UNSUNG - the Audiomovers Podcast

The latest episode of UNSUNG welcomes acclaimed recording and mix engineer Bainz, who joins hosts Jocelin and Matt Soczywko for an in-depth conversation about his career, his long-standing creative partnership with Young Thug, and the process behind mixing some of the biggest records in hip-hop. Bainz shares how years spent recording, mixing and travelling with Young Thug have created a unique level of trust and creative understanding, allowing him to instinctively know what an artist wants from a record. He also reflects on building a career behind the scenes, working under intense deadlines, collaborating with other leading engineers, and why being in the room when a song is created can make all the difference when it comes time to mix. Together they dive deep into Bainz’s approach to vocals, from clip gain and detailed vocal cleanup to controlling harshness and keeping every word upfront and intelligible. He breaks down his hybrid mixing setup and the systems that allow him to move quickly across huge projects without sacrificing creativity. The conversation also explores working with artists including Young Thug, Lil Baby and Jordan Adetunji, collaborating with engineers across major records, mixing remotely with Audiomovers, analogue versus in-the-box workflows, the importance of maintaining an artist’s signature sound, working closely with mastering engineer Joe LaPorta, and why trust, relationships and collaboration remain at the heart of making great records. ➡️ Learn more about Audiomovers – https://audiomovers.com UNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love. #Bainz #YoungThug #MixEngineer #AudioEngineering #MusicProduction #HipHop #RecordingEngineer #Mixing #Audiomovers # UNSUNG Podcast Timecode: 00:00 Going to NAMM vs. being on NAMM 02:50 Working so fast there's no time to talk 06:14 The relationship is the ultimate cheat code 07:43 I would still do this if I wasn't getting paid 08:36 Why you need to be in the room when inspiration hits 10:08 Does being there for the creation give your mix an edge? 12:20 Handling messy files and endless track counts 14:48 Adapting to Atmos and the remote mixing reality 15:24 My hybrid setup: mixing with the real deal gear 18:57 Breaking down my master mix chain setup 20:41 How to get vocal clarity without making it sound clinical 24:10 Streamlining my workflow using a Stream Deck 25:26 Custom quick keys that save my creative momentum 25:54 When session prep becomes a massive teamwork puzzle 28:16 Thriving under intense pressure for major label records 31:22 Dealing with crazy parallel album deadlines 32:20 Knowing when to stay in your lane as an engineer 33:48 How modern technology is changing studio collaboration 36:52 The Miami session crisis: mixing in an unfamiliar room 38:17 Using Audio Movers to bridge cross-system sessions 42:05 The specific tools I use for vocal processing 43:26 Strict template boundaries and managing client feedback 45:15 Using reference tracks and working with mastering engineers 48:54 Quick fire round: studio essentials and gear picks 50:06 Starting a pro audio lifting team in the studio 51:04 Gym stories, ego lifting, and who won on bench press 51:20 Where to find more and wrapping up the episode

The latest episode of UNSUNG welcomes Brian Kehew and Kevin Ryan, acclaimed engineers, producers and authors of the legendary book Recording The Beatles, for a fascinating deep dive into the recording techniques, technology and untold stories behind some of the most influential music ever made. Drawing on decades of research, Brian and Kevin reveal how they uncovered the truth behind Abbey Road's iconic equipment, the engineers and technicians who shaped the Beatles' sound, and the detective work involved in separating fact from decades of myth. Together they discuss the creative power of recording limitations, why great songs always matter more than great gear, and how collaboration helped create one of the most respected books in modern music production. The conversation also explores George Martin's handwritten orchestral scores, rediscovering legendary vintage equipment, mono versus stereo, the evolution of recording technology, and why preserving music history matters for future generations of engineers and producers. ➡️ Learn more about Audiomovers – https://audiomovers.com UNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love. #RecordingTheBeatles #TheBeatles #AbbeyRoad #BrianKehew #KevinRyan #GeorgeMartin 00:00 Technical troubles and the search for the amp switch 00:19 Welcome back: meeting the authors of Recording the Beatles 04:17 The 15-year obsession behind the ultimate Beatles gear guide 06:34 Why an ego-free partnership was the key to the book 08:29 The massive gamble of self-publishing a 500-page masterpiece 09:46 Designing a book that feels like an Abbey Road tape box 10:55 Why the packaging matters as much as the history 11:52 Decoding George Martin’s original orchestral scores 15:43 The hidden stories buried in the handwritten sheet music 18:35 Exploring George Martin’s genius beyond the Fab Four 20:02 Re-recording history: the educational power of classic scores 22:27 Alternate takes and the legacy of the world's most famous recordings 26:13 How technical limitations actually fueled the Beatles' creativity 27:45 Why imperfections are the "character" of your favorite records 30:30 Creativity vs. technology in the modern studio 31:09 The true power of Mono in early music production 32:49 Why the first Stereo mixes were actually a technical "mistake" 35:55 Celebrating the unsung heroes of the Abbey Road control room 37:40 The Beatles’ live philosophy and the impact of Norman Smith 39:23 A postcard from George Martin and Chris Thomas' big break 41:56 The race to save original Abbey Road gear from the skip 43:44 Finding the "lost" Altec RS124 compressors 45:48 Forensic audio: how we tracked down every piece of gear 46:40 Finalizing the definitive history of the world's most famous studio 47:19 Memorable moments from inside the Abbey Road vaults 49:01 Studio disasters and the art of solving problems under pressure 51:15 Why memories fade but the session tapes never lie 53:14 Unraveling the greatest myths of Beatles recording sessions 55:41 From the Vox AC30 to the J-160E: the sounds that defined an era 59:12 Why we must preserve the knowledge of these recording techniques 1:00:40 Chasing the Ringo drum sound and replicating iconic tones 1:02:32 How a small gear guide turned into a massive historical archive 1:05:18 Finding the "unknown unknowns" in the Beatles' history 1:09:02 The long journey of the George Martin project 1:11:08 The lasting impact of Recording the Beatles on the industry 1:14:11 Why vintage gear prices have gone through the roof 1:14:41 The truth about microphone reissues and classic AKG models 1:15:19 Why we still reach for vintage mics for that specific character 1:16:42 John Brion sessions and the hunt for rare vintage sounds 1:18:03 Exploring the legendary guitar shops of London 1:18:50 The legacy of Sound Techniques and the console that changed everything 1:25:06 Closing thoughts and wrapping up the session

The latest episode of UNSUNG welcomes acclaimed producer and engineer, Luke Wooten who joins hosts @mirek.stiles and @mattsoczywko for an in-depth conversation about building hit records in Nashville and the creative process behind some of country music's biggest artists. With a career spanning more than three decades, Luke shares stories from working with Brad Paisley, Dierks Bentley, William Shatner, and many more, offering a rare insight into life inside Nashville's recording scene. Together they discuss finding an artist's unique sound, the importance of choosing the right musicians, producing without ego, and why preparation is the key to capturing unforgettable performances. The conversation also explores Brad Paisley's signature recording setup, Station West Studios, Nashville's world-renowned session musicians, the evolution from tape to Pro Tools, Dolby Atmos, studio acoustics, analogue versus digital workflows, and why great records are ultimately built on great songs, great players and great collaboration. ➡️ Learn more about Audiomovers – https://audiomovers.com UNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love. #LukeWooten #BradPaisley #MusicProduction #RecordProducer #AudioEngineering #RecordingStudio #MixEngineer #Nashville #Audiomovers #UNSUNGPodcast Timecode: 00:00 Why the musicians are Nashville’s greatest asset. 02:26 Working with Brad Paisley and his elaborate studio setup. 05:48 The ""Tackle Box"" Project: Recording 16 tracks in two days. 08:47 Stepping back from the console: Why producers stop mixing. 11:23 Capturing the artist's vision instead of your own. 13:05 The Station West origin story: Finding a ""hidden"" studio. 16:24 Taking the ultimate financial risk on a dream. 18:13 Why I converted to a standing desk for long sessions. 20:45 Creating a creative sanctuary in Costa Rica. 23:46 Watching Berry Hill transform into a world-class music hub. 25:42 Why I’m optimistic about the rising tide of streaming. 27:53 Post Malone’s deep respect for the Nashville community. 31:38 The incredible depth of talent in local session players. 34:09 Collaboration over ego in the control room. 35:42 Mixing for Brad Paisley: When the guitar is as loud as the vocal. 40:13 Why I finally transitioned to mixing entirely in the box. 44:22 The adrenaline and magic of a live tracking session. 46:08 Studio disasters: When the lights dim and the gear shorts out. 48:08 My biggest rookie mistake: The accidental feedback loop. 49:19 The importance of good diffusion and room tuning. 52:30 Quickfire: the Lewitt 1040 and the Dr. Z DB4 Amp. 56:08 Why the best guitar tones often use zero pedals. 58:08 My favorite 1961 Les Paul Jr. and the Martin D-35. 59:22 Closing thoughts and how to find Station West.

The latest episode of UNSUNG welcomes acclaimed mix engineer Sean D, who joins Audiomovers and hosts Jocelin, Matt Soczywko for an insightful conversation about building one of the UK's most respected mixing careers. From humble beginnings to mixing chart-topping records for artists including Central Cee, Headie One, M Huncho, D-Block Europe and more, Sean shares the journey behind his success and the lessons learned along the way. Together they discuss the importance of relationships in the music industry, transitioning from recording to full-time mixing, developing Signature Studios, and why business skills are just as important as technical ability.The conversation also explores Sean's mixing philosophy, working on landmark UK drill records, staying current through reference tracks, Dolby Atmos, analogue summing, simplifying workflows, and why making music feel great will always matter more than chasing technical perfection. ➡️ Learn more about Audiomovers – https://audiomovers.com UNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love. #SeanD #MixEngineer #AudioEngineering #MusicProduction #RecordingStudio #Mixing #CentralCee #UKDrill #Audiomovers #UNSUNGPodcast 00:00 Why mixing is about feeling over technology 00:37 How I got my start in audio engineering 06:27 Building a sustainable career and giving back to the community 08:42 How to balance multiple creative roles in the music industry 12:03 The right way to build lasting relationships in the game 14:57 Turning points: major career milestones and moving into mixing 17:47 Why I chose to transition away from recording to focus on mixing 19:35 Behind the scenes of The Plug project and executive producing 22:44 Staying ahead of evolving trends in modern music production 26:20 Adapting classic mixing styles to fit modern trends 26:55 Tailoring your mix to match an artist's specific identity 29:31 Technical insights on monitors, rooms, and acoustic translation 33:07 The golden rule of mixing: keeping it simple and trusting intuition 34:34 My honest thoughts on Dolby Atmos and spatial audio 36:45 Breaking down my favorite plugins and daily mixing workflow 40:40 Dream collaborations and looking toward future artistic goals 42:32 Balancing the creative side with business: advice for aspiring engineers 46:20 Studio stories and finding technical workarounds under pressure 49:06 Overcoming the biggest challenges in mixing and mastering 50:54 Where to find Signature Studios and our educational resources 51:12 Wrapping up the session and closing thoughts

Season 2 of UNSUNG continues with acclaimed mastering engineer Piper Payne, who joins hosts Mirek Stiles and Matt Soczywko for a fascinating conversation about mastering, vinyl, and the craft of making great records.Based in Nashville, Piper has mastered albums for independent artists and major labels alike, while also founding Physical Music Products, one of the industry's most innovative vinyl pressing plants. Together they discuss mastering philosophy, the resurgence of vinyl, building a pressing plant during the pandemic, and why physical media has become a vital lifeline for independent artists.The conversation also explores analogue vs digital workflows, communication between artists and engineers, preserving specialist knowledge, and why mastering is as much about serving the music as it is technical precision.➡️ Learn more about Audiomovers – https://audiomovers.comUNSUNG is a podcast from Audiomovers exploring the untold stories and creative processes behind the music we love.#PiperPayne #MasteringEngineer #Vinyl #VinylRecords #AudioEngineering #MusicProduction #RecordingStudio #Mastering #Audiomovers #UNSUNGPodcastTimecode00:00 The art and economics of vinyl records.00:48 Building a record plant in the middle of a pandemic.03:29 Why I left Electrical Engineering for Audio Mastering.06:55 Fixing the deficit in vinyl quality control.08:59 Helping Independent Artists recoup their studio costs.13:58 Why it used to take two years to press a record.15:11 Debunking the myth of heavyweight vinyl.17:27 Why colored and clear vinyl actually sound different.20:22 The "dark arts" and magic of a well-pressed record.23:07 Active vs. passive listening: The ritual of the LP.24:41 Finding the "old guys" to save a dying craft.29:41 From jazz drumming to the mastering chair.31:00 The moment I realized mastering was my future.32:35 Learning from icons like Mandy Parnell and Darcy Proper.35:32 Why cutting a record is a handshake with the artist.39:26 Passing on 10,000 hours of knowledge to the next generation.42:07 Moving from the Bay Area to Nashville.44:03 Navigating studio ego and the game of "telephone".47:44 The pros and cons of remote vs. attended sessions.50:16 My hybrid gear chain: From Api to Rupert Neve.51:57 Why modern mixes are "kissing the top" too hard.55:08 The "poop joke" guide to cleaning up your low end.56:49 A litmus test for mix engineers.59:41 Using your ears instead of watching a waterfall.1:02:01 Why I prefer watching meters dance to looking at an RTA.1:03:53 Falling into Reaper after a Sonic Studio breakdown.1:07:50 Quickfire: Cheeseburgers and PMC Monitors1:08:43 My wife’s collection of 14 tape machines.1:09:26 Mastering on the road with Audeze Headphones.1:10:31 Being a night owl in an early-morning town.

Season 2 of UNSUNG continues with acclaimed mixer, engineer, producer, and entrepreneur F. Reid Shippen, who joins hosts Mirek Stiles and Matt Soczywko for a wide-ranging conversation about mixing, studio culture, artist development, and what really makes a career in music last. Known for his work across country, rock, pop, Americana, and film projects, Reid has spent decades behind the console working with some of the biggest artists, producers, and songwriters in the industry. In this episode, he shares the lessons he's learned from a lifetime in recording studios — from major-label sessions and Nashville's music scene to modern mixing workflows and the realities of creative collaboration. The conversation also explores demoitis, mix revisions, artist psychology, sample replacement, Atmos mixing, and the changing role of the modern engineer. Along the way, Reid shares stories from Nashville sessions, discusses the challenges facing independent artists today, and offers practical advice for anyone trying to build a sustainable career in music. From studio etiquette and creative confidence to failure, persistence, and finding your own voice, this episode is packed with insights for musicians, producers, engineers, and anyone interested in how great records actually get made. ➡️ Learn more about Audiomovers – https://audiomovers.com UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, composers, and artists shaping records and soundtracks across genres and industries. #FReidshippen #MixingEngineer #Podcast #Audiomovers #MusicProduction #AudioEngineering #Mixing #Nashville #RecordingStudio #Producer #Atmos #MusicIndustry Timecode 00:00 Why vibe is the most important tool in music production 01:37 Lessons from The Beatles on capturing authentic moments 04:33 Current studio projects and the evolution of the Nashville scene 08:10 Tapping into the unique musical spirit of Nashville 09:49 Navigating economic challenges when building a studio 10:35 My personal journey into the world of mixing and production 14:34 Breaking in: early career shifts and the move to engineering 17:11 Teaching the real-world skills that actually matter in the studio 20:33 The art of problem-solving and managing studio dynamics 22:00 Late-night mixing sessions and taking control of your creative agency 27:53 Surviving the long road to success in a creative industry 29:06 Inside the room: Taylor Swift's early career and production insights 30:30 Exploring the influence and art of modern music production 34:00 How to communicate with artists during the mixing process 35:42 Navigating artist references without losing the original vision 37:34 Finding the emotional connection in a raw mix 38:58 The "demo-itis" struggle: when an artist can't let go of the rough draft 44:06 Understanding why artists fall in love with their demos 45:11 A philosophy on the biggest challenges in modern mixing 49:21 Technical tips for session prep and plug-in management 51:43 The "dark art" of mixing drums and using samples 53:05 Pro techniques and tools for drum triggering 55:15 The balancing act: maintaining quality at high speed 58:38 My personal recording and mixing gear preferences 1:00:54 A deep dive into specific audio techniques and signal paths 1:02:58 Is it the future? exploring Immersive Audio and the Atmos format 1:07:04 Empowering indie musicians through the Once platform 1:10:10 A final look at essential mixing tools and creative techniques 1:13:03 Closing thoughts and acknowledgments

In this episode of UNSUNG Season 2, hosts @mixedbyjocelin and @mattsoczywko are joined by GRAMMY-winning mastering engineer Pete Lyman for a conversation about mastering, vinyl, artist intent, and the role of the mastering engineer in bringing a record across the finish line. Known for his work with artists including Chris Stapleton, Sturgill Simpson, Amanda Shires, Halsey, and many others, Pete shares insights from a career spanning punk rock, country, pop, and independent music, explaining why understanding an artist's vision is often more important than chasing technical perfection. The conversation explores the resurgence of vinyl and what makes the format such a unique listening experience. Pete discusses album sequencing, music discovery, and why listening to a record from start to finish can reveal a deeper artistic narrative than simply skipping between tracks. Matt and Jocelin also dive into the technical side of vinyl mastering, covering topics including low-end management, phase relationships, side length limitations, loudness, and the challenges of ensuring a mix translates across every listening environment, from high-end immersive systems to everyday headphones. Alongside the technical discussion, Pete reflects on his journey from playing in punk bands to becoming one of the industry's most respected mastering engineers. The episode touches on immersive audio, modern mastering workflows, working with artists and producers, mentorship, studio culture, and the lessons he's learned from decades spent helping shape records across every genre. Whether you're an engineer, producer, musician, or passionate music fan, this episode offers a rare insight into the craft, philosophy, and responsibility of mastering music for generations of listeners. ➡️ Learn more about Audiomovers – Audiomovers.com ➡️ Listen to this episode on Spotify #PeteLyman #UNSUNGPodcast #MasteringEngineer #VinylMastering #AudioEngineering #MusicProduction #MixingEngineer #MusicIndustry #AtmosMixing #Audiomovers Timecode 00:00:00 Introduction: Meeting Pete Lyman of Infrasonic Mastering 00:01:05 'Immersive' Mixing and Mastering, and different formats 00:03:32 The Early Days: From Punk Rock to Professional Mastering 00:05:46 Breaking down 'The Process'. Listening is key! 00:10:35 Punk Rock Shaped Everything I Do. 00:11:58 Why vinyl is important to Pete Lyman. Streaming vs. playing an album. 00:15:22 How Pete mixes for Vinyl 00:19:54 Dub Plates to Dance Music - cutting vinyl. 00:26:33 Making your music future proof and mixing for all formats. 00:28:38 Watching Billy Strings. Unbelievable! 00:31:13 Working with Chris Stapleton. All live! 00:35:01 Collaboration: Communicating with Mix Engineers and Artists 00:40:42 Breaking down the studio journey. Moving to Nashville. 00:45:00 What still motivates me. My obsession. 00:46:12 The technical tour and studio setup, in the studio and at home. 00:52:43 QuickFire question round. 01:05:15 Closing Thoughts & The Future of Audio Engineering. Advice for beginners.

In this episode of UNSUNG season 2, hosts Matt Soczywko and Mirek Stiles are joined by GRAMMY-winning producer and engineer Vance Powell for a conversation about studio workflow, analog hardware, digital flexibility, and the realities of modern music production. Known for his work with artists including Jack White, Chris Stapleton, and Phish, Vance shares insights into how he builds fast, flexible studio systems designed to keep creativity moving. From instantly switching between classic hardware effects like PCM42 and Effectron-style delays, to balancing analog gear with modern plugin workflows, he explores how technical setup can directly shape artistic decisions in real time. The episode also touches on the challenges of working in world-class studios, unexpected technical failures, and how maintaining and understanding older equipment remains an important part of professional recording environments. Alongside this, Vance discusses his flexible approach to artist budgets and recoupment structures, designed to keep collaboration transparent, sustainable, and focused on making records rather than navigating rigid financial barriers. UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries. Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. ➡️ Learn more about Audiomovers – Audiomovers.com #VancePowell #UNSUNGPodcast #AudioEngineering #MusicProduction #StudioWorkflow #MixingEngineer #RecordingStudio #MusicTechnology Timecode Timecode[00:00:00] Introduction and studio economics[00:01:51] Sputnik Studio design and philosophy[00:02:54] Lessons learned from commercial studios[00:04:38] Equipment and tools as a craft[00:04:57] A little back story about the studio history[00:05:38] Working with Jack White[00:07:30] Working with the Wolf Audio Pro Patch[00:10:26] Modern mixing and gear integration[00:11:49] Using the Pioneer Reverb and other quirky gear[00:12:44] Creating a creative, comfortable studio vibe[00:13:50] The importance of functional maintenance[00:16:30] 'Waking up' the studio gear[00:18:31] Transitions in recording technology[00:20:15] Making recording affordable for artists - different techniques[00:24:14] The soul of live tracking sessions[00:27:28] Working with the band 'Little Feet'[00:32:16] Problems with modern "just because we can" production[00:35:50] Limitations and the discipline of tape[00:37:55] Impact of budgets on the industry[00:40:40] Collaborating with the band Phish and working with Brandi Carlile[00:43:00] Recording at The Barn with Phish in Vermont[00:45:15] Complex editing and polyrhythmic challenges[00:47:43] Pandemic challenges and remote solutions[00:48:50] Implementing Audio Movers and remote work[00:52:21] On tour, Live streaming and the Sphere shows[00:53:57] Finding consistency in live sound and dealing with problem people[00:56:55] Professional ethics and handling difficult artists[01:00:00] Managing artist expectations during tracking[01:02:16] Quick fire round and final thoughts

In this episode of UNSUNG season 2, hosts ‪Matt Soczywko and ‪Mirek Stiles are joined by GRAMMY-winning engineers Chuck Ainlay and Michael Romanowski for a conversation about immersive audio, stereo, Atmos, AI restoration, and the future of music production. Known for work with artists including Dire Straits, Mark Knopfler, George Strait, Taylor Swift, and Miranda Lambert, Chuck and Michael explore how recording, mixing, and listening habits are continuing to evolve. From immersive mixing and binaural playback to AI-assisted restoration and the changing relationship between live performance and recorded music. The episode looks at where music production is heading next and what may be gained or lost along the way. UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries. Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. ➡️ Learn more about Audiomovers – Audiomovers.com ➡️ Listen to this episode on Spotify #ChuckAinlay #MichaelRomanowski #UNSUNGPodcast #AudioEngineering #MusicProduction #ImmersiveAudio #DolbyAtmos #MixingEngineer #MasteringEngineer #MusicTechnology Timecode 00:00 A casual chat among Audio Engineers 00:42 The real mission of the Recording Academy 04:56 How MusiCares supports the Music Community 08:08 Golf tournaments and keeping the team together 09:47 The true challenges of being an Audio Professional 12:19 Winning a Grammy and the reality of studio life 16:01 Should you ever go back and remix a record? 17:37 Inside British Grove Studio and the legendary Red 51 Console 19:06 Why we are still obsessed with vintage recording gear? 20:27 When it pays to break the rules in engineering 21:34 The long journey from surround sound to immersive audio 25:13 Technical headaches: The truth about Immersive Mixing 35:56 Making creative calls in Atmos Mastering 37:42 The deliverables nightmare: Making art translate everywhere 40:04 Taming the room: The battle for perfect immersive sound 41:47 From early DAWs to the Hard Disk revolution 45:59 A quick look at our technical podcasting setup 46:56 Keeping the passion alive in the studio 50:00 How the industry has shifted since our early days 52:30 Building the foundation: the Rock House Studio story 53:45 Career highs from Nashville to London 56:31 Mark Knopfler, Peter Frampton, and some legendary Pub stories 1:02:31 How a motorcycle trip led to a career in Mastering 1:08:25 The future of albums in an immersive listening world 1:10:52 New innovations pushing the boundaries of sound 1:14:02 Could AI and Quantum Computing restore lost music? 1:16:51 Rethinking stereo and immersive recording techniques 1:20:01 Production vs. Performance: Capturing the live energy 1:21:43 How live and recorded music are evolving together 1:23:28 Technology’s real impact on modern music creation 1:26:16 Looking ahead: Immersive audio and the future of the industry 1:29:15 Looking back: The path from Mono and Stereo to today 1:30:15 What nobody tells you about Immersive Production 1:33:12 Quickfire round: Our favorite studio picks 1:37:15 Finding the magic in iconic, historic studios 1:38:42 The pros and cons: Home setups vs. professional studios 1:39:20 Music is a communal experience: Final thoughts

For Episode 4 Season 2 of UNSUNG we continue with producer, engineer, multi-instrumentalist, and MOXE founder Jordan Brooke Hamlin, who joins hosts Mirek Stiles and @mattsoczywko to talk about creativity, studio culture, and what it really takes to make artists feel safe enough to do their best work. Based in Nashville, Jordan has produced and engineered albums and new musical works for artists including Indigo Girls, KT Tunstall, Brandy Clark, Allison Russell, Lucy Wainwright Roche, Tenille Townes, Sasha Sloan, Lila Blue, Rufus Wainwright, and Adia Victoria. As a touring and session musician, her collaborators include Brandi Carlile, Amy Ray, Ruby Amanfu, Loudon Wainwright III, Katie Herzig, Dar Williams, The Secret Sisters, and more. In this episode, Jordan breaks down the thinking behind MOXE — her 20-acre residential recording studio, production house, and retreat space — and explains why environment, trust, movement, food, lighting, and even the walk between rooms can shape what happens in a session. Jordan also talks about the role of the producer today, from protecting the artist’s experience to helping them navigate creative pressure, feedback, budgets, and the realities of the modern music business. She discusses why “vibe is everything,” how to build a space that pulls artists out of self-criticism, and why making records is often about people as much as sound. Throughout the conversation, Jordan returns to a simple but powerful idea: great records come from understanding the person in front of you, not forcing them into a fixed process. ➡️ Follow Jordan Brooke Hamlin – https://www.instagram.com/jamlin/?hl=en ➡️ Learn more about MOXE – https://www.moxe.space/ ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_jordan_brooke_hamlin Timecode 0:00 — Intro 0:45 — Creating the right vibe in the studio 4:20 — Why MOXE was built differently 9:30 — Making artists feel at home 14:00 — Building a studio around how people actually move 18:15 — The role of gear, instruments, and happy accidents 24:00 — What makes the right producer-artist fit 29:30 — How record-making roles have changed 35:00 — Protecting the artist’s experience 41:00 — Working with major artists and staying grounded 47:00 — Why artists need to ask “why am I doing this?” 53:00 — Collaboration, compromise, and creative trust 1:00:00 — Handling pressure and mistakes in sessions 1:07:00 — Quickfire: lighting, vocals, reverb, and monitors 1:15:00 — Closing thoughts UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, composers, and creatives shaping records and soundtracks across genres. Audiomovers software is used by professional engineers, producers, and composers worldwide across countless major releases. #jordanbrookehamlin #moxe #audiomovers #unsung #musicproduction #recordingstudio #producer #audioengineering #mixing #nashvillemusic

For Episode 3 Season 2 of UNSUNG we continue with composer Jeff Grace, who joins hosts ‪@mirek.stiles and ‪@mixedbyjocelin to explore how music shapes emotion, tension, and storytelling in film. Best known for his work on The House of the Devil, The Innkeepers, Stake Land, and Meek’s Cutoff, Jeff Grace has built a career scoring films that rely on atmosphere, restraint, and psychological impact. Before that, he worked as an assistant to Howard Shore on major productions including The Lord of the Rings trilogy and Gangs of New York, gaining first-hand experience of large-scale film scoring at the highest level. In this episode, Jeff breaks down how composers approach building themes that can evolve across an entire film — from subtle hints to full emotional payoff. He explains why the best scores often go unnoticed, how tension is created through pacing and restraint, and why horror films offer a uniquely wide creative palette. Jeff also shares practical insight into the realities of working with directors, from spotting sessions and temp music to navigating feedback and creative collaboration. He discusses the challenge of finding a musical identity early in a career, and how limitations — whether budget, instrumentation, or time — can become powerful creative tools. Throughout the conversation, Jeff returns to a central idea: that film music isn’t about drawing attention to itself, but about shaping how an audience feels — often without them even realising it. ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_jeff_grace Timecode 0:00–0:43 — Intro 0:43 — What a film composer actually does 4:30 — Starting with themes and building a score 9:15 — Why the best film music goes unnoticed 14:20 — Creating tension and scoring horror 20:10 — Working with directors and interpreting feedback 26:40 — Spotting sessions and remote collaboration 32:15 — Temp music and creative constraints 38:50 — Developing a sound and musical identity 45:30 — From assistant to composer: breaking into film 52:10 — Lessons from working on major productions 01:01:15 — Advice for aspiring composers UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, composers, and creatives shaping records and soundtracks across genres. Audiomovers software is used by professional engineers, producers, and composers worldwide across countless major releases. #jeffgrace #filmscoring #filmcomposer #audiomovers #musicproduction #soundtrack #film #horror #composition #unsung

For Episode 2 Season 2 of UNSUNG we continue with film music editor Nancy Allen, who joins hosts ‪ @mixedbyjocelin and ‪ Mirek Stiles to explore the craft of film scoring, storytelling, and collaboration at the highest level of cinema. With over 90 film credits, Nancy Allen is best known for her work on The Lord of the Rings: The Fellowship of the Ring, Black Swan, and A Quiet Place Part II. A Golden Reel Award winner, she has worked closely with composers including Howard Shore and Philip Glass, and collaborated with directors such as Peter Jackson and Martin Scorsese across some of the most ambitious film productions of the last two decades. In this episode, Nancy shares a rare behind-the-scenes perspective on the making of The Lord of the Rings at Abbey Road Studios, including the moment the production shifted from tape to Pro Tools in real time. She reflects on the pressure of working with full orchestras before modern digital workflows, and how those constraints shaped both the creative process and the people involved. Nancy also breaks down the role of a music editor — sitting between director, composer, and picture editor — and explains how music shapes storytelling beyond the obvious. From Peter Jackson’s note to “score the anxiety, not the action,” to building emotional context before a single note is heard, she offers practical insight into how great film music actually works. Alongside this, Nancy shares her unconventional path into the industry — from waiting tables in New York to working on Scorsese’s Kundun — and the habits that matter most for anyone trying to break into film and audio today. She discusses the importance of organisation, communication, and understanding storytelling, as well as the evolving challenges of the industry in the age of streaming and AI. ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_nancy_allen Timecode 0:00–0:55 — Intro 0:55–5:30 — Early career and discovering music editing 5:30–11:20 — Working before Pro Tools and the “Oracle” system 11:20–18:00 — Pressure of recording with full orchestras 18:00–24:30 — The Lord of the Rings at Abbey Road 24:30–30:00 — Transition from tape to digital workflows 30:00–38:00 — Remote collaboration and early digital workflows 38:00–46:00 — What a music editor actually does 46:00–52:30 — Scoring emotion vs scoring action 52:30–58:00 — A Quiet Place and character-driven scoring 58:00–1:05:00 — Breaking into the industry 1:05:00–1:10:00 — Advice for aspiring editors and creatives 1:10:00–End — Closing thoughts UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries. Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. #nancyallen #filmscoring #podcast #audiomovers #film #musicediting #sounddesign #filmproduction #abbeyroad #lordoftherings

For Episode 22 of the UNSUNG podcast Dom Dronska (General Manager, Audiomovers) & Matt Soczywko (Head of Marketing, Audiomovers) were joined by music legend Nile Rodgers at Abbey Road Studios in London. In this very special episode, Audiomovers' Chief Collaborator & Chair of the Advisory Board Nile Rodgers offers an incredible journey through his legendary career. Starting off with his work on Duran Duran's "The Reflex" in 1983 and getting back in the studio with them over 40 years later, he opens up about the challenges of dealing with record label pushback and the impact of the "Disco Sucks" movement, alongside the clever tactics he and Bernard Edwards used to navigate their first record deal. Nile shares his philosophy on collaborating with artists, crafting hit records, and how his experience with small budgets fostered his "one take" recording philosophy in his early days which inspired the writing of certain tracks. He discusses the unconventional method Chic used to break their first hit, "Dance, Dance, Dance," and dives into the technical side of his studio process, discussing his experience with digital and analog recording. He recounts fascinating stories from his diverse discography, including the iconic bassline of "Good Times" and his work on films like "Coming to America" and "Beverly Hills Cop III." The conversation also explores Nile's first experiences with Hip Hop alongside Blondie's Debbie Harry and Chris Stein, growing up in Alphabet City, and his early access to musical education. He also touches on his experiences working with legends like Sister Sledge, Diana Ross on "I'm Coming Out," and Carly Simon on "Why," as well as the story of almost working with Aretha Franklin. Finally, Nile closes on his enduring passion for making music better for others and his commitment to philanthropy through the We Are Family Foundation.➡️ Follow Nile on Instagram - https://www.instagram.com/nilerodgers➡️ Hear some of Nile’s work - https://open.spotify.com/playlist/37i9dQZF1DZ06evO24hDkk?si=aGNcI_SnRa6eP586ADWF4A➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Nile_RodgersTimecode0:00 - 0:34 Intro0:38 - 4:56 Working with Duran Duran and the Story of “The Reflex”4:56 - 6:28 Dealing with Pushback from Record Labels6:28 - 7:57 Staying in Touch with Artists While Moving from Project to Project7:57 - 10:36 The Bassline of “Good Times”10:36 - 11:20 How Working with Small Recording Budgets Made Nile So Efficient11:20 - 14:05 Digital Recording vs. Analog Recording14:05 - 15:25 Does Nile Prefer Recording Analog or Digital?15:25 - 22:27 Nile & Bernard’s First Record Deal22:27 - 23:38 The Impact of the “Disco Sucks” Movement23:38 - 23:53 How Nile Decides Whether He’ll Work with an Artist23:53 - 26:57 (Almost) Working with Aretha Franklin26:57 - 28:52 Wanting to Be a “Self-Contained Band”28:52 - 32:26 How to Get a Hit Record32:26 - 34:32 Working on Commercials to Pay the Rent and Meeting John Landis34:32 - 40:43 Working on “Coming to America” & “Beverly Hills Cop III”40:43 - 42:51 Eddie Murphy Story42:51 - 44:45 “Alphabet City” & the Beginnings of Hip Hop44:45 - 47:17 Nile’s First Experience of “Hip Hop” with Debbie Harry + Chris Stein47:17 - 52:36 Growing Up in Alphabet City + Nile’s Early Access to Musical Education52:36 - 55:44 Working with Sister Sledge55:44 - 58:00 Working on Diana Ross’ Album “Diana” (1980)58:00 - 1:04:00 The Story of “I’m Coming Out”1:04:00 - 1:04:40 Intermission1:04:40 - 1:12:34 The Story of “Why” by Carly Simon1:12:34 - 1:14:32 What Nile Cares About When Working on a Song1:14:52 - 1:15:26 EndUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#nilerodgers #podcast #music #musicproduction #audiomovers

For Episode 21 of the UNSUNG podcast, Jocelin, Matt Soczywko & Igor Maxymenko were joined by GRAMMY-winning Mixing & Mastering Engineer Matt Sim at Qube East in London. Matt Sim is a GRAMMY-winning, multi-platinum & billboard charting mixing & mastering engineer. He has worked with a very eclectic list of global artists including: Aya Nakamura, Jackson Wang, Illenium, The Chainsmokers, Mark B, Milli and many more. After graduating from Berklee College of Music, Matt Sim moved to New York City, where he spent a decade as an in-house mixer at the legendary Hit Factory NYC studios. Currently, he serves as Warner Music Asia's in-house Dolby Atmos Music Mixer and is a pre-approved immersive mixer for Universal Music Group and Sony Music globally. With over 2,700 credits and more than 8 billion streams under his belt, he has firmly established himself as one of the most respected mixers in Asia. In this episode, Matt takes us through his journey, from his musical beginnings and early studio experiences in New York, including landing the gig at The Hit Factory, to how his unique mentality shaped his hustle and desire to become a mix engineer. He discusses his approach to mixing for diverse clients, adapting to different genres, and the nuances of mixing for cultural preferences. Matt also shares insights into his creative process, including whether his classical background comes in handy, his thoughts on production, and the skill of providing effective client feedback. A significant part of the conversation focuses on Dolby Atmos, covering his setup, delivering Atmos mixes, the future of the format for consumers, and how he utilizes Audiomovers. Wrapping up with Matt's reflections on career highlights, working with artists like Big Sean and invaluable advice for aspiring engineers. ➡️ Follow Matt on Instagram - https://www.instagram.com/mix_by_matt_sim/ ➡️ Check out some of Matt’s work - https://mixbymattsim.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Matt_Sim UNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us. Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate. #mattsim #podcast #production #mixing #engineering #atmos

For Episode 20 of the UNSUNG podcast, Jocelin and Matt were joined by British songwriting & production duo LDN Noise at Abbey Road Studios. Comprising Greg Bonnick and Hayden Chapman, the two met via a mutual friend, originally producing garage and UK electronic genres popular at the time. After digital downloads started to displace revenue generated from physical sales of vinyl and CDs, Greg's dance music label began to struggle financially. He pivoted out of making niche UK genres like Garage and 2-step and started studying songwriting and looking into producing more commercial music with Hayden. They had a string of early successes working on music for UK chart-toppers like Cheryl Cole, Sugababes, and Tinie Tempah, while also working on more underground acts/genres like Skepta and Grime. Then, around 2012, the UK music scene started to run thin on the ground; there weren't many acts to pitch songs for. The boys had landed a big track with Chris Brown that same year but struggled to get much music placed until their songwriter friend Andrew Jackson introduced them to a brand-new genre emerging from South Korea called K-pop. Returning from LA frustrated after a big writing trip, they decided to double down on this brand-new genre and quickly found success in K-pop, finding their broad musical taste and diverse musical ability a perfect fit for the multi-genre twists and turns found in K-pop's DNA. Today, LDN Noise has written songs and produced music for some of the biggest acts in K-pop and the world, including: Chris Brown, Nick Jonas, Red Velvet, Exo, NCT Dream, NCT 127, Skepta, Enhypen, Twice, and many, many more. In this episode, the boys discuss how they typically work together, how they met, their early productions, their transition into songwriting, and the commercial evolution of UK Rap in the 2010s, Grime's second wave, the highs and lows of various musical genres, the impact of diverse musical experiences, their success in K-pop, covering its defining features, the potential dark sides of the scene, and the importance of work ethic and talent in the music industry, how they initially got into K-pop, what inspires them when writing in the genre, how they developed the skillset to produce its many diverse styles, their preferred DAW, the different sound characteristics of DAWs, the plugins they regularly use. They wrap up with a quick-fire round, what's next for LDN Noise, and some invaluable advice for aspiring music makers.➡️ Follow LDN Noise on Instagram - https://www.instagram.com/ldnnoise➡️ Listen to some of LDN Noise's work - https://open.spotify.com/playlist/0Gb68yqL6OxyHECuQJJAhr?si=jmZmFSFYSPu2vUJWPfw-4Q➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_LDN_NoiseUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#LDNNoise #podcast #K-POP #musicproduction #songwriting #audiomovers #unsung

For Episode 19 of the UNSUNG podcast, MixedByJocelin‬ and ‪Mirek Stiles were joined by Composer, Pianist & Producer Raphaëlle Thibaut at Kensaltown East studios in New York. Raphaëlle is a composer, pianist & producer recently nominated as a Breakthrough Composer of the Year by the International Film Music Critics Association in 2025. Enrolled in piano lessons from age 4, she spent the first 15 years of her life studying music, adoring the work of composers such as Ennio Morricone, Jerry Goldsmith, and Francois de Roubaix. After graduating from the Music Conservatory of Lille, France, in 2002, she went on to land a marketing position with Google. She left this role in 2015 after a life-changing experience at Abbey Road Studios, quitting her job the next day to immediately pursue her lifelong passion for music and film scoring. Raphaëlle's first "I've Arrived" moment came in 2021 when she scored the Emmy Award-winning Disney+/National Geographic nature docuseries "Secrets of the Whales," produced by James Cameron. Since then, she's scored "Sea Lions of the Galapagos" (2025) for Disney+, co-composed "Heart of Invictus" (2023) for Netflix, "Timeless Heroes: Indiana Jones & Harrison Ford" (2023) for Disney+, "Introducing, Selma Blair," 2021 for Discovery+ and "Mama’s Boy" (2022) for HBO, among many, many more. In this episode, Raphaëlle discusses doing her first session at Abbey Road's Studio 2, visiting Abbey Road for the first time, and making the decision to leave her corporate job at Google to pursue music full-time. She recounts how she met Mirek, her journey learning the ropes of production and composition, and her first "I've Arrived" moment in the industry. The conversation then delves into pitching herself as a composer, the distinctions between writing music for trailers versus film scores, and her transition from one to the other. Raphaëlle also covers composing for advertisements, music libraries, and short films, as well as the challenge of composers being pigeonholed into specific genres. She shares her process for starting musical ideas, how she challenges classical rules, and the importance of defining a unique sonic world. Further topics include writing music for television series, her favorite plugins, how she organizes her sounds, and her outlook for the next five years. The episode concludes with a look back at her childhood fascination with film music. ➡️ Follow Raphaëlle on Instagram - https://www.instagram.com/raphaellethibaut/ ➡️ Check out some of Raphaëlle's work - https://www.raphaellethibaut.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Raphaelle_Thibaut Timecode0:00 - 0:53 Intro0:53 - 1:37 Raphaëlle’s first session at Abbey Road1:37 - 3:15 Raphaëlle’s first time at Abbey Road3:15 - 6:13 Leaving the corporate world to pursue music full-time6:13 - 7:39 How Mirek & Raphaëlle met7:39 - 14:23 Learning the ropes of production/composition14:23 - 18:40 Raphaëlle’s first “I’ve Arrived” moment18:40 - 22:49 Pitching yourself as a composer to the industry22:49 - 26:48 Writing music for trailers vs. scores for film26:48 - 28:12 Transitioning from trailer music to composing for film28:12 - 30:51 Writing music for advertisements & music libraries30:51 - 33:54 Composing for short films33:54 - 34:57 Composers being pigeonholed in a genre34:57 - 36:47 How Raphaëlle starts musical ideas36:47 - 39:29 Challenging the rules of a classical background39:29 - 44:04 The importance of a defining a unique sonic world44:04 - 45:13 Writing music for Television series45:13 - 48:39 Raphaëlle’s favorite plugins48:39 - 51:55 How does Raphaëlle organize her sounds51:55 - 54:48 What does the next 5 years look like for Raphaëlle?54:48 - 57:04 Raphaëlle’s childhood fascination with film music57:04 - 57:54 Outro #raphaellethibaut #podcast #composer #Disney+ #Netflix #HBOMax #filmscoring #production

For Episode 18 of the UNSUNG podcast, MixedByJocelin and Matt Soczywko were joined by 2x GRAMMY-winning producer & mixing engineer Chris Tabron at Kensaltown East studios in New York. Chris Tabron is a 2x GRAMMY-winning producer and mixing engineer. He has worked with a very eclectic list of artists including: Beyoncé, Nicki Minaj, The Strokes, Common, Mary J. Blige, Robert Glasper, Erykah Badu, Kelela, Rick Rubin and many more. ➡️ Follow Chris on Instagram - https://www.instagram.com/tabnetic ➡️ Check out some of Chris’s work - https://christabron.com/work ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Chris_Tabron Timecode 0:00 - 0:41 Intro0:41 - 2:42 Working and Living Abroad2:42 - 5:58 Working in Tokyo & Studios in Japan5:58 - 6:40 Chris’s Analog Gear Collection6:40 - 9:28 Chris’s Favorite Gear9:28 - 12:27 Chris’s Rarest Piece of Gear: The ITI EQ12:27 - 15:23 Mixing with Hardware vs. Software15:23 - 18:17 Mixing with your ears vs. your eyes18:17 - 21:20 Chris on Workflow21:20 - 23:37 Different Types of Listening23:37 - 25:31 Songs Getting Shorter25:31 - 28:19 How Chris Tabron Became an Engineer28:19 - 31:52 Serving the Artist’s Vision31:52 - 34:04 What is the Role of the Producer?34:04 - 38:53 Why Chris’s Discography is So Eclectic38:53 - 42:34 Working on “Blurred Lines”42:34 - 44:08 Does Pharrell Get Involved with Mixdowns?44:08 - 46:00 Pharrell’s Productions46:00 - 49:49 How Chris Started Working with Tony Maserati49:49 - 51:44 Did Chris Have a “I’ve Made It” Moment?51:44 - 54:03 Chris’s Career Highlights So Far54:03 - 56:17 What is Chris Good At?56:17 - 58:36 Creatives, Musicians, and “Taste”58:36 - 1:10:18 Helping Artists Get Unstuck1:10:18 - 1:12:13 What is Chris’s Role in the Studio?1:12:13 - 1:19:44 Working with Kelela1:19:44 - 1:19:59 Outro UNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools. Join us. #christabron #thestrokes #nickiminaj #beyoncé #podcast #production #mixing #engineering

For Episode 17 of the UNSUNG podcast, MixedByJocelin and Mirek Stiles were joined by artist/DJ/Producer/Composer/Engineer BT in Los Angeles at Just For The Record Recording Studios. BT is a GRAMMY-nominated electronic music composer, software developer, DJ, and film composer. He has produced, collaborated, and written with a variety of artists including: Armin van Buuren, David Bowie, Madonna, Peter Gabriel, Sting, Depeche Mode, Tori Amos, NSYNC, Britney Spears, Tiësto, and many more. As a film composer, he has composed original scores for films such as 'The Fast and the Furious', 'Monster', and 'Go'. Before enrolling at Berklee, BT took a short internship in a local studio. During his experiments chopping and splicing 1/4 inch tape after hours at the studio, he discovered a production technique he would later coin "stutter editing." Years later, in 2011, BT would release the Stutter Edit plugin with iZotope, based on BT's patented technique of real-time manipulation of digital audio. He would go on to develop more plugins including: BreakTweaker (iZotope), Phobos (Spitfire Audio), and more recently MicDrop (Soundlabs AI). In this episode, BT talks about his musical beginnings, being the youngest student to enroll at Berklee at age 15, discovering Chicago House music, starting his own record label, signing his first record deal, moving his career to the UK, 90s Dance Music culture in the UK vs US, being part of the 90s UK Rave scene, approaching Electronic music with a classical approach, BT's interest in technology/coding, the story of Stutter Edit, how he gets inspired, recording at Abbey Road, his thoughts on AI and his plugin MicDrop, closing with advice for aspiring music makers/technologists. ➡️ Follow BT on Instagram - https://www.instagram.com/bt ➡️ Check out MicDrop - https://www.soundlabs.ai/products/micdrop-demo ➡️ Hear some of BT’s music - http://open.spotify.com/artist/64MoFdq8ORI3V98AR5SPWL ➡️ Listen to this episode on Spotify - ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_BT Timecode0:00 - 0:37 Intro0:37 - 3:13 BT’s musical beginnings3:13 - 4:36 Enrolling at Berklee at 15 years old4:36 - 5:33 Discovering Chicago house music5:33 - 6:56 Starting Deep Dish Records6:56 - 8:12 BT’s first record deal with Perfecto Records8:12 - 10:07 Moving his career to the UK10:07 - 11:34 Why did BT’s music take off in the UK before the US?11:34 - 17:10 Being part of the UK rave scene in the 90s17:10 - 20:45 Did being Classically trained influence BT’s music?20:45 - 26:27 BT’s interest in technology/coding26:27 - 31:21 The story of BT’s “Stutter Edit” plugin31:21 - 31:50 Modern technology and creative options31:50 - 35:59 How BT gets inspired35:59 - 37:22 Recording strings at Abbey Road37:22 - 52:53 BT on AI and his plugin “MicDrop”52:53 - 57:28 BT’s advice for aspiring Music Makers & Technologists57:28 - 58:28 Does BT use Audiomovers?58:28 - 59:01 EndUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#BT #AI #podcast #production #mixing #engineering #plugins

For Episode 16 of the UNSUNG podcast, ‪ @mixedbyjocelin and @Matt_Audiomovers were joined by mixing engineer & co-founder of MIXLAND Audio Jesse Ray Ernster at his studio in Los Angeles. As an engineer, Jesse has been nominated for 3x GRAMMYs, winning for Best Global Music Album in 2021 for his mixing on Burna Boy’s album “Twice As Tall”. Outside of his work with Burna he’s worked on multiple Gold and Platinum selling records along the way mixing Doja Cat, Megan The Stallion, Shenseea, Sam Tompkins and many more. Between mixing projects in 2020 Jesse and his friend Eddie Lucciola came together with an idea for a new plugin company 'MIXLAND Audio'. Jesse was testing Kiive Audio's products for Eddie at the time and the feedback Jesse was providing proved to be so valuable the conversation evolved into them going into business together. In this episode Jesse talks about NAMM, being himself in public and on the internet, how MIXLAND was born, the new era of artist owned plugin brands, how he designed his studio, how he uses Audiomovers, working with Burna Boy, Burna Boy's vocal chain, Jesse's approach to mixing, mixing with your eyes vs your ears, the GRAMMYs, having plaques/awards on display, working on different genres, the music scene in LA, pivoting into just mixing, and gratitude for working in music. ➡️ Follow Jesse on Instagram - https://www.instagram.com/jesseraymix ➡️ Follow MIXLAND Audio on Instagram - https://www.instagram.com/mixland_audio/ ➡️ Hear some of Jesse’s work - https://www.jesseraymix.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_jesse_ray Timecode Intro 0:00 - 2:42 Jesse’s first NAMM with MIXLAND2:42 - 4:07 On being himself on camera/in public4:07 - 4:58 Our panel with PMC and Jesse at NAMM 20254:58- 9:37 how Jesse’s plugin company MIXLAND was born9:37 - 11:08 Emulating the UNFAIRCHILD compressor11:08 - 14:42 The new era of artist owned plugin brands14:42 - 18:36 How Jesse’s designed his studio18:36 - 21:30 How Jesse chose his speakers21:30 - 23:46 How Jesse uses Audiomovers23:46 - 26:49 Working with Burna Boy26:49 - 30:48 Burna’s vocal chain30:48 - 34:19 Jesse’s approach to mixing34:19 - 37:15 Mixing with your eyes vs your ears37:15 - 38:58 What the GRAMMYs mean to Jesse38:58 - 41:24 Why Jesse doesn’t have his plaques & awards on the wall41:24 - 43:10 Working in different genres as an engineer43:10 - 44:16 The music scene in LA44:16 - 45:52 Gratitude for working in music45:52 - 49:15 When did Jesse pivot into just mixing49:15 - Quick-fire round UNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#jesserayernster #mixland #burnaboy #dojacat #podcast #production #mixing #engineering

For Episode 15 of the UNSUNG podcast, ‪Mixed by Jocelin‬ and Matt Soczywko were joined by mixing & mastering engineer & founder of Schwabe Digital Ryan Schwabe at Kensaltown East studios in New York. As an engineer, Ryan Schwabe has been nominated for 2x GRAMMYs and worked on multiple Gold and Platinum selling records along the way. After Ryan released his first artist project, he received lots of praise on the mixing and mastering of the project and clients began approaching him to help them mix and master their own projects. While building studios and teaching as a professor at Drexel University in Philadelphia, he continued mixing and mastering projects on the side, slowly building relationships with an eclectic network of clients across different genres. Some of those projects began getting acclaim, then in 2021 "Planet Mad" by Baauer that Ryan co-mixed was nominated for a GRAMMY. Ryan's second nomination came in 2023 for mixing and mastering "Adolescence" by BAYNK. While mixing "Planet Mad" for Baauer, he became frustrated with the lengthy 4-hour-long process of running specific stems through his hardware rack, printing them, then having to re-import them back into the project at the same level. He figured there had to be a quicker, more efficient workaround, and after some homework and a lot of back and forth with a developer, Schwabe Digital's first plugin was born. After receiving praise on Gold Clip from other engineers, Ryan decided to release it and launched Schwabe Digital in June 2023. In this episode, Ryan discusses building a client base independently, working across different genres as an engineer, being nominated at the GRAMMYs, Ryan’s musical journey: from his beginnings as an artist to building studios/teaching at Drexel University, to becoming a full-time engineer and founding Schwabe Digital. He also covers his approach to mastering, the development of Gold Clip and Schwabe Digital's next plugin, NAMM, and his encyclopedic knowledge of recording technology, OEK sound, Soothe 2, Highfall, delivery standards for streaming and Atmos, Ryan’s take on Atmos, why Ryan started making plugins, his approach to running Schwabe Digital, building and developing Orange clip, what Gold Clip actually is, future plugins from Schwabe Digital, analyzing audio gear to inspire new plugin ideas, Ryan’s goals, mixing with your eyes vs. your ears, casual vs. active listening and Isomorphic Mapping, and the beginner’s mindset.➡️ Follow Ryan on Instagram - https://www.instagram.com/ryanschwabe_/ ➡️ Follow Schwabe Digital on Instagram - https://www.instagram.com/schwabedigital/➡️ Hear some of Ryan’s work - https://www.ryanschwabe.com/➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Ryan_SchwabeUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools. Join us. #ryanschwabe #schwabedigital #podcast #production #mixing #engineering #goldclip