a radio broadcaster drawn into a real-life hostage crisis when an armed gunman demands a national audience.

Benedict Cumberbatch & Jonnie Hughes discuss How to Live on Earth , a visionary feature documentary that explores our connection to nature and its role in our future. French filmmaker Stéphane Demoustier on The Great Arch, a drama that tells the true story of the Danish architect behind one of Paris' most ambitious and iconic modern landmarks. Plus, Jason recommends The Weight , a new adventure film starring Ethan Hawke and Russell Crowe. We want to know what you think of The Screen Show. Help us understand what's working, what's not, and how we can make our program even more useful, compelling and unmissable. Please take this quick survey.

A look at Irish auteur Sharon Horgan's sharp new comedy, Youth , which once again finds humour and heart in the messiness of modern life. Plus, inside the expanding Call My Agent! universe, from the French original to its new movie spin-off.

Coyote vs. Acme director Dave Green on a Hollywood comeback story, plus, ahead of the new season of Slow Horses , we're revisiting a conversation with Gary Oldman. Coyote vs Acme was a film written off for dead before winning a passionate fan campaign and a second chance on the big screen for its beloved Looney Tunes characters. Gary Oldman discusses playing the gloriously dishevelled spy chief Jackson Lamb in Slow Horses and why the series resonates with audiences. We want to know what you think of The Screen Show. Help us understand what's working, what's not, and how we can make our program even more useful, compelling and unmissable. Please take this quick survey.

We unpack two major dramas: the buzzy new Australian crime series Last Seen, and the latest season of Slow Horses. In Last Seen, Patrick Brammall, Brendan Cowell and Chloe Jean Lourdes lead a high-stakes mystery of a missing child that exposes a close-knit community; while Slow Horses presents Gary Oldman's unforgettable Jackson Lamb once again, as he heads up his band of sidelined MI5 agents.

Patrick Brammall, Brendan Cowell and Chloe Jean Lourdes take us behind the scenes of Apple TV+'s new crime drama Last Seen , discussing what it took to bring the high-stakes mystery to the screen. Plus, Head of Production and Investment Attraction at VicScreen , Joe Brinkmann, discusses how Victoria secured the location rights to the production, and why it was the right fit. Bonus - capsule review of Runner , a new action comedy thriller starring Owen Wilson, set in Queensland.

A look at the latest season of Dark Matter , starring Joel Edgerton and Jennifer Connelly, alongside the Australian drama Dalliance , featuring a who's who of Australian acting talent including Heather Mitchell, Hugo Weaving, Georgie Parker and David Wenham. One imagines the lives we might have lived in a multiverse of possibilities, while the other centres around a tight knit group of friends in their sixties whose lives are suddenly up-ended.

Emmy Rossum talks about starring in Disney's acclaimed psychological thriller Furious , playing an undercover FBI agent hunting a female serial killer. Melbourne filmmaker Vee Shi's documentary Time and Tide takes him back to the Chinese town of his childhood, where a family reunion unfolds under deeply challenging circumstances.

Before there was How to Get to Heaven from Belfast, there was Derry Girls, the sharp-eyed comedy that made Lisa McGee one of the most distinctive voices in television. In this special, we trace the arc of McGee's work from the school corridors of 1990s Derry to the tangled friendships, secrets and dark humour of contemporary Belfast, and how she captures the experience of place, memory and friendship with equal measures of wit and tenderness.

Hollywood heavyweights Ridley Scott and Josh Brolin discuss Scott's latest film, The Dog Stars , an epic post-apocalyptic thriller also starring Jacob Elordi, Margaret Qualley and Guy Pearce. Set in a world ravaged by a virus that has wiped out most of humanity, the film follows the survivors left to contend with roaming scavengers and a brutal new reality. Jason speaks with three exciting emerging directors, whose films feature in MIFF's Bright Horizons competition: Canadian-Hungarian filmmaker Sophy Romvari, whose acclaimed debut feature is Blue Heron; New Zealand director Paloma Schneideman, whose Big Girls Don't Cry premiered in competition at Sundance; and award-winning Palestinian filmmaker Rakan Mayasi, whose debut feature Yesterday the Eye Didn't Sleep premiered in the Un Certan Regard section at Cannes. Presenter, Jason Di Rosso Producer, Sarah Corbett Sound engineer, Ross Richardson Arts editor, Rhiannon Brown