Published by David Leigh, Bill Koenig, Javi Trujillo
TV & Film
Film History
The 007 Files podcast dives deep into the world of James Bond, blending expert analysis with casual conversation. Co-hosted by David Leigh, author of The Complete Guide to the Drinks of James Bond and founder of The James Bond Dossier, Bill Koenig of The Spy Command and Javi Trujillo, the podcast explores Bond's films, books, and cultural impact. Stay tuned for everything from in-depth reviews to Bond 26 updates and discussions of all things 007. Perfect for lifelong fans and new recruits alike!
What did Kina Lillet really taste like, and how close can you get to the Vesper Ian Fleming described in Casino Royale? David Leigh is joined by drinks expert David T Smith, one of the few people to have tasted a surviving bottle of Kina Lillet. DTS explains how the old aperitif was not simply modern Lillet Blanc with more quinine. Different versions appear to have been produced for different markets, including a less sweet style for British drinkers who mixed it with gin. That makes Bond’s order in Casino Royale harder to pin down than it first appears. Which Kina Lillet would he actually have been served? And how different would the resulting Vesper have tasted from the pale, dry version usually made today? To find out, we taste DTS’s own approximation of Kina Lillet, made from equal parts Lillet Blanc and Kina Martini. Compared with modern Lillet, it is sweeter, heavier and slightly medicinal. Smith then uses it in a Vesper made with 47.3% Gordon’s gin and vintage 50% Smirnoff vodka. The drink is darker and fuller, with the golden colour Fleming described. The Vesper itself comes under scrutiny too. Fleming later called it unpalatable, Bond never orders another one in the novels, and its highly specific recipe may have contained an element of mischief. The pair ask whether it is genuinely a great cocktail or whether its real importance comes from its place in Bond history. They also move on to other drinks from Fleming and the films, including the Americano, the Stinger, Bond’s gin and tonic made with the juice of an entire lime, the vodka Alexander and the mysterious Foo Yuck. Smith explains which of them he would like to see used in Bond 26 and why the drink chosen for a scene should fit the place, character and situation rather than simply serve as product placement. There is also the £600 Macallan released for the 55th anniversary of Diamonds Are Forever. DTS attended the London tasting and explains how the whisky drew on details from the film, including references to sherry and claret. The episode ends with news of the forthcoming podcast Red Wine with Fish, co-hosted by David T Smith, which will take a deeper look at James Bond’s drinks across both the books and films. Where to find us David T Smith https://summerfruitcup.wordpress.com/ https://www.instagram.com/redwinewithfishpodcast/ David Leigh https://www.thejamesbonddossier.com Additional links The Complete Guide to the Drinks of James Bond https://www.jamesbonddrinks.com The James Bond Dossier article on Kina Lillet: https://www.thejamesbonddossier.com/lifestyle/drink/kina-lillet.htm Macallan Diamonds Are Forever 55th anniversary whisky: https://www.thejamesbonddossier.com/features/the-macallan-unveils-diamonds-are-forever-55th-anniversary-release-in-london.htm Roger Moore's perfect martini: https://www.theguardian.com/lifeandstyle/2015/mar/17/how-make-dry-martini-roger-moore-way-james-bond Recorded on 14th July 2026 in the UK and Spain.
Bond 26 appears to be getting into gear, with reported August auditions giving the clearest sign yet that Amazon MGM’s first James Bond film is taking shape. Bill Koenig, Javi Trujillo and David Leigh look at what the latest casting reports really mean, why the new Bond auditions matter, and what this points towards. The team breaks down the Deadline report on auditions for the new James Bond in August, and wonder if Global James Bond Day will be the moment Amazon finally does what Eon never did? They also discuss Young Bond casting, Isaac Rouse in Big Finish’s upcoming SilverFin audio adaptation, the problem of public denials in Bond casting, and what can — and cannot — be learned from the Daniel Craig selection process for Casino Royale . Javi also gives his verdict on 007 First Light , including Patrick Gibson’s performance as Bond, the game’s replay value, its similarity to Casino Royale , and whether Gibson should be considered a serious Bond 26 contender. Along the way, David's dog gives his own opinion on the Deadline story, Bill outs himself as a Harry Potter fan, and Javi suggests David’s British citizenship may soon be revoked. Where to find us Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 29th June 2026.
Professor James Chapman, author of Licence To Thrill: A Cultural History of the James Bond Films , joins The 007 Files to talk about Bond, film history, and the stories that attach themselves to 007. He begins with his own route into Bond: the films he first saw, how they landed at the time, and how that early interest eventually became serious work on the series. From there, the discussion moves into the way Bond has been written about, remembered and sometimes misremembered. One example is the old story that Dr. No was, at one stage, going to feature the villain as a monkey. It is exactly the kind of detail that gets passed around because it sounds too strange to lose. Chapman explains why access to the archives matters. Without the drafts, memos and correspondence, it is too easy for a colourful anecdote to become the accepted version of events.The episode also covers Harry Saltzman’s influence, the early shape of cinematic Bond, and why the first film could so easily have gone in a very different direction. Where to find us Professor James Chapman https://amzn.to/4xnYFH0 Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough David Leigh https://www.thejamesbonddossier.com Recorded in the UK, USA and Spain on 8th June 2026.
In this episode of The 007 Files , Javi Trujillo and Bill Koenig talk to Kim Sherwood about her Double O trilogy and the world she created around a missing James Bond. Kim discusses her own route into Bond, from first watching Pierce Brosnan on television to seeing Die Another Day as her first Bond film on the big screen. She also remembers reading From Russia, With Love at the age of 12, being struck by Ian Fleming’s style even though much of the book went over her head at the time. The conversation looks at how Kim approached writing Bond without simply copying Fleming. She explains how she built a post-Fleming Bond world for the modern age, with new Double O agents stepping into the spotlight and contemporary threats such as climate change, disinformation, AI surveillance and global instability forming part of the background. Kim also talks about her first edition Bond books, the creation of her Double O agents, and how their names came about, including how handwriting a letter to the original Joanna Harwood paid off dividends. She discusses the way she used Fleming’s own work, hidden threads from the books, and legacy characters such as Felix Leiter while still giving the trilogy its own shape. There is plenty here on research and process too, from planning the books visually on huge sheets of paper to looking into military trauma, real Russian hotels and the wider geopolitical mood shaped by events such as Brexit and Afghanistan. Kim also talks about the value of saying your ambitions out loud. Her own crazy dream was to write James Bond — and sometimes, telling people what you really want to do can pay off. Where to find us Kim Sherwood https://www.kimsherwoodauthor.com/ Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough Recorded in the UK and USA on 1st June 2026 .
What does it really take to put on a Bond music tour? This episode breaks down the reality behind successfully performing James Bond soundtracks live—covering the cost, logistics, creative challenges and risks most audiences never see. A Bond music tour looks effortless on stage. In reality, it’s a constant balancing act between ambition and survival. Warren Ringham, founder of Q The Music, explains how the project evolved from a function band into a dedicated Bond concert experience—and why that transition nearly failed. The conversation strips away the illusion and shows how fragile it can be. The episode also digs into the technical side: how you take orchestral James Bond scores and adapt them for a smaller live band without losing impact. That challenge sits at the heart of the show’s identity. Alongside that comes the broader reality of sustaining a niche live act, including surviving major setbacks. At the other end of that journey are the highs: performing at the memorial for Roger Moore and building a working relationship with Bond composer David Arnold. You’ll come away with a better understanding of what it actually takes to put on a Bond music tour, from the financial and logistical pressures that sit behind every performance to the realities of sustaining a live show over time. The episode explains how large-scale orchestral James Bond scores are adapted for a smaller band without losing their impact, and why that process can be more complex than it appears. Alongside that, you’ll see how the band built credibility within the Bond world, what audiences respond to most when hearing Bond music performed live, and how those reactions shape the show itself. Where to find us Warren Ringham https://qthemusicshow.com/ Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough David Leigh https://www.thejamesbonddossier.com Recorded in the UK, USA and Spain on 7th May 2026.
No Bond 26 update at CinemaCon—no cast, no release date, no production news. So what does that actually tell us?In this episode of The 007 Files , Javi Trujillo, Bill Koenig and David Leigh break down the lack of a Bond 26 update at CinemaCon—and explain why it isn’t a cause for concern. The key question driving this episode is simple: why was there no real news about the next James Bond film at CinemaCon? Amazon MGM referenced Bond during their presentation, but there was no cast announcement, no release date, and no production update. Instead, film chief Courtenay Valenti emphasised that the studio is taking its time with Bond 26 . We examine what was actually said, what was left unsaid, and why that absence of detail is exactly what you should expect at this stage of development. With Denis Villeneuve attached to direct and Steven Knight writing the script, the project remains firmly in development rather than pre-production. We also explore when Villeneuve might realistically shift focus from Dune 3 to Bond, and what that means for the film’s progress. The episode also covers the wider James Bond landscape beyond the films. We discuss the announcement of Charlie Higson’s new novel King Zero , including the UK launch event and the way Ian Fleming Publications handled the press rollout. This leads into a broader look at the current state of literary Bond, where multiple authors—including Kim Sherwood and Raymond Benson—are contributing to different strands of the 007 universe. What does it mean to have overlapping continuities, and how does that affect the identity of James Bond in print? We also look at 007: First Light , including the title track by Lana Del Rey (written with David Arnold), the score recorded at Abbey Road Studios, and the game’s approach to the Bond theme—echoing Casino Royale by treating it as something that is earned over time rather than introduced immediately. Finally, we cover recent James Bond soundtrack releases from La La Land Records, including Diamonds Are Forever on CD and the upcoming The Man with the Golden Gun vinyl, along with a related interview for those interested in Bond music and film scores. This episode answers key questions Bond fans are asking right now. If you want analysis that focuses on what actually matters—rather than headlines and speculation—this episode breaks down where James Bond stands now and what to watch next. Where to find us Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 22nd April 2026.
The Ian Fleming Foundation, founded more than 30 years ago, is evolving. It's still known for its collection of vehicles and props that have appeared in James Bond films. The foundation is involved in other activities, including scholarships. The group also is dedicated to keeping the memory of Ian Fleming alive. Alan J. Porter, the foundation president, chats with the hosts of The 007 Files, sharing insights into the meticulous restoration of Bond vehicles and how these efforts support the Foundation's goals. Discover the strategic growth plans and community engagement initiatives that are helping the Foundation adapt to changes in the Bond franchise. Learn how the legacy of Ian Fleming continues to influence modern culture and open doors for new generations. Watch a brief video tour of some of the foundation's vehicle collection: https://www.youtube.com/watch?v=r8EO66CtKJ8 Where to find us Alan J. Porter https://alanjporter.wordpress.com/ The Ian Fleming Foundation https://ianflemingfoundation.org/ Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 2nd April 2026.
In this episode, 007GB president Mark Wooldridge joins us to explore the world of James Bond fandom — from the unique role Britain plays in Bond culture to the global community that surrounds it. We discuss the origins and growth of the 007GB fan club, rare Bond memorabilia and collectibles, and the ongoing appeal of the franchise across generations. The conversation also covers Bond music, brand partnerships like Omega, and what the current state of development means for Bond 26. If you’re interested in the deeper ecosystem around James Bond — beyond the films themselves — this episode offers a clear, informed perspective. Where to find us Mark Wooldridge https://www.youtube.com/@ViewsFromMark 007GB https://007gb.co.uk Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/the David Leigh https://www.thejamesbonddossier.com Recorded in the USA, UK and Spain on 24th March 2026.
What does Amazon’s control of James Bond really mean for the future of 007? In this episode of The 007 Files, hosts Bill Koenig and David Leigh are joined by Fangoria editor-in-chief Phil Nobile Jr. to explore the hopes and fears surrounding the Amazon era of the James Bond franchise — and what the shift from family stewardship to corporate ownership could mean for cinema’s most enduring spy series. Phil reflects on an article he wrote in July 2017 suggesting that the Broccoli family might one day sell the franchise after one more film — remarkably prescient as it turns out. The conversation examines both the risks and the opportunities facing 007. While many fans fear increased corporate interference and the direction Amazon's Bond might take, another possibility emerges: that 007 may represent only a tiny part of Amazon’s vast business, potentially allowing filmmakers greater creative freedom rather than less. A major theme of the discussion is modern villainy. Phil argues that the real threat posed by artificial intelligence is not science-fiction imagery or killer robots, but something far more human — power, influence, and economic manipulation driven by powerful tech interests. In that sense, AI may offer fertile ground for a contemporary Bond story rooted in present-day anxieties rather than Cold War nostalgia. Together, the discussion looks at where Bond stands now, what might change in the years ahead, and what fans should realistically hope for — or worry about — as 007 enters its next chapter. Where to find us Phil Nobile Jr. https://bsky.app/profile/philnobilejr.bsky.social Bill Koenig https://hmssweblog.wordpress.com David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 10th February 2026.
Season 4 of The 007 Files begins with a look ahead at what 2026 could mean for Bond 26 — from script progress and casting expectations to the real-world challenges shaping the next James Bond film. In this episode, we examine where Bond 26 actually stands today, separating confirmed developments from speculation and media narratives surrounding the future of 007 under Amazon MGM. What should Bond fans realistically expect this year? Is casting likely in 2026? And how much of the online conversation reflects reality rather than rumour? Where to find us Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 20th January 2026.
This is part three of our three-episode examination of Goldeneye. Bill Koenig, Javi Trujillo, and David Leigh start with Goldeneye 007, a game that didn’t merely succeed but rewired expectations. It showed what a film tie-in could be, helped define the console shooter, and introduced an entire generation to James Bond through split-screen multiplayer rather than cinema screens. From there, the discussion turns to Pierce Brosnan. With distance, his Bond successfully carried the franchise through the post–Cold War vacuum and restored Bond’s cultural relevance in the 1990s. Related to that is how fans appear to have cooled towards Daniel Craig’s Bond in the years since No Time to Die. Martin Campbell’s role is examined, as is that of Michael G Wilson and Barbara Broccoli as Cubby handed over the reigns. Where to find us: Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 20th January 2026
In this episode of The 007 Files , the hosts continue their discussion on revisit Goldeneye , the film that didn’t just reintroduce James Bond, but quietly rescued the franchise from irrelevance. They look at the change to Leavesden Studios and the symbolic shift away from Pinewood Studios, mirroring Bond’s own need to evolve after the Cold War. They explore the cultural shockwave of casting Judi Dench as M, the uneasy question of whether Bond had become a Cold War relic, Jack Wade and why Felix Leiter was absent. There’s also a close look at Bond’s changing image through cars and brands, from the BMW Z3 to the return of the DB5, and the long-lasting partnership with Omega. Where to find us: Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 10th December 2025
Bill Koenig, David Leigh, and Javi Trujillo mark the 30th anniversary of Goldeneye by revisiting the moment James Bond returned to the big screen and reminding audiences why it mattered. They explore the film’s release in 1995, its immediate impact on the franchise, and how its box office success reshaped Bond’s future after years in the wilderness. The discussion moves into the realities of production, from budget constraints to the risks involved in relaunching 007 for a post–Cold War world. Personal memories of first viewings and early fan excitement blend with reflections on how conventions helped build momentum around the film. Attention is also given to the iconic dam jump, a stunt that reset expectations for Bond action, and the controversial but influential score by Eric Serra. They also examine the evolving importance of title sequences, shaped by Daniel Kleinman, and why Goldeneye still stands as a defining chapter in Bond history. Where to find us: Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 10th December 2025
The second half of our Licence to Legacy deep-dive sees co-hosts Javi Trujillo, Bill Koenig, and David Leigh return to SPECTRE a decade later to explore how the film sits in the Craig era’s legacy. This time we wonder whether bringing back Blofeld and SPECTRE truly delivered the creative spark the filmmakers were aiming for, and we discuss the scene inspired by Colonel Sun and whether it sets a precedent. From the much-publicised yet underwhelming “world record” explosion to the Rome car chase that never quite lands, we revisit several moments that fell short of their promise.The Sony hacks inevitably come up as we look at how they shaped rewrites and coloured the film’s reception. We also explore the decision to retrofit the Craig films into a single overarching storyline, the two-part narrative John Logan originally planned, and how Daniel Craig’s “slash my wrists” comment took on a life of its own. Where to find us: Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 3rd December 2025
In this Licence to Legacy episode co-hosts Javi Trujillo, Bill Koenig, and David Leigh revisit SPECTRE on its 10th anniversary of its release. We start with our first viewings back in 2015 and how our opinions have shifted after a decade of rewatching, reflection, and franchise changes. The conversation explores how SPECTRE performed at the box office compared to Skyfall and how Mexico’s tax credits influenced the film’s colourful opening sequence. We dive into the return of the gunbarrel to the beginning of the movie, why it mattered to fans, and whether or not Amazon should consider experimenting with gunbarrel placement. Thomas Newman’s score gets a close look as we compare its reuse of Skyfall motifs and, if Sam Smith's theme is from the point of view of James Bond, come up with the answer to just why his voice is so high pitched. Where to find us: Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the USA and Spain on 3rd December 2025
In this episode we’re joined by Edward Biddulph to explore the real-world Britain behind James Bond. His new book, The James Bond Lover’s Guide to Britain , brings together locations from Fleming’s novels, the films, and Fleming’s own life — all chosen with one thing in mind: places anyone can actually visit. We dive into the adventure of visiting these sites as Edward talks about the thrill of standing at a location from his favourite Bond film, and the memories of growing up in Kent where he first realised that Bond’s world overlapped with his own. Listen in, enjoy the stories, and if you want to dig deeper into 007’s Britain, pick up the book. Where to find us: Edward Biddulph https://www.jamesbondfood.com 🛒 https://www.pen-and-sword.co.uk/The-James-Bond-Lovers-Guide-to-Britain-Paperback/p/56633 Bill Koenig https://hmssweblog.wordpress.com Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com Recorded in the UK, USA and Spain on 17th November 2025
Licence to Legacy: It’s been 40 years since A View to a Kill was released — Roger Moore’s final outing as James Bond — and this week we look back at one of the most divisive entries in the series. After a brief detour to the Mexico Grand Prix, we dive into the film’s release and reception, sharing personal memories of seeing A View to a Kill for the first time and how opinions have changed - if they have - over the decades. We explore John Barry’s score and Duran Duran’s title song, the film’s unique tone, and how it captured the glossy excess of the 1980s. The conversation turns to the Bond women — from Tanya Roberts to Grace Jones’ performance as May Day — and the sometimes volatile chemistry on set. We also discuss Christopher Walken’s chilling turn as Max Zorin. Looking beyond the film, we reflect on Roger Moore’s final mission as 007, how he proved the series could thrive after Sean Connery, and what his long tenure says about age, legacy, and the evolution of Bond. There’s even time to touch on Lois Maxwell’s final appearance as Moneypenny, Patrick Macnee's portrayal of Sir Godfrey Tibbett, and the in-jokes, excess, and self-parody that make A View to a Kill such curious entry in the Bond franchise. From its polarising reception to its lasting place in Bond history, we ask: four decades on, is A View to a Kill any better than we remember - or not? Where to find us: Bill Koenig https://hmssweblog.wordpress.com/ Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com/ Recorded in the USA and Spain on 27th October 2025
Richard Maibaum helped define James Bond — but did he ever get the credit he truly deserved? In this episode of The 007 Files , Bill Koenig talks to writer, producer and New York Times bestselling author Lee Goldberg, whose 2022 book The James Bond Films 1962–1989: Interviews with the Actors, Writers and Producers collects his remarkable 1980s interviews with the people who built 007’s world — from screenwriters and directors to the actors themselves. Goldberg shares how his first major interview, a candid conversation with Richard Maibaum, opened the door to years of insider access to Bond. He recalls meeting Roger Moore on set in San Francisco, where the encounter took an unexpected turn with an unforgettable perspective of 007 himself. We explore Maibaum’s immense but under-recognised influence on the Bond films that continues to this day. Along the way, we look at the 1988 writers’ guild strike, the curious world of product placement, and the ever-changing style and tone of the Bond films. It’s a revealing, sometimes hilarious conversation about the people who shaped 007 from behind the scenes — and a reminder that even the world’s best-known secret agent depends on those who put the words in his mouth. Where to find us: Lee Goldberg https://leegoldberg.com/about-lee/ Bill Koenig https://hmssweblog.wordpress.com/ Recorded in the USA on 28th October 2025
S03E005: In this episode of The 007 Files , Bill Koenig is joined by Javi Trujillo and David Leigh for a wide-ranging conversation with soundtrack producer Neil S. Bulk about La-La Land Records’ expanded 60th anniversary edition of Thunderball . Neil shares his passion for the project - and for the film! - as we explore the challenges of restoring classic Bond soundtracks, the discovery of new material, and the collaboration with MGM that made this release possible. Along the way we discuss the historical context of Thunderball ’s score, John Barry’s versatility, alternate versions and mixes, the fate of the Thunderball suite, and the many faces of Mr. Kiss Kiss Bang Bang . We also weigh up the film’s legacy, its place in the Bond music hierarchy, and even touch on the end of Danjaq. Thunderball: 60th Anniversary Remastered and Expanded Limited Edition (2-CD Set) is available from La-La Land Records. Where to find us: Neil S. Bulk https://bsky.app/profile/nsbulk.bsky.social Bill Koenig https://hmssweblog.wordpress.com/ Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com/
S03E004 In this episode we discuss season 2 of 007: Road to a Million . Was it really better than the first? We weigh up the contestants, the challenges, the Controller, and how effectively the Bond IP and music were used this time around. And as always, we look ahead: will there be a season 3, and if so, would we watch it?But before we get into that we look at the 60th anniversaries of three TV shows from the 1960s spy craze which sprang directly from Bond’s success. And from there, we move to the digital age with 007: First Light , discussing what the recently released 30 minutes of gameplay reveal about the first Bond game in over a decade — and whether it lives up to expectations. Where to find us Bill Koenig https://hmssweblog.wordpress.com/ Javi Trujillo https://bsky.app/profile/javitru.bsky.social or https://www.instagram.com/thebondisnotenough/ David Leigh https://www.thejamesbonddossier.com/ Recorded in the USA and Spain on 17th September 2025
Producer's note
Steal the structure. Not the show.
Keep the useful structure, then change the audience, point of view, and voice until the idea is unmistakably yours.
