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Published by Joey Landreth & Derek Eastveld
This is the golden age of guitar gear! With so many awesome options available for players, it’s a thrilling time for musicians of all styles. Join Joey Landreth and Derek Eastveld as they hang out and geek out over the gear that’s inspiring them right now. From killer pedals to amazing guitars, they’ll showcase the tools inspire and excite them, helping to fuel their creativity as guitarists.
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This week we’re checking out a fuzz that’s been on Joe’s radar for a while — the Isle of Tone Haze 67, a boutique, late-’60s-inspired Fuzz Face-style pedal from our buddies at Isle of Tone in Austria. If you’ve ever wondered what happens when vintage-nerd obsession meets “let’s build it properly,” this one’s for you. We crack it open, nerd out on what’s inside (yes, it’s a Hammond box, yes, we’re those guys), talk germanium vs silicon myths, and mess with the pedal’s resistor control to change the feel and saturation. Then we do what we always do: play it, argue about it, accidentally turn it into a Hendrix conversation, and somehow end up talking about Slash, Fortis, and why tone rabbit holes are a real condition. Expect: Isle of Tone Haze 67 fuzz tones + how it reacts to touch and pickups Why this fuzz can sound less fuzzy than you expect (until it doesn’t) A quick look at the guts (Germanium life) Hendrix detours, Slash detours, and general unprofessionalism The eternal question: are you becoming a fuzz person… whether you like it or not? Drop a comment: What’s your favorite Hendrix tune? And are you a fuzz all-day person, or a “fuzz once a year and panic” person like… some of us? And if you’re new here — hit subscribe, ring the bell, and welcome to the chaos.
If you’ve ever gone down the rabbit hole of elite session guitar tones, you’ve definitely heard a James Tyler guitar — even if you didn’t know it. Built by master luthier James Tyler, James Tyler Guitars have earned a near-mythical reputation among professional players. These instruments aren’t just boutique — they’re legendary. Known for their bold aesthetics, ultra-playable necks, and incredibly versatile electronics, Tyler guitars have become a secret weapon for some of the greatest session musicians in the world. Players like Dan Huff and Michael Landau have relied on James Tyler guitars to deliver world-class tones across countless recordings. From pristine cleans to soaring fusion leads to studio-tight rhythm tracks, these guitars consistently rise to the occasion. When the red light turns on, they simply work. Yes — they are expensive. But there’s a reason. Every James Tyler guitar is meticulously crafted for tone, feel, and reliability at the highest professional level. The pickup configurations are wildly musical. The switching systems are incredibly flexible. And the responsiveness under your fingers is something you have to experience to fully understand. These aren’t just guitars — they’re precision musical instruments designed for players who demand everything: clarity, power, nuance, and versatility. In this video, we’re diving into what makes James Tyler guitars so special, why top-tier session legends swear by them, and whether they truly live up to their iconic status. If you love high-end guitars, legendary tones, and the artistry behind truly world-class instruments, make sure to watch this one!
In this episode of The Golden Age of Gear, we’re diving deep into the world of guitar speakers with the launch of the new Revv Amplification Classic Series speakers. Join us as we discuss the extensive prototyping process behind the RV90 and RV30, developed in collaboration with WGS to capture the best qualities of our favorite vintage and modern speakers. We’ll break down the sonic differences between the two, share the story of how a year of blind testing led to their creation, and put them to the test with a side-by-side audio comparison using the D20 MK2 and Joey Landreth series D20JL. Plus, we settle the debate on what to call a knit cap (spoiler: it's a toque).
In this episode of The Golden Age of Gear, we go deep into Gretsch land. Joey pulls out his vintage 1964 Chet Atkins Tennessean—a family heirloom from his dad, who modded it with TV Jones pickups, different wiring, and those famously cheesy-but-awesome painted-on F-holes. Derek brings in his modern White Falcon, a guitar he originally didn’t even want (he was chasing the classic orange 6120) until this one completely changed his mind the second he picked it up.
In this episode we’re talking dream guitars: the ones we obsessed over as teenagers, the ones we finally managed to buy, and the ones that still haunt our wishlists. We dig into a 1998 USA Peavey Wolfgang that served as a number one guitar for years, how it compares to the Ernie Ball/Music Man Van Halen model (now the Axis), and where the EVH Wolfgang and the striped Frankenstein-style Strat fit into Eddie’s signature lineage. Along the way we get into neck shapes, bird’s-eye maple, Floyd Roses, blocked vs floating trems, the D-Tuna, and why this particular Wolfgang has been one of the most stable instruments ever owned. We also talk honestly about string gauge myths (8s vs 9s vs 10–52 and even 19–68), tone, tuning, technique, and whether you should be “fighting” your guitar or making it as easy to play as possible. There’s some gear philosophy too: high-end custom shop pieces vs lots of mid/high-tier guitars, sentimental “case queens” vs daily drivers, and how our idea of a “dream guitar” has changed over time. Let us know in the comments what your dream guitar was as a kid, what it is now, and what string gauges and tunings you’re using—and if you enjoy hanging out and talking gear with us, hit subscribe and tell us what you’d like to see next.
In this episode of Golden Age of Gear, Derek and Joey break down their latest collaboration: the Dirt Dog overdrive — a pedal designed to capture the amp-like overdrive tones Joey used while recording Dog Ear, and recreate them reliably on a pedalboard. What started as a conversation about chasing specific record tones turned into a deep dive on touch response, gain structure, and flexibility. The goal wasn’t just “another overdrive” — it was something that could move from clean boost to saturated drive, clean up with your volume knob, and feel more like an amp than a pedal. We talk about: How the Dirt Dog came together from early prototypes to final tweaks Why amp-style overdrive is harder to get right than people think Gain staging, EQ balance, and dialing the “in-between” tones The importance of touch sensitivity and volume-knob cleanup Why this pedal isn’t tied to a specific amp model — and why that matters Along the way, Derek and Joey get sidetracked (as usual) talking about guitar technique, right-hand struggles, Winnipeg’s absurd talent pool, and why some pedals just feel better the more you play them. If you’re into amp-like overdrive pedals, signature collaborations, or understanding how great tones actually get built, this episode is for you. 👇 Let us know in the comments What kind of overdrive do you reach for most? Do you prefer amp-style pedals or classic circuits? And what tones should we chase next?
DSM Humboldt Dumblifier | Golden Age of Gear Ep. 55 In this episode of Golden Age of Gear, Derek and Joey check out a brand-new release from DSM Humboldt — an analog Dumble-style amp simulator designed to capture classic ODS tones in a compact, pedalboard-friendly format. Known for their Simplifier series, DSM Humboldt takes a different approach here: pure analog circuitry, dual channels, built-in reverb, cab simulation, and direct-out capability — all aimed at players who love Dumble-style amps but don’t love hauling (or affording) a six-figure amplifier. We dig into: What makes Dumble-style / ODS circuits feel and respond the way they do Clean vs dirty channel interaction and gain staging Power amp feel vs pedal feel Analog cab simulation (and why most of them miss the mark) Using this as an end-of-board solution or straight into a power amp How this stacks up against other Dumble-style pedals and solutions Most importantly, we talk about feel — how this responds under the fingers, how it handles single coils vs humbuckers, and whether it actually delivers the bloom, sustain, and midrange complexity people chase in Dumble-style amps. If you’re into Dumble-style pedals, amp-less rigs, analog amp simulation, or pedalboard-based touring setups, this one’s worth watching. 👇 Let us know in the comments What’s your favorite Dumble-style pedal or amp sim? Have you tried DSM Humboldt gear before? And what should we put into a full ODS shootout? Like, subscribe, ring the bell — and we’ll see you next week.
Dan Armstrong Orange Squeezer | Golden Age of Gear Ep. 54 In this episode of Golden Age of Gear, Derek and Joey go deep on one of the most divisive effects in guitar history: compression. Starting with the famously weird Dan Armstrong Orange Squeezer (yes, the Lego-looking one), the conversation quickly turns into a real-world discussion about why players use compressors, when they actually make sense, and why so many guitarists (including us) have struggled to love them. From vintage slide tones inspired by Lowell George, to modern pedalboard-friendly compressors like the Analog Man Bi-Comp, we explore how compression shapes sustain, attack, feel, and tone — and why it can be magical in one context and completely unbearable in another. This episode isn’t about telling you what to like — it’s about figuring out what compression actually does, how players really use it, and whether there’s a version out there that adds sustain without killing your tone. Along the way, we cover: The Dan Armstrong Orange Squeezer and why it inspired so many modern compressors Why compressors feel incredible for slide guitar (and awful for some players) Compression as a solo boost vs always-on effect Attack, sustain, and the dreaded “puffy” sound Why some players swear by compression — and others can’t stand it The never-ending hunt for a compressor that adds sustain without artifacts As always, this episode is equal parts tone nerdery, real-world experience, and friendly disagreement — which is kind of the whole point of Golden Age of Gear. 👇 Let us know in the comments: Do you love compressors? Hate them? Use one only for solos? Or have you found the compressor that does exactly what we’re talking about? If you’re enjoying these conversations, don’t forget to like, subscribe, and ring the bell so you don’t miss future episodes. We’ve got a lot more gear debates coming.
P90 Pickups | Golden Age of Gear Ep. 53 In this week’s episode of Golden Age of Gear, we go all-in on P90 pickups — why they feel so good, why they sit in that perfect middle ground between single coils and humbuckers, and why so many players (including us) have slept on them for way too long. We A/B a wide range of P90-equipped guitars, exploring how different winds, builders, and designs shape feel, output, noise, and attitude — from modern boutique options to stock pickups that seriously overdeliver. In this episode we dig into: Why P90s might be the best of both worlds Noise, output, and gain handling compared to single coils and humbuckers Drop-in P90 upgrades that completely transform a guitar Boutique vs stock pickups (and when each makes sense) Why some guitars just come alive with P90s How P90s handle modern gain surprisingly well The “single pickup” magic and why it feels different Pickups featured include options from Tom Anderson, Lindy Fralin, Ron Ellis, Peg City Pickups, and Yamaha, along with guitars from Novo, Gibson, and Yamaha. — all through real amps, real gain, and real-world playing. 👇 Let us know in the comments: What’s your favorite P90 pickup or guitar? Which builder should we try next? Are you Team P90, Team Humbucker, or still loyal to single coils? If you love honest gear talk, real-world comparisons, and discovering why certain pieces of gear just feel right, hit Like, Subscribe, and ring the bell so you don’t miss future episodes of Golden Age of Gear.
Joey's New Board | Golden Age of Gear Ep. 52 In this week’s episode of Golden Age of Gear, Joey walks Derek through a brand-new pedalboard build — not just what’s on it, but why it’s there, what’s likely to change, and how his approach to gear has evolved. This isn’t a “perfect Instagram board.” It’s a working, modular rig built around inspiration, portability, and real-world use — something that can do fun, creative sounds without getting in the way of actually playing guitar. We talk about: Why this pedalboard is intentionally less precious and more flexible Choosing pedals that inspire you instead of chasing hype The balance between “want” vs “need” on a board MIDI control, stereo rigs, and avoiding tap-dancing Transformer-based boosts and subtle tone shaping Travel-friendly pedalboard design and airline realities Why some pedals stay forever — and others are always up for replacement Joey also breaks down his new Pivotal Pedal Boards setup, loop routing, power choices, cable decisions, and how this board is designed to change over time instead of being locked in forever. This episode is less about rules and more about permission — permission to experiment, pivot, simplify, and build a rig that actually serves the music instead of slowing you down. 👇 Let us know in the comments: Are you constantly rebuilding your pedalboard or do you lock it in? What’s the one pedal you can’t seem to take off your board? If you enjoy honest gear conversations, real-world rigs, and slightly unhinged pedalboard philosophy, hit subscribe, ring the bell, and come hang with us every week.
Revv Dynamis D40 | Golden Age of Gear Ep. 51 What’s up, friends? We’re back this week with a proper look at the Revv D40 — an amp that’s been part of the Revv lineup for a while now, but one Joey hasn’t really spent meaningful time with since the early prototype days. After hearing how incredible Dann Huff sounded through it earlier this year, it felt like the right time to finally plug in and see what this thing is all about from Joey’s hands-on perspective. We get into how the D40 grew out of the original Dynamis 740, what changed, what carried forward, and how Shawn Tubbs and Dan worked together to reshape the drive channel into something with more bloom, more feel, and more of that vintage-inspired character players kept asking for. It’s still undeniably a Revv amp — tight low end, punchy response, super clear articulation — just with its own vibe and personality. And of course, it wouldn’t be Golden Age of Gear without some wandering prairie philosophizing, truck talk, and general guitar-nerd joy along the way. What’s Inside This Episode 🎛️ Clean Channel Tones — bright switch magic, tons of headroom, reverb in the loop, and why this clean channel loves pedals. ⚡ Drive Channel Breakdown — voicing updates, note bloom, and how Shawn Tubbs helped dial in the feel. 🎸 Real Playing — slide tones, boost stacking, cleanup tests, sustain experiments, and Joey’s take on the “Revv punch” vs. the looser feel of vintage amps. 🔧 Design Notes — dual masters, Two Notes Torpedo reactive load with IRs, pedal-platform behaviour, and where the D40 sits in the Revv family. If you’ve ever wondered how the D40 actually feels under the fingers — especially compared to the 740 or the Generator — this episode should paint the full picture. 👇 Let us know in the comments: Are you gigging a D40? Still rocking a 740? What should we run into this amp next? Thanks for hanging with us — like, subscribe, ring the bell, and we’ll see you next week.
Bob Burt Gr8t Distortion Pedal | Golden Age of Gear Ep. 50 Welcome back, friends! Today we’re diving into a seriously cool piece of boutique distortion history — the Bob Burt Gr9t Distortion, a pedal from one of the OG custom cabinet builders turned pedal-maker. This thing looks wild, sounds wild, and has one of the strangest compression controls we’ve ever used… in all the best (and sometimes weirdest) ways. In classic Golden Age fashion, we go down the rabbit hole: RAT circuits, boutique builders from the ’90s, Alan Hinds’ tone secrets, compression controversies, used pedal bin glory, and even a little family history involving Derek, Luke, and budget-stretching Canadian Kijiji hauls. What We Cover in This Episode 🎛️ Bob Burt Gr8t Distortion — Volume, tone, gain, and the bizarre-but-cool compression knob. ⚡ RAT vs. Gr8t — How close it gets, what’s different, and why it sounds the way it does. 🎸 Real-World Use — Slide tones, cleanup behavior, mix placement, and dynamic feel. 🧰 Boutique Pedal Quirks — Odd enclosures, one-off layouts, and why weird old pedals are often gems. If you dig boutique distortion, RAT circuits, oddball vintage clones, or gear with real builder history behind it — you’re gonna love this one. 👇 Let us know in the comments: Have you ever played a Bob Burt pedal? What’s your favorite RAT variant? And what weird, obscure pedal should we track down next? Don’t forget to like, subscribe, and ring the bell to help keep the Golden Age rolling.
Kernom Pedals | Golden Age of Gear Ep. 49 In this episode of The Golden Age of Gear, Derek and Joey dive into some truly wild sonic territory with three next-level pedals from Kernom — the Ridge, the Moho, and the Ellipse. These French wizards have been making a quiet but VERY loud splash in the guitar world, and today we dig into why their analog-driven, feature-packed designs have so many players talking. We’re exploring how these pedals blend analog tone, clever digital control, and deep tweakability to create everything from classic overdrive flavors to gritty fuzz madness and rich modulation textures. Whether you're chasing transparent drive, thick vintage fuzz, tri-chorus dreaminess, harmonic trem, or a super-flexible overdrive that can mimic your favorite pedals from across your board — these boxes kind of do it all. What We Cover: 🎛️ Kernom Ridge – An all-analog overdrive that can emulate your favorite ODs using its “mood” knob to switch clipping types on the fly. MIDI, presets, tone shaping, AND a unique enclosure? Yeah… it’s a thing. ⚡ Kernom Moho – A fuzz machine that goes from vintage, spitty, gated tones to modern high-gain fury. Octaves, ring mod, smooth transitions between textures… Derek even likes it, and he’s famously “not a fuzz guy.” 🌊 Kernom Ellipse – Modulation galore. Harmonic trem, rotary, flanger, phaser, vibe, tri-chorus — all analog-driven with beautiful control over shape, blend, and movement. Not stereo, but ridiculously deep and insanely musical. Along the way we get into: How the “mood” knob actually alters clipping components Pre/post EQ tricks for shaping drive the way amp builders do What really matters with harmonic trem Univibe purism (Joey has opinions) The surprisingly impressive design choices in Kernom’s enclosures Why these pedals feel like an analog counterpoint to modern multi-FX units As always, we’d love to hear from you — what Kernom pedal impresses you the most? What should we check out next? Drop your thoughts in the comments and hit that subscribe button to help keep the show rolling.
65' Deluxe Reverb vs D25JL | Golden Age of Gear Ep. 47 This week on Golden Age of Gear, Derek & Joey nerd out on vintage Fender amps and put a 1965 Deluxe Reverb (blackface) up against Joey’s Revv D25 JL. We dig into what makes tweed / brownface / blackface / silverface circuits feel different, why bias-vary tremolo hits different than opto trem, and how much “neutral pedal platform” is myth vs reality. Plus: backline survival tips (hello Hot Rod DeVille), stereo tricks, and a few road stories. 👉 In this episode: ’65 Fender Deluxe Reverb tone tour (vibrato channel, spring reverb, trem) A/B: Deluxe Reverb vs Revv D25 JL (mid focus, low-end feel, headroom) Tremolo talk: Opto vs bias-vary (and why Joey prefers the latter) Era breakdown: Tweed vs Brownface vs Blackface vs Silverface—what actually changes Backline reality: Why pros often ask for a Hot Rod DeVille and bypass the preamp Stereo pro tip: One amp wet, one amp dry = instant width 💬 Question for you: What’s your desert-island small Fender—Princeton, Deluxe, or something brownface? Tell us why! 🔥 Love weekly deep dives? LIKE, SUBSCRIBE & ring the bell 🔔 so you never miss Golden Age of Gear. #GoldenAgeOfGear #FenderDeluxeReverb #BlackfaceFender #BrownfaceFender #PrincetonReverb #BiasVaryTremolo #GuitarAmps #RevvAmps #PedalPlatform #StereoRig
Fuzz Faces | Golden Age of Gear Ep. 46 This week on Golden Age of Gear, Derek & Joey get fuzzy with a table full of legendary and boutique fuzz face pedals — from an original Arbiter England Fuzz Face to custom builds from Dominion Fuzz and DanDrive. They talk about why old carbon-zinc batteries make fuzz pedals sound different, how small tweaks change tone, and whether obsessing over cables, batteries, and power supplies actually matters once the drummer starts playing. In this episode: - Vintage Arbiter Fuzz Face vs modern boutique builds - Dominion “Crocus” Fuzz & DanDrive Vocooder demos - Why “bad” batteries and messy circuits sometimes sound better - Fuzz tone myths, power supply talk, and real-world playing tests It’s equal parts tone nerdery and comedy — the perfect hang for anyone who loves guitar pedals, fuzz history, and gear rabbit holes!
This week, Joey and Derek dive into one of their favorite pedal brands — Mythos Pedals — and talk about the story, the sounds, and the friendship behind them. Joey shares how his connection with Zach Broyles (founder of Mythos) goes all the way back to the very first Brothers Landreth show in Nashville, and how that led to his own signature Mjolnir and High Road Fuzz pedals. The guys plug in multiple versions of the Mjolnir, compare tones, talk NOS germanium diodes, and joke their way through what “scrungy” really means. They also get into how feel changes everything — why the Mjolnir reacts differently than you’d expect, what makes the High Road fuzz so unique, and how subtle tweaks can make a pedal feel more alive. There’s plenty of tone talk, nonsense, and accidental product promotion along the way. 🎛️ Pedals featured: Mythos Mjolnir (various versions) Mythos High Road Fuzz Bonus: references to Hendrix, Ghostbusters, and the “Maillard effect” (don’t ask) 🎸 Guest shoutout: Zach Broyles — Mythos Pedals 🟣 Amps: Revv D20 MKII Grab a coffee (or a LaCroix), settle in, and hang with us for a good laugh and some great tones. 💬 What’s your favorite Mythos pedal or Klon-style drive? #GoldenAgeOfGear #MythosPedals #JoeyLandreth #DerekEastveld #GuitarPedals #KlonClone #Mjolnir #HighRoadFuzz #RevvAmps #GuitarTone
EQ Pedal Shootout | Golden Age of Gear Ep. 44 This week, Joey and Derek go deep on one of the most underrated tools on your board — EQ pedals. What started as a “clean boost side quest” turned into a full-blown shootout between classics, mods, and a few surprises. The guys compare the legendary Boss GE-7, the XTS and Analog Man mods, the bargain-bin Behringer EQ700, the Earthling Designs Preamp, and of course the wild Chase Bliss Condor. From subtle tone-shaping to straight-up sonic surgery, they find out which one actually makes your rig sound better — and which one just adds noise. Along the way there’s LaCroix, shameless self-promotion, some serious nerding about frequencies, and one or two jokes at each other’s expense. Grab a drink, turn it up, and hang out — because it turns out EQ pedals are way more fun than anyone admits.
The Rock Slide | Golden Age of Gear Ep. 43 This week, Joey and Derek dive deep into the world of slide guitar — and if you’ve ever wanted to learn how to actually play slide in tune, this is the episode for you. Joey breaks down everything from basic open E tuning and muting technique to vibrato tips that make your playing sing. The guys also check out a full box of Rock Slide guitar slides that Danny Songhurst sent over — glass, brass, nickel, and of course Joey’s signature Rock Slide. They test them all, talk tone differences, and even give Derek a crash course in slide playing (with plenty of laughs along the way). You’ll also get a sneak peek at why the Revv D20 – Joey Landreth Edition now ships with a Rock Slide included — the perfect way to start exploring slide for yourself. Grab a beverage, hang out, and let us know in the comments which slide you prefer: glass, brass, or nickel? 🎸 Gear in this episode: Joey Landreth Signature Rock Slide The Rock Slide (glass, brass, nickel) Revv D20 – Joey Landreth Edition Suhr Woodshed Compressor Subscribe to catch new episodes of The Golden Age of Gear every week, and drop a comment to tell us what gear or technique we should tackle next! #GoldenAgeOfGear #JoeyLandreth #SlideGuitar #TheRockSlide #RevvAmps #OpenETuning #GuitarLesson #GuitarTone
Fairfield Circuitry | Golden Age of Gear Ep. 42 This week we’re diving into some truly weird and wonderful pedals — including a Fairfield Circuitry ring modulator, tilt EQ, and more. These Canadian-made pedals have a cult following for good reason, and we’re putting them to the test to see just how wild (and surprisingly musical) things can get. From spacey oscillations to straight-up noise-maker fun, we explore how tools like Fairfield’s Randy’s Revenge, Long Life, and other oddballs fit into a guitar rig. We also chat about gear regrets, moving amps & pedals along, and what it means to collect vs. actually keep the keepers. 👉 Whether you’re a boutique pedal nerd, a gear collector, or just love watching two friends get lost in tones that range from beautiful to bizarre, this one’s for you. In This Episode: - Fairfield Circuitry Ring Modulator deep dive (aka Randy’s Revenge) - Why tilt EQ is cooler than you think - Long Life EQ & filter textures - Pedal regrets vs. keepers - Using weird pedals in a mix or live rig - Why every town needs a boutique pedal shop If you’ve ever wondered what the heck you’d actually use a ring mod for… this episode might surprise you. ⚡ Join the conversation! Drop a comment with the weirdest pedal you own — or the one you regret selling.
Veritas Portlander | Golden Age of Gear Ep. 40 This week on Golden Age of Gear, Derek & Joey sit down with a stunning Veritas Portlander custom build — a guitar that blends boutique craftsmanship with unique player-focused specs. From a wenge neck and custom burst finish to the kind of details only a small shop can pull off, this Portlander has us asking: is it better to spec a guitar exactly how you want, or let the builder do what they do best? 👉 In this episode: First impressions of the Veritas Portlander ✨ The pros & cons of custom-spec guitars ⚖️ Neck shapes, pickups, trims & why sometimes less is more Stories about Sorokin, Lumiere, Novo, James Tyler & other boutique builders 🔥 Why collaboration with a luthier often creates the most inspiring instruments If you’ve ever wondered about ordering a custom guitar, this one’s for you. 🔥 Don’t miss new episodes — LIKE, SUBSCRIBE & ring the bell 🔔 for weekly Golden Age of Gear deep dives into the best guitars, amps & pedals. 👇 Drop a comment: Would you fully spec a custom build, or let the luthier do their thing? #GoldenAgeOfGear #VeritasGuitars #VeritasPortlander #BoutiqueGuitars #CustomGuitars
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