Published by Wilson, Ben, and Eli
Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more. Looking for film recommendations off the beaten path? This is the pod to follow! Links to our Discord and other socials here: https://deepcutpod.com
Listen on Apple Podcasts1 hr 48 min
Fresh off the opening weekend of Christopher Nolan’s latest blockbuster, the Deep Cut trio welcome friend of the pod Koh Zhi Hao to talk about The Odyssey. Listen to us break down the differences in Nolan’s adaptation of Homer’s poem, discuss who gave a bad performance in this, and finally answer the question; Does Chris Nolan make movies for stupid people? Take an odyssey to our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:02:40 Introducing film and Zhi Hao 00:09:59 Formats we saw and general reactions 00:40:35 Context and favorite moments 00:55:12 Favorite technical aspects 01:08:46 Phaeacia, Helen, and other details 01:19:54 The gods' influence on characters 01:30:37 Nolan's influence 01:34:48 Odyssey viewing formats 01:44:10 Closing
1 hr 18 min
Deep Cut welcomes back dear friend and frequent guest Thanmye Lagudu to share his love for Indian filmmaker Christopher Nolan (iykyk) and his twisty Tenet . Listen as we all get a headache trying to make sense of Nolan’s (overly?) complicated plot: protagonists, time travel, character archetypes, race, temporal sphincters, and Nolan’s new collaborators in Jennifer Lame and Ludwig Göransson, and Robert Pattinson abound. And listen to the very end for an easter egg… www.deepcutpod.com our socials and discord server with our FREE patreon go there Timestamps: 00:00:00 Intro 00:02:56 Introducing Thanmye 00:09:59 Introducing Tenet 00:11:21 General reactions 00:19:46 Guesteral pincer movement 00:22:34 The bromance 00:25:03 The Protagonist / Determinism 00:30:00 Bond / le Carre comparisons 00:33:45 Climactic / action scenes 00:38:52 Emotional truth, vs Interstellar 00:42:07 Ludwig Göransson score 00:43:04 Editing with Jennifer Lame 00:48:16 Thanmye's favorite things about Tenet 00:54:25 "Indie" solutions / Tactile filmmaking 00:59:45 Nolan as auteur 01:01:53 Nolan male archetype 01:08:21 Hopes for The Odyssey 01:11:43 Nolan as "Indian" filmmaker 01:14:06 More from Thanmye
1 hr 27 min
“MURPH! MUUUURPH!” Join us on a journey through the wormhole along with filmmaker Isadora Neves Marques as we discuss Christopher Nolan’s intergalactic adventure, Interstellar . Is love calculable? How does this compare to Stanley Kubrick’s 2001: a Space Odyssey? When does Nolan intercut TOO much? And is Matt Damon’s performance good? All will be revealed… if you listen, that is. Links: You can find selections of Dora’s writing on their website . You don’t have to travel through a black hole to find our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:02:08 Introducing Isadora 00:09:59 Our background with Nolan 00:17:50 Christopher Nolan director background 00:21:02 Interstellar intro 00:24:24 Nolan vs Hong Sang-soo, as indie filmmaker 00:27:57 Interstellar general reactions 00:36:01 Editing 00:39:58 Eli's theory 00:42:10 Scriptwriting and plotting 00:46:48 "Filmmaker for stupid people" 00:51:34 A limited worldview 00:56:38 Masculinity / Mann is bad 01:00:33 Screenwriting lessons from Nolan 01:03:44 Black hole / ocean planet 01:06:25 Ending and masculinity 01:10:19 Nolan film bros 01:15:05 Lack of awe 01:20:15 Craft 01:24:31 More from Isadora
27 min
The seventh and final director interview Wilson conducted at this year’s Hong Kong International Film Festival is with the legendary Taiwanese filmmaker Tsai Ming-liang. Wilson asks one of his cinematic heroes about the state of filmmaking today, his methods for working with actors, and his decades-long collaboration with Lee Kang-sheng. Kiss a melon in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 intro 03:42 What do you hope new audiences will take from your films? 04:43 Rebels of the Neon god 06:20 Tsai and realism 07:35 The Hole 09:30 Tsai’s childhood 11:13 Theaters, streamers, and art museums 13:24 Video art versus narrative cinema 16:15 Fruits and vegetables (props and crops) 17:40 Abandoned buildings 19:27 Pacing and directing actors 21:22 Working with Lee Kang-sheng 22:35 Tsai’s Deep Cut picks
33 min
The sixth of seven (6-7!!!) director interviews Wilson conducted at this year’s Hong Kong International Film Festival is with the British, experimental director Ben Rivers, creator of the child-focused, post-apocalyptic exploration Mare’s Nest . Rivers speaks about giving child actors the freedom to be themselves onscreen, receiving Don Delillo’s blessing to stage his play The Word for Snow in the film, and the intention behind his depiction of an adultless world. Speak the word for snow in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 02:03 Interview begins 03:32 Origins of Mare's Nest 06:07 Don Delillo 09:52 Children performing adult routines 13:14 Documentary versus fiction 19:09 Film-within-film 22:06 Moon walks into the past 25:02 Location filming 28:48 SEA filmmakers 31:25 Outro
49 min
The fifth of seven director interviews Wilson conducted at this year’s Hong Kong International Film Festival is with the thoughtfully impassioned Vladlena Sandu, director of the autobiographical drama Memory . Sandu shares her influences from Tarkovsky to Pajaranov, praises her collaborators on this film, how hypnotherapy helped her make this film, and her strong anti-war convictions. Remember our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 02:15 Interview starts 04:03 Making Sandu happen 07:47 Childhood trauma through film 10:25 Personal truth 17:34 Motifs and repetition 23:48 Child actors 30:14 Production design 35:54 Influences: Tarkovsky, Parajanov, Pasolini 40:19 Ending of the film
28 min
The fourth of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with Edwin, director of the fantasy horror Sleep No More . Edwin shares his wide range of influences from Indonesian cinema history and beyond, speaks to his film’s commentary on labor rights, shares his own Deep Cut pick, and… shares a sing-along with Wilson?! Take a nap in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 04:04 Indoneisan horror film history 07:30 Edwin's influences 09:00 Indonesian politics and labor 15:38 Scary scenes 17:57 Casting 20:34 Special effects 23:12 Edwin's future horror 24:39 Edwin's Deep Cut Pick 25:57 Sing-along
31 min
The third of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with the outgoing, reflective Ang Geck Geck, director of the semi-autobiographical childhood drama Ah Girl . Wilson connects with the Singaporean director over the long road to producing Ah Girl , the research with social workers that informed the script, the parts of her own childhood and family that are in the film, and her own Deep Cut Pick. Speak in Mandarin, English, or pretty much any other language in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 02:32 Interview begins 07:03 Research with social workers 10:56 Child actors 15:09 Language 19:55 Personal history 26:00 Ending of the film 27:44 Next film 28:53 Deep Cut Pick 30:05 Outro
30 min
The second of seven director interviews Wilson conducted at this year's Hong Kong International Film Festival is with the thoughtful, patient Ildikó Enyedi, director of the equally thoughtful and patient Silent Friend . Wilson connects with the Hungarian director over her pensive approach to the natural world, the special place that HKIFF holds in her experience as a filmmaker, and her admiration of star Tony Leung… whose interview with Wilson is also at the end of this episode! Befriend a tree in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 - Intro 03:03 - Enyedi interview 04:16 - Working with Tony Leung 06:15 - Enyedi's relationship with trees 07:32 - Academia and science 09:36 - Intercutting timelines 12:25 - Dreams, psychedelics, ecology 15:02 - Production process 17:08 - Casting a tree 19:41 - Other Enyedi films 21:34 - Further explorations 23:13 - Enyedi's Deep Cut 25:48 - Tony Leung Interview 28:13 - Outro
41 min
The first of 7 director interviews Wilson conducted at this year's Hong Kong International Film Festival. Mary Stephen is a legend in world cinema, having worked as an editor for Éric Rohmer and Ann Hui, and being a celebrated film director in her own right. Wilson chats with Mary about her latest film, the personal documentary PALIMPSEST: THE STORY OF A NAME — its twisty narrative structure, its relationship to memory and family, and her deep ties to the city of Hong Kong. They also dig into her remarkable career as an editor, from switching between film and digital, to her creative collaborations with Rohmer, Ann Hui, and Jessey Tsang, and what she carries from that work into her own filmmaking. Links: Trace your roots in our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Introduction 03:08 Mary presenting her film to Hong Kong audiences 05:03 Palimpsest's twisty narrative 07:04 How being an editor influenced her filmmaking 08:25 Narration and narrative in the film 10:27 Unused archive footage 12:27 Mary's relationship with her family 15:11 Mary’s relationship with Hong Kong 17:33 Editing: Switching from film to digital 19:20 Working with Eric Rohmer 30:13 Collaborations with Ann Hui and Jessey Tsang 35:41 Working with collaborators as a director herself 38:43 Closing
44 min
Let’s, uh, frickin LOOK BACK at Marina De Van’s 2009 psychological thriller / body horror flick, Don’t Look Back. Sophie Marceau turns into Monica Bellucci; meanwhile, Eli tries to piece together the puzzle of De Van’s obscure career, Wilson notices the special effects, and Ben makes comparisons to soap operas. Links: Night Vision: Seeing Ourselves Through Dark Moods by Mariana Alessandri Interviews with & articles on Marina de Van: Rotterdam, 2019 Screenslate, 2022 Dread Central, 2022 The French Review, 2010 The Guardian, 2004 Pinnland Empire, 2012 Look at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 02:39 Introducing Don't Look Back 05:21 General reactions 15:17 Context 17:55 Comparing with In My Skin 21:59 What the heck is happening in this movie 28:06 Performances 31:34 De Van career arc 33:52 De Van's filmmaking 38:51 Wrapping up De Van... for now? 42:20 Outro
1 hr 20 min
Not for the faint of heart, Marina de Van’s film In My Skin challenges our stomachs, hearts and minds. While Wilson squirms, Ben gets to the heart of why Eli loves sicko mode movies. Can one of the most underrated New French Extremism films secretly be deeply empathetic? Links: The Art of Cruelty: A Reckoning by Maggie Nelson “The Goon Squad” by Daniel Kolitz ( Harpers Magazine , 2025) Night Vision: Seeing Ourselves Through Dark Moods by Mariana Alessandri Interviews with & articles on Marina de Van: Rotterdam, 2019 Screenslate, 2022 Dread Central, 2022 The French Review, 2010 The Guardian, 2004 Pinnland Empire, 2012 Get in our skin (ew?) at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:03:23 Introducing In My Skin 00:06:13 General reactions 00:11:29 Body fascination 00:14:37 Is it horror? 00:18:34 Eli goes sicko mode 00:26:04 Director background 00:32:12 Addiction / self-discovery 00:40:38 Characters 00:46:08 Female horror 00:49:45 Splitscreens and artmaking 00:55:12 The ending 01:00:28 g00ning 01:04:44 Dinner scene 01:12:16 Additional crew on In My Skin 01:16:31 Closing ideas
1 hr 43 min
哈囉 from Hong Kong! Wilson recaps a busy edition of the Hong Kong International Film Festival, including meeting and interviewing the one and only Tony Leung Chiu Wai for SILENT FRIEND. Wilson also chats about the seven(!) soon to come director interviews he conducted for the podcast, and some interesting classic films shown at this year’s edition of HKIFF. The trio also discuss some exciting new releases including new films from Hong Sang-soo, Carla Simon, and Anthony Chen. Links: Tony Leung Interview The Blade Video Essay Radu Jude on Hong reel Take the MTR to our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00: Intro 00:07:34 Meeting Tony Leung 00:14:23 Silent Friend (2025) dir. Ildiko Enyedi 00:16:27 Sleep No More (2026) dir. Edwin 00:20:04 Ah Girl (2026) dir. Ang Geck Geck 00:23:33 Memory (2025) dir. Vladlena Sandu 00:30:48 Palimpsest: The Story of a Name (2025) dir. Mary Stephen 00:36:37 Mare’s Nest (2025) dir. Ben Rivers 00:39:40 Vive L’amour (1994) dir. Tsai Ming Liang 00:43:48 Panelstory or Birth of a Community (1981) dir. Věra Chytilová 00:45:54 Ah Ying (1983) dir. Allen Fong 00:49:13 The Horse Thief (1986)dir. Tian Zhuangzhuang 00:51:03 Unknown Pleasures (2002) dir. Jia Zhangke 00:53:30 Days and Nights in the Forest (1970) dir. Satyajit Ray 00:54:55 Final Victory (1987) dir. Patrick Tam 00:59:20 We Are All Strangers (2026) dir. Anthony Chen 01:06:37 We’re Nothing at All (2026) dir. Herman Yau 01:10:40 My Father’s Shadow (2025) dir. Akinola Davies Jr. 01:11:45 The Day She Returns (2026) dir. Hong Sang Soo 01:18:20 Magellan (2025) dir. Lav Diaz 01:22:15 Romeria (2025) dir. Carla Simon 01:24:40 The Voice of Hind Rijab (2025) dir. Kaouther Ben Hania 01:27:50 Writing Life – Annie Ernaux Through the Eyes of High School Students (2025) dir. Claire Simon 01:31:00 Blue Heron (2025) dir. Sophy Romvari 01:36:00 The Drama (2026) dir. Kristoffer Borgli 01:40:15 Outro
51 min
“[Reichardt] makes you love these dicks.” – Wilson How on earth does she do that? Does she have the mind of a master? Join us as we find out how Reichardt’s idiosyncratic style in The Mastermind helps you love this one dick despite all the hairy situations he’s entangled in. We debate the film’s reception during the AMC secret screening debacle, Reichardt's constantly zagging career, and her place in the American cinema landscape amidst dwindling cultural literacy. Links: Filmstage interview Mind of a master video Master your mind at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 05:18 General reactions 13:55 The ending 19:28 Reichardt films and public reactions 28:19 Parts we liked about the movie 32:24 Josh O’Connor 36:03 More on the public’s reaction 44:16 Alana Haim 49:51 Outro
48 min
After an 8-year hiatus, Lynne Ramsay has returned with her latest feature, Die My Love, and we're here to keep up with the Scottish auteur! After an 8-year hiatus, Lynne Ramsay has returned with her latest feature, Die My Love , starring Jennifer Lawrence and Robert Pattinson. On this Deep Cut Upkeep episode, we find out if it was worth the wait and consider what’s next for the Scottish auteur. Eli helps define the subgenre of “mommy horror,” Ben questions the depth of the movie’s characters, and Wilson draws comparisons to Marielle Heller’s Nightbitch and Darren Aronofsky’s Mother! . Links: Kelsey E. Henry, “Monstrous Motherhood” from The Point Don’t die, my love, at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 03:30 General reactions 14:03 Maternal madness pictures 19:14 Linearity 22:19 Why Ramsay for this film 26:02 Comparing with Ramsay's other works 28:31 A good trailer 29:58 The ending 32:07 Mommy horror 40:34 "A crazy love story" 44:26 Last words / outro
1 hr 27 min
Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution. Wilson takes a trip to Peng Chau to visit Ariel and Pearl of Kani Releasing, a North American film distribution company specializing in Asian cinema, to chat about their work, the films in their catalog and the changing film landscape for theatrical/physical media distribution. The chat about select titles in the Kani library, including Deep Cut favorite Marilou Diaz Abaya’s Moral (Ep 71) and Karnal, Patrick Tam’s My Heart is That Eternal Rose, and Nao Yoshigai’s Shari. Links: Kani Releasing Crabwalk over to our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:01:42 Introducing Kani Releasing 00:10:37 Path to Kani Releasing 00:20:01 Karnal / Moral (dir. Marilou Diaz-Abaya) 00:30:06 Archiving in the Philippines 00:33:19 Bona (dir. Lino Brocka) 00:38:17 Kisapmata (dir. Mike de Leon) 00:44:13 Changing Filipino film culture 00:50:07 Kani's geography 00:53:07 Shari (dir. Nao Yoshigai) 01:02:21 My Heart is That Eternal Rose (dir. Patrick Tam) 01:11:47 Bye Bye Love (dir. Isao Fujisawa) 01:14:16 Looking for an Angel (dir. Akihiro Suzuki) 01:15:46 Amiko / Desert of Namibia (dir. Yoko Yamanaka) 01:21:00 Batang West Side (dir. Lav Diaz) 01:22:48 What's next for Kani Releasing
1 hr 4 min
Flowers bloom at night… it’s not scary. With our first of presumably many Deep Cut Upkeeps on prolific South Korean auteur Hong Sang-soo, we explore What Does That Nature Say to You? We flesh out our theory of how Hong achieves authenticity and immediacy while eliding simple meaning, unpack the latest Hong male lead, and catch Hong’s reference to 6-7. Bow at our grandmothers’ trees at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 05:12 General reactions 12:20 Glazing the boyfriend 14:30 Context 20:50 Dong-hwa as a Hong man 29:50 Girlfriend's family 38:58 Hong surrogacy: where is he in WDTNSTY? 44:12 Hong's image quality (or lack thereof) 51:22 Other notable scenes 57:35 Last words on Hong for now
1 hr 6 min
Film critic and Events Chair of the Los Angeles Film Critics Association Ryan Swen joins us to discuss his Hong Sang-soo Deep Cut Pick, Hill of Freedom . Swen has had a huge hand in shaping our Hong series through his ongoing criticism project, Hong Sang-soo Notarized . We all take a look at the non-chronological narrative of Hong’s meditation on misogyny, Japan and Korea, and the unsurprising consequences of drinking too much. Drop your letters at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:01:40 Ryan Swen introduction 00:04:29 Hong Sang Soo Notarized Project 00:12:21 Hill of Freedom introduction and general reactions 00:21:29 Lost (and Found) in translation 00:27:21 Japan and Korea 00:32:53 Narrative structure 00:39:41 Mori and Misogyny 00:45:47 Hongisms 00:52:57 The ending 01:00:40 Actors 01:03:11 Outro
57 min
Writer, film curator, and leading Hong Sang-soo scholar Dennis Lim brings a personal favorite from Hong’s oeuvre–– 2022’s The Novelist’s Film –– to Deep Cut . As the DC trio and their esteemed guest enjoy the luxuriate in Hong’s complex, joyous depiction of collaborating artists-in-exile, Dennis shares his background with Hong, this film’s shape, and the model Hong sets for young, independent filmmakers. Film your novel at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00 Intro 02:08 Introducing guest 03:47 Lim's background with Hong 11:15 DC trio's current thoughts on Hong 15:41 Why the Novelist's Film / general reactions 26:13 Hong's regular actors 28:04 Formal discussion 38:33 Shapes 41:16 Lee Hye-young 46:25 Ha song-guk 47:06 Waste, exile, potential 50:19 Hong's business, life, and art model (good for young filmmakers) 55:53 Outro
2 hr 48 min
Sorry Baby , but it’s One Battle After Another , as we clash and debate our favorite films of 2025! We’re covering obligatory mentions of the biggest films of the year and picking up our Weapons to dunk on some that we’re Regretting You watched. Which of these films will we look back on with strong Sentimental Value, 28 Years Later ? Which are winners, which are Sinners ? I’m afraid you’re going to have to Wake Up Dead Man from your Dreams (Sex Love), some might even call that a Resurrection, because you’ve got No Other Choice but to listen and find out. Links Wilson's Reviews: News from Home , Eat Drink Man Woman Ben's Reviews: Avatar: Fire and Ash , What Does That Nature Say to You Eli’s Sinners Review Ben’s Kinetoscope Piece: The Spirits in the Medium List: Full List of films discussed on Letterboxd List: Deep Cut’s Top 12 of 2025 Tell us your faves at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps: 00:00:00 Intro 00:02:58 General 2025 thoughts 00:12:08 Non-2025 gems 00:16:22 2025 on Deep Cut 00:20:16 Eli's fave Letterboxd reviews from Wilson and Ben 00:21:46 Obligatory Mentions 00:22:06 Marty Supreme dir. Josh Safdie 00:24:08 The Secret Agent dir. Kleber Mendonça Filho 00:25:44 Frankenstein dir. Guillermo del Toro 00:28:38 Sentimental Value dir. Joachim Trier 00:30:59 Hamnet dir. Chloé Zhao 00:38:36 Hamnet spoiler 00:40:27 If I Had Legs I'd Kick You dir. Mary Bronstein 00:42:27 Bugonia dir. Yorgos Lanthimos 00:44:13 Kpop Demon Hunters dir. Maggie Kang & Chris Appelhans 00:46:55 Train Dreams dir. Clint Bentley 00:48:49 Avatar: Fire and Ash dir. James Cameron 00:54:30 Mission Impossible: The Final Reckoning dir. Christopher McQuarrie 00:56:48 Eddington dir. Ari Aster 00:57:14 Wicked For Good dir. Jon M. Chu 00:58:16 No Other Choice dir. Park Chan-wook 00:59:48 Magellan and Phantosmia dir. Lav Diaz 01:01:54 The Phoenician Scheme dir. Wes Anderson 01:05:34 Weapons dir. Zach Cregger 01:12:28 Materialists dir. Celine Song 01:13:40 Materialists Spoiler 01:18:02 Regretting You dir. Josh Boone 01:19:38 Sirat dir. Oliver Laxe 01:22:27 Sirat Spoiler 01:25:41 Sirat Spoiler 2 01:26:19 Deep Cut Upkeep Overview 01:28:35 Honorable Mentions 01:28:40 Viet and Nam dir. Truong Minh Quy 01:29:14 Blue Moon dir. Richard Linklater 01:30:25 Boys Go to Jupiter dir. Julian Glander 01:31:04 Baby dir. Marcelo Caetano 01:31:33 Nouvelle Vague dir. Richard Linklater 01:32:48 Black Bag dir. Steven Soderbergh 01:34:36 Cactus Pears dir. Rohan Kanawade 01:35:35 Seaside Serendipity dir. Satoko Yokohama 01:36:33 Sorry Baby dir. Eva Victor 01:37:58 Misericordia dir. Alain Guiraudie 01:39:06 Silent Friend dir. Ildikó Enyedi 01:41:20 Caught by the Tides dir. Jia Zhangke 01:42:48 Put Your Soul on Your Hand and Walk dir. Sepideh Farsi 01:44:51 My Sunshine dir. Hiroshi Okuyama 01:46:56 Superman dir. James Gunn 01:48:52 100 METERS dir. Kenji Iwaisawa 01:53:31 Reflection in a Dead Diamond dir. Hélène Cattet & Bruno Forzani 01:54:28 Afternoons of Solitude dir. Albert Serra 01:57:05 The Wedding Banquet dir. Andrew Ahn 01:57:19 Top 5 01:57:30 One Battle After Another dir. Paul Thomas Anderson 02:05:57 Resurrection dir. Bi Gan 02:07:51 Peter Hujar's Day dir. Ira Sachs 02:12:19 Christmas Eve in Miller's Point dir. Tyler Taormina 02:17:10 I'm Still Here dir. Walter Salles 02:19:14 28 Years Later dir. Danny Boyle 02:21:06 Dreams (Sex Love) dir. Dag Johan Haugerud 02:25:37 Resurrection dir. Bi Gan 02:26:29 Wake Up Dead Man: A Knives Out Mystery dir. Rian Johnson 02:28:07 It Was Just an Accident dir. Jafar Panahi 02:32:05 Cloud dir. Kiyoshi Kurosawa 02:33:32 Left-Handed Girl dir. Tsou Shih-Ching 02:37:29 One Battle After Another dir. Paul Thomas Anderson 02:40:04 Sinners dir. Ryan Coogler 02:45:41 Outro
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