The 5 Best Films of Every Year Ever

At the risk of defining 1915 by Griffith and The Birth of a Nation (and spoiling, a bit, the most selected films): this season finale and the films guests and listeners chose to highlight buck this canonical entry which looms large. Indeed, the biggest group of submitters in the show’s history chose to uplift similarly epic, and relatively canonical, picks as well as lesser known works. Visit the5bestfilmsofeveryyearever.com/list to see the full list of selected films! Mentioned media: Les Vampires (1915) - Louis Feuillade Regeneration (1915) - Raoul Walsh Hypocrites (1915) - Lois Weber The Italian (1915) - Reginald Barker Alias Jimmy Valentine (1915) - Maurice Tourneur The Birth of a Nation (1915) - D.W. Griffith The Cheat (1915) - Cecil B. DeMille By the Sea (1915) - Charlie Chaplin The Dinosaur and the Missing Link: A Prehistoric Tragedy (1915) - Willis H. O’Brien King Kong (1933) - Merian C. Cooper and Ernest B. Schoedsack The Tramp (1915) - Charlie Chaplin Fantômas (1913) - Louis Feuillade

James Harrison, BBC Archives Researcher, puts that expertise to good use with his ultimate pick reflecting his interest in British moving image (and war) history. But on the way, he also discusses European innovation in defiance of World War I’s intensification and American narrative development. James is also the co-director of South West Silents and Film Noir UK . He has written many articles about classic cinema and was a graduate of the Giornate del Cinema Muto Collegium. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Mentioned media: Britain Prepared (1915) - Charles Urban A Fool There Was (1915) - Frank Powell The Italian (1915) - Reginald Barker Regeneration (1915) - Raoul Walsh Les Vampires (1915) - Louis Feuillade The World at War (1973-1974) Hollywood (1980) Metropolis (1927) - Fritz Lang Nosferatu (1922) - F.W. Murnau Have I Got News for You (1990-present) Antiques Roadshow [UK] (1979-present) Antiques Roadshow [US] (1997-present) Hamlet (1921) - Svend Gade and Heinz Schall Fantômas (1913) - Louis Feuillade Vendémiaire (1918) - Louis Feuillade Judex (1916) - Louis Feuillade The Godfather (1972) - Francis Ford Coppola The Musketeers of Pig Alley (1912) - D.W. Griffith The Public Enemy (1931) - William A. Wellman Angels with Dirty Faces (1938) - Michael Curtiz Goodfellas (1990) - Martin Scorsese Regeneration (1991) - Pat Barker The Godfather Part II (1974) - Francis Ford Coppola The Godfather Part III (1990) - Francis Ford Coppola Traffic in Souls (1913) - George Loane Tucker Cleopatra (1917) - J. Gordon Edwards Beyond the Rocks (1922) - Sam Wood London After Midnight (1927) - Tod Browning The Unchastened Woman (1925) - James Young The Great War (1964) Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897 - 1925 - Luke McKernan The Battle of the Somme (1916) - Geoffrey Malins The Battle of the Ancre and the Advance of the Tanks (1917) - Geoffrey Malins The Cabinet of Dr. Caligari (1920) - Robert Wiene

Filmmaker, critic, and author Scout Tafoya brings some of his “unloved” sensibilities, as demonstrated in his titular video essay series , to his selections for 1915, although a couple of his picks overlap with films that have come into view as undeniably impactful for this season. Scout, in addition to directing numerous feature films, is the author of books on Tobe Hooper , John Ford , Anthony Mann , and Christophe Gans . His ongoing work can be supported on Patreon . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Mentioned media: Alias Jimmy Valentine (1915) - Maurice Tourneur The Cheat (1915) - Cecil B. DeMille Regeneration (1915) - Raoul Walsh Rapsodia Satanica (1915) - Nino Oxilia Trilby (1915) - Maurice Tourneur Brotherhood of the Wolf (2001) - Christophe Gans The Devils (1971) - Ken Russell Pan’s Labyrinth (2006) - Guillermo del Toro City of God (2002) - Fernando Meirelles Silent Hill (2006) - Christophe Gans Beauty and the Beast (2014) - Christophe Gans Return to Silent Hill (2026) - Christophe Gans The Cabinet of Dr. Caligari (1920) - Robert Wiene Dracula (1931) - Tod Browning The Tramp (1915) - Charlie Chaplin The Birth of a Nation (1915) - D.W. Griffith The Cameraman (1928) - Edward Sedgwick and Buster Keaton Sherlock Jr. (1924) - Buster Keaton The General (1926) - Buster Keaton and Clyde Bruckman Cameo Kirby (1923) - John Ford Hell Bent (1918) - John Ford Safe Conduct (2002) - Bertrand Tavernier La Main du diable (1943) - Maurice Tourneur Appointment in Honduras (1953) - Jacques Tourneur The Blue Bird (1918) - Maurice Tourneur Svengali (1931) - Archie Mayo Nosferatu (1922) - F.W. Murnau Cabiria (1914) - Giovanni Pastrone L’Inferno (1911) - Francesco Bertolini, Giuseppe de Liguoro, and Adolfo Padovan The Man Who Laughs (1928) - Paul Leni Gangs of New York (2002) - Martin Scorsese There Are Not Thirty-six Ways of Showing a Man Getting on a Horse (2020) - Nicolás Zukerfeld The Big Country (1958) - William Wyler Track of the Cat (1954) - William A. Wellman Sunset Boulevard (1950) - Billy Wilder Ace in the Hole (1951) - Billy Wilder Kiss Me, Stupid (1964) - Billy Wilder Scarface (1932) - Howard Hawks Little Caesar (1931) - Mervyn LeRoy The Sign of the Cross (1932) - Cecil B. DeMille The Bridge on the River Kwai (1957) - David Lean An Actor’s Revenge (1963) - Kon Ichikawa The Hot Rock (1972) - Peter Yates Mrs. Soffel (1984) - Gillian Armstrong The Tutor (2023) - Jordan Ross Blackhat (2015) - Michael Mann The Public Enemy (1931) - William A. Wellman Manhattan Melodrama (1934) - W.S. Van Dyke The Last of the Mohicans (1920) - Maurice Tourneur and Clarence Brown The Twilight Zone (1959-1964) “Billy Wilder 1961-1981 (The Old Man is Still Alive, Part 9)” - You Must Remember This

Daisuke Miyao, Professor and the Hajime Mori Chair in Japanese Language and Literature at the University of California, San Diego, is the author of Sessue Hayakawa: Silent Cinema and Transnational Stardom . His ultimate selection factors greatly into that book, but also picks an international array of differing genres and forms. Daisuke is also the author of Ozu and the Ethics of Indeterminacy , Le Samouraï: BFI Film Classics , Japonisme and the Birth of Cinema , Cinema Is a Cat: A Cat Lover’s Introduction to Film Studies , and The Aesthetics of Shadow: Lighting and Japanese Cinema . He is also the editor of The Oxford Handbook of Japanese Cinema and the co-editor of The World of Benshi with Michael Emerich and Transnational Cinematography Studies with Lindsay Coleman and Roberto Schaefer. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Mentioned media: The Cheat (1915) - Cecil B. DeMille The Tramp (1915) - Charlie Chaplin Les Vampires (1915) - Louis Feuillade The Golem (1915) - Paul Wegener and Henrik Galeen Assunta Spina (1915) - Gustavo Serena The Bridge on the River Kwai (1957) - David Lean The Birth of a Nation (1915) - D.W. Griffith Carmen (1915) - Cecil B. DeMille Cabiria (1914) - Giovanni Pastrone The Last Diva (1982) - Gianfranco Mingozzi The Last Days of Pompeii (1913) - Eleuterio Rodolfi The Golem: How He Came into the World (1920) - Paul Wegener and Carl Boese The Golem and the Dancing Girl (1917) - Paul Wegener and Rochus Gliese King Kong (1933) - Merian C. Cooper and Ernest Schoedsack Fantômas (1913) - Louis Feuillade Irma Vep (1996) - Olivier Assayas It’s Tough Being a Man (1969) - Yoji Yamada The Circus (1928) - Charlie Chaplin The Ten Commandments (1956) - Cecil B. DeMille Sunset Boulevard (1950) - Billy Wilder Temptation (1915) - Cecil B. DeMille The Cabinet of Dr. Caligari (1920) - Robert Wiene A Page of Madness (1926) - Teinosuke Kinugasa Dragnet Girl (1933) - Yasujirō Ozu The Kumamoto Cat (1915) - unknown House (1977) - Nobuhiko Obayashi Cecil B. DeMille's Hollywood - Robert S. Birchard

Filmmaker, musician, and writer Jeremy Mathews takes a couple tacks in his selections for 1915. In addition to a couple National Film Registry entries and another widely praised American drama, he selects an offbeat short comedy and a surreal, macabre, and underseen Russian horror, of a kind. Jeremy’s film criticism has appeared in Eye for Film in the UK and Paste Magazine in the US. He fronts the indie band NSPS as singer, songwriter and guitarist, with upcoming projects including the new NSPS album, No Truth Left to Tell, and a short film called Seize the Initiative, which he directed and edited. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Mentioned media: The Italian (1915) - Reginald Barker After Death (1915) - Yevgeni Bauer Hypocrites (1915) - Lois Weber Regeneration (1915) - Raoul Walsh Fox Trot Finesse (1915) - Sidney Drew Sunrise: A Song of Two Humans (1927) - F.W. Murnau The Birth of a Nation (1915) - D.W. Griffith The Cheat (1915) - Cecil B. DeMille Carmen (1915) - Cecil B. DeMille Burlesque on Carmen (1915) - Charlie Chaplin Suspense (1913) - Lois Weber and Phillips Smalley The Musketeers of Pig Alley (1912) - D.W. Griffith Beauty and the Beast (1991) - Gary Trousdale and Kirk Wise Pulp Fiction (1994) - Quentin Tarantino House of Gucci (2021) - Ridley Scott Metropolis (1927) - Fritz Lang Rosemary’s Baby (1968) - Roman Polanski The Last Laugh (1924) - F.W. Murnau Vampyr (1932) - Carl Theodor Dreyer The Crowd (1928) - King Vidor The Iron Horse (1924) - John Ford “The 100 Best Silent Films of All Time” - Jeremy Mathews The Silent Clowns - Walter Kerr My Mamie Rose: The Story of My Regeneration - Owen Kildare Perils of the New Land: Films of the Immigrant Experience (1910-1915)

Anthony Slide, prolific film historian, author, and archivist, personally knew a few people who acted in his selections of 1915. This secondhand view of their production is combined with his wide historical knowledge of their significance to bring valuable insight to the year and period. Anthony is the author of numerous books since 1970 and has served as archivist at the American Film Historian and resident film historian for the Academy of Motion Picture Arts and Sciences. Perhaps his most relevant book to this conversation is American Racist: The Life and Films of Thomas Dixon and his works can be found at his site . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Mentioned media: The Battle Cry of Peace (1915) - Wilfrid North and J. Stuart Blackton The Warrens of Virginia (1915) - Cecil B. DeMille Hypocrites (1915) - Lois Weber The Vampire (1915) - Alice Guy-Blache The Birth of a Nation (1915) - D.W. Griffith Intolerance (1916) - D.W. Griffith A Fool There Was (1915) - Frank Powell Dracula (1931) - Tod Browning Nosferatu (1922) - F.W. Murnau The Struggle (1931) - D.W. Griffith Where Are My Children? (1916) - Lois Weber and Phillips Smalley The Squaw Man (1914) - Cecil B. DeMille The Cheat (1915) - Cecil B. DeMille The Cheat (1931) - George Abbott Anna Christie (1923) - John Griffith Wray The Painted Lady (1912) - D.W. Griffith Gone with the Wind (1939) - Victor Fleming The Little American (1917) - Cecil B. DeMille and Joseph Levering Hearts of the World (1918) - D.W. Griffith The Italian (1915) - Reginald Barker Regeneration (1915) - Raoul Walsh Early American Cinema - Anthony Slide The Cinema and Ireland - Anthony Slide The Big V: A History of the Vitagraph Company - Anthony Slide Inside the Hollywood Fan Magazine: A History of Star Makers, Fabricators, and Gossip Mongers - Anthony Slide Hollywood Unknowns: A History of Extras, Bit Players, and Stand-Ins - Anthony Slide "It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age - Anthony Slide The Memoirs of Alice Guy Blaché - Anthony Slide Butter with My Bread - Olga Petrova Lois Weber: The Director Who Lost Her Way in History - Anthony Slide

To borrow a phrase from an upcoming guest of this season, Jeremy Mathews: 1915 has a white-hooded elephant in the room. D.W. Griffith’s racist epic The Birth of a Nation has to be mentioned when discussing film in this year, and although (spoiler) it was only selected by one guest, its shadow is cast somewhere into each of the conversations and diverse picks to come, addressing both its good and bad influence. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1915! Media mentioned: The Birth of a Nation (1915) - D.W. Griffith

While the 1914 season introduction promised the omnipresence of “The Great War,” World War I, if still at least mentioned in every episode, didn’t dominate the conversations. Even still, its representation of sudden disruption, evolution, and modernity is still thematically connected to the aesthetic and industrial developments in film of the year. Visit the5bestfilmsofeveryyearever.com/list to see the list of every submitted film! Mentioned media: Cabiria (1914) - Giovanni Pastrone Tillie’s Punctured Romance (1914) - Mack Sennett Fantômas (1914) - Louis Feuillade Daisy Doodad’s Dial (1914) - Florence Turner Gertie the Dinosaur (1914) - Winsor McCay Kid Auto Races at Venice (1914) - Henry Lehrman Caught in the Rain (1914) - Charlie Chaplin Making a Living (1914) - Henry Lehrman The Patchwork Girl of Oz (1914) - J. Farrell MacDonald

Whether he had a hand in their restoration or not, Bret Wood, filmmaker, author, and SVP and Producer of Archival Releases at Kino Lorber, selects five films that hold some personal connections for him. While they shift back and forth from epic drama and short comedy, these picks also highlight some representative traits of American film in 1914. Among the many projects Bret has worked on at Kino are Pioneers of African-American Cinema and Pioneers: First Women Filmmakers . His films include Hell's Highway: The True Story of Highway Safety Films and he is the author of Tod Browning: une vie avec les freaks. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Media mentioned: Bill Joins the W.W.W.’s (1914) - Edward Dillon The Death Mask (1914) - Thomas Ince The Professional Scapegoat (1914) - Sidney Drew The Avenging Conscience (1914) - D.W. Griffith Judith of Bethulia (1914) - D.W. Griffith Queen Kelly (1929) - Erich von Stroheim The Great Train Robbery (1903) - Edwin S. Porter Home, Sweet Home (1914) - D.W. Griffith The Birth of a Nation (1915) - D.W. Griffith Intolerance (1916) - D.W. Griffith The King of Kings (1927) - Cecil B. DeMille A Corner in Wheat (1909) - D.W. Griffith The Musketeers of Pig Alley (1912) - D.W. Griffith L’Inferno (1911) - Francesco Bertolini, Giuseppe de Liguoro, and Adolfo Padovan Cabiria (1914) - Giovanni Pastrone Phantom of the Paradise (1974) - Brian De Palma Death’s Marathon (1913) - D.W. Griffith The Devil’s Needle (1916) - Chester Withey Curb Your Enthusiasm (1999-2024) Freaks (1932) - Tod Browning The Unholy Three (1925) - Tod Browning The Devil-Doll (1936) - Tod Browning Alien (1979) - Ridley Scott Animal House (1978) - John Landis Rodan (1956) - Ishirō Honda Star Wars (1977) - George Lucas The Mystery of the Leaping Fish (1916) - John Emerson and Christy Cabanne Cinema’s First Nasty Women

The selections from Beja Margitházi, assistant professor at Eötvös Loránd University's Department of Film Studies, begin in Canada and move eastward. They also jump between genres and culminate in an early directorial effort from Michael Curtiz and a representation of the cinema of her native Hungary. Beja is editor of the film theory and history journal Metropolis . She is also the author of The Cinema of the Face: Close-up and Film Style and co-editor of the anthology Visual Communication . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Media mentioned: The Undesirable (1914) - Michael Curtiz Blue Blood (1914) - Nino Oxilia Fantômas (1914) - Louis Feuillade Daisy Doodad’s Dial (1914) - Florence Turner In the Land of the Head Hunters (1914) - Edward S. Curtis The Student of Prague (1913) - Stellan Rye Atlantis (1913) - August Blom Ingeborg Holm (1913) - Victor Sjöström Cabiria (1914) - Giovanni Pastrone Nanook of the North (1922) - Robert J. Flaherty Fred Ott’s Sneeze (1894) - William K.L. Dickson The Kiss (1896) - William Heise Photographing a Female Crook (1904) - Wallace McCutcheon The Abyss (1910) - Urban Gad

Library professional Brian Darr once maintained a blog about the San Francisco Bay Area screening scene called Hell On Frisco Bay, an alias he still uses on Bluesky and Letterboxd . So some aspect of the theatrical experience, whether he caught a screening or not, comes into the conversation about each of his five picks (all from a different country!) in addition to their aesthetic recommendations. Brian has written on media history for outlets like Senses of Cinema, the San Francisco Silent Film Festival, SFGate, Screen Slate, the Independent Lens blog and The Maine Playweek. He's performed several audiovisual presentations at San Francisco's Other Cinema showcase and elsewhere on media history subjects from blacklisted directors to experimental music label Opus One. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Films and resources mentioned: The Masquerader (1914) - Charlie Chaplin Daisy Doodad’s Dial (1914) - Florence Turner Child of the Big City (1914) - Yevgeni Bauer Fantômas (1914) - Louis Feuillade Cabiria (1914) - Giovanni Pastrone L’Inferno (1911) - Francesco Bertolini, Adolfo Padovan, and Giuseppe De Liguoro Intolerance (1916) - D.W. Griffith Metropolis (1927) - Fritz Lang Maciste in Hell (1925) - Guido Brignone The Birth of a Nation (1915) - D.W. Griffith Les Vampires (1915) - Louis Feuillade Judex (1916) - Louis Feuillade Tih Minh (1918) - Louis Feuillade Fantômas (1920) - Edward Sedgwick The Cameraman (1928) - Edward Sedgwick and Buster Keaton Spite Marriage (1929) - Edward Sedgwick and Buster Keaton Man with a Movie Camera (1929) - Dziga Vertov Where the Winds Blow (1910) - Laurence Trimble The Tramp (1915) - Charlie Chaplin His Trysting Place (1914) - Charlie Chaplin The Face on the Bar Room Floor (1914) - Charlie Chaplin Hollywood Babylon - Kenneth Anger Kino: A History of the Russian and Soviet Film - Jay Leyda “1,000 Favorites: A Personal Canon” - Jonathan Rosenbaum Cinema’s First Nasty Women

Elyse Singer, Lecturer in the Department of Theater at Dartmouth College , selects a wide range of forms and genres for her five picks of 1914, from short comedy to serial action to epic tales (one historically dramatic and the other perhaps the first feature comedy). At least two relate to her recent research in female madness in film and the agency of women in serials of the time. Elyse has also taught at the Feirstein Graduate School of Cinema at CUNY and NYU Tisch. Her work has been published in Cinematic Explorations of the Mind, The Routledge Companion to Performance and Science, Faces on Screen, Feminist Media Histories, and Domitor’s Crafts, Trades, and Techniques of Early Cinema. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Films and resources mentioned: Cabiria (1914) - Giovanni Pastrone Tillie’s Punctured Romance (1914) - Mack Sennett Fantômas (1914) - Louis Feuillade The Perils of Pauline (1914) - Louis J. Gasnier and Donald MacKenzie Daisy Doodad’s Dial (1914) - Florence Turner Trouble in Paradise (1932) - Ernst Lubitsch Photographing a Female Crook (1904) - Wallace McCutcheon Laughing Gas (1907) - Edwin S. Porter Black Panther (2018) - Ryan Coogler Woman Warrior White Rose (1929) - Zhang Huimin Les Vampires (1915) - Louis Feuillade The Violin (1908) - Louis Feuillade Tih Minh (1918) - Louis Feuillade Metropolis (1927) - Fritz Lang Lillian Gish: The Movies, Mr. Griffith, and Me - Lillian Gish Specters of Slapstick and Silent Film Comediennes - Maggie Hennefeld “In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film” - Tom Gunning

Susan Potter, Senior Lecturer in the School of Art, Communication and English at the University of Sydney, wrote the book Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema . While its scope is broader than any one year, and just one of Susan’s 1914 selections is referenced within it, she also mostly highlights female agency and subversion before and behind the screen with her picks. Susan’s research investigates the relation of cinema as modern mass medium to the intensification of sexuality since the late nineteenth century and audiovisual media's role in queer identity and culture formation. Their essay on Filibus (1915) is forthcoming in The Silent Film Companion: A Recovered and Expanded History , edited by (former guests!) Martin Johnson and Liz Clarke . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Films and resources mentioned: The Perils of Pauline (1914) - Louis J. Gasnier and Donald MacKenzie Fantômas (1914) - Louis Feuillade A Florida Enchantment (1914) - Sidney Drew Mabel’s Strange Predicament (1914) - Mabel Normand Kid Auto Races at Venice (1914) - Henry Lehrman Pandora’s Box (1929) - G.W. Pabst Filibus (1915) - Mario Roncoroni Shoulder Arms (1918) - Charlie Chaplin The Tramp (1915) - Charlie Chaplin Fantômas (1913) - Louis Feuillade One A.M. (1916) - Charlie Chaplin Mabel’s Dramatic Career (1913) - Mack Sennett Mädchen in Uniform (1931) - Leontine Sagan Gilda (1946) - Charles Vidor The Hazards of Helen (1914) - J.P. McGowan and J. Gunnis Davis Screening Europe in Australasia: Transnational Silent Film Before and After the Rise of Hollywood - Julie K. Allen Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade - Vicki Callahan Hokum! The Early Sound Slapstick Short and Depression-Era Mass Culture - Rob King A Feminist Reader in Early Cinema - Jennifer Bean and Diane Negra, eds. Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934 - Laura Horak

The event that has been foreshadowed the past few seasons comes to pass in 1914: the Great War, or World War I. And while not every facet of the conversations this season relates back to the disruption of the film industry that ensued (to say nothing of the disruption of every other aspect of life), it certainly looms large and provides context for filmmaking language and industrial developments in this year and to come through at least the end of the decade. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1914! Films mentioned: Life’s Shop Window (1914) - J. Gordon Edwards Making a Living (1914) - Henry Lehrman Kid Auto Races at Venice (1914) - Henry Lehrman The Squaw Man (1914) - Cecil B. DeMille Judith of Bethulia (1914) - D.W. Griffith The Merchant of Venice (1914) - Lois Weber and Phillips Smalley Tillie’s Punctured Romance (1914) - Mack Sennett Cabiria (1914) - Giovanni Pastrone

The 1913 season introduction episode’s title was “A Milestone Year?” And indeed, the guests for these past five episodes, as well as the representation of listeners based on their submission lists, made the case that it was artistically, industrially, critically, and popularly. Visit the5bestfilmsofeveryyearever.com/list to see the full list of 1913 submissions! Films mentioned: Suspense (1913) - Lois Weber and Phillips Smalley Fantômas (1913) - Louis Feuillade Traffic in Souls (1913) - George Loane Tucker A House Divided (1913) - Alice Guy-Blaché The Student of Prague (1913) - Stellan Rye The Night Before Christmas (1913) - Ladislas Starevich Ivanhoe (1913) - Herbert Brenon The Last Days of Pompeii (1913) - Eleuterio Rodolfi and Mario Caserini Quo Vadis (1913) - Enrico Guazzoni

Charlie Keil, Professor in the Cinema Studies Institute and the Department of History at the University of Toronto, is the author of Early American Cinema in Transition . His periodization of the transitional era, as explored in that book, ends with 1913 and his take on the traits of the time and how it shifts from the beginning of the period in 1907 defines the conversation. Charlie has also published seven other books, the most recent being The Oxford Handbook of Silent Cinema , coedited with Rob King. His next book will be Observing Film Art: Themes from the Work of David Bordwell , co-edited with Murray Smith, and due December 2026. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films and resource mentioned: Traffic in Souls (1913) - George Loane Tucker Suspense (1913) - Lois Weber and Phillips Smalley Death’s Marathon (1913) - D.W. Griffith The Mothering Heart (1913) - D.W. Griffith The Evidence of the Film (1913) - Lawrence Marston and Edward Thanhouser The Story the Biograph Told (1904) - Wallace McCutcheon, Sr. Judith of Bethulia (1914) - D.W. Griffith The Lonely Villa (1909) - D.W. Griffith The Physician of the Castle (1908) - unknown Mad Max: Fury Road (2015) - George Miller Thelma and Louise (1991) - Ridley Scott Citizen Kane (1941) - Orson Welles Ingeborg Holm (1913) - Victor Sjöström Fantômas (1913) - Louis Feuillade Falling Leaves (1912) - Alice Guy-Blaché American Cinema’s Transitional Era: Audiences, Institutions, Practices - Charlie Keil and Shelley Stamp, eds.

Paul Gagliardi, Teaching Associate Professor of English at Marquette University, selects almost entirely comedy shorts for his 1913 highlights, although they connect with his proto-expressionist feature pick in that they all contain morbid underbellies. And diving into the comic commentary of these works, intended or not, reflects a few things about audience reception to movies and politics of the time. Paul is the author of All Play and No Work: The Comic Plays of the Federal Theatre Project . His website is paul-gagliardi.com . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films and resources mentioned: A House Divided (1913) - Alice Guy-Blaché The Student of Prague (1913) - Stellan Rye Fatty Joins the Force (1913) - George Nichols Cohen Saves the Flag (1913) - Mack Sennett Mabel’s Dramatic Career (1913) - Mack Sennett The Brutalist (2024) - Brady Corbet The Jazz Singer (1927) - Alan Crosland Sherlock Jr. (1924) - Buster Keaton The Battle of Gettysburg (1913) - Charles Giblyn and Thomas Ince My Dinner with Andre (1981) - Louis Malle By the Sea (1915) - Charlie Chaplin The Cook (1918) - Roscoe Arbuckle Mabel and Fatty Viewing the World's Fair at San Francisco (1915) - Roscoe Arbuckle and Mabel Normand The Round-Up (1920) - George Melford Nosferatu (1922) - F.W. Murnau Faust (1926) - F.W. Murnau Grease (1978) - Randal Kleiser The Power and the Glory: The History of the World Cup - Jonathan Wilson

Michael Gebert is the founder and co-moderator of NitrateVille , the online discussion site about vintage films of the silent era through the 1950s. Looking ahead to the advancements soon to come, his selections of almost all features demonstrate editing and performance style shifts, which branched off in slightly different ways in countries like America, France, and Sweden. Michael is host of the NitrateVille Radio podcast , which talks to people doing "cool stuff" in the world of vintage film, from authors and filmmakers to the curators of retrospectives and festivals. He is also a food journalist in Chicago and the author of The Chicago Way: An Oral History of Chicago Dining . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films and resources mentioned: Ingeborg Holm (1913) - Victor Sjöström Germinal (1913) - Albert Capellani The Child of Paris (1913) - Léonce Perret Traffic in Souls (1913) - George Loane Tucker Mabel’s Dramatic Career (1913) - Mack Sennett The Squaw Man (1914) - Cecil B. DeMille The Cheat (1915) - Cecil B. DeMille The Conquest of the Pole (1912) - Georges Méliès The Searchers (1956) - John Ford Sammy’s Scandalous Scheme (1915) - Gilbert P. Hamilton The Extra Girl (1923) - F. Richard Jones Uncle Josh at the Moving Picture Show (1902) - Edwin S. Porter Alias Jimmy Valentine (1915) - Maurice Tourneur The Blue Bird (1918) - Maurice Tourneur The Wishing Ring: An Idyll of Old England (1914) - Maurice Tourneur The Miracle Man (1919) - George Loane Tucker Metropolis (1927) - Fritz Lang Suspense (1913) - Lois Weber and Phillips Smalley The Lonely Villa (1909) - D.W. Griffith Weapons (2025) - Zach Cregger Breathless (1960) - Jean-Luc Godard The Mystery of the Rocks of Kador (1912) - Léonce Perret Les Vampires (1915) - Louis Feuillade Tih Minh (1918) - Louis Feuillade Fantômas (1913) - Louis Feuillade The Strike (1904) - Ferdinand Zecca Les misérables (1912) - Albert Capellani Les misérables (1925) - Henri Fescourt Les misérables (1934) - Raymond Bernard A Man There Was (1917) - Victor Sjöström The Gardener (1912) - Victor Sjöström The Phantom Carriage (1921) - Victor Sjöström Girl with Hyacinths (1950) - Hasse Ekman The Birth of a Nation (1915) - D.W. Griffith The Magician (1926) - Rex Ingram The Four Horsemen of the Apocalypse (1921) - Rex Ingram Cecil B. DeMille’s Hollywood - Robert S. Birchard Cinema’s First Nasty Women Pordenone 2025 Report - Michael Gebert The Origins of Film Maurice Tourneur: Weaver of Dreams - Christine Leteux George Loane Tucker: The First of the Immortals - Frank Thompson

Julie K. Allen, professor of Comparative Arts and Letters at Brigham Young University, is the author of Screening Europe in Australasia . So it makes sense that her selections, each from a different country, would embody the transnational dynamic of silent film just before the outbreak of World War I. Julie is also the author of Icons of Danish Modernity , Danish but Not Lutheran , and The Silent Muse: The Memoirs of Asta Nielsen . She is currently working on a book about the Danish cinema license system with the tentative title The Cultural Politics of Film Exhibition. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films and resources mentioned: Quo Vadis (1913) - Enrico Guazzoni Atlantis (1913) - August Blom Fantômas (1913) - Louis Feuillade Traffic in Souls (1913) - George Loane Tucker The Suffragette (1913) - Urban Gad The Abyss (1910) - Urban Gad What 80 Million Women Want (1913) - Will Louis Les misérables (1912) - Albert Capellani Nick Carter, le roi des détectives (1908) - Victorin-Hippolyte Jasset Les Vampires (1915) - Louis Feuillade Judex (1916) - Louis Feuillade Saved from the Titanic (1912) - Étienne Arnaud Destiny (1921) - Fritz Lang The Phantom Carriage (1921) - Victor Sjöström Blind Justice (1916) - Benjamin Christensen Sealed Orders (1914) - Benjamin Christensen Häxan (1922) - Benjamin Christensen Titanic (1997) - James Cameron Nero (1909) - Luigi Maggi and Arturo Ambrosio L’Inferno (1911) - Francesco Bertolini, Adolfo Padovan, and Giuseppe De Liguoro Pink-Slipped: What Happened to Women in the Silent Film Industries? - Jane Gaines

This is the 100th episode and just two weeks past the second anniversary of The 5 Best Films of Every Year Ever! It’s a special episode made even more so by Shelley Stamp, Distinguished Professor of Film & Digital Media at the University of California, Santa Cruz. She literally wrote the book on Lois Weber so it makes sense that pioneering filmmaker’s landmark 1913 film factors into the conversation, but all of Shelley's picks reflect the rapid development of American film grammar and stand in for women’s representation in front of and behind the camera, as well as their fights for equality in “real life.” Shelley is also the author of Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon . She curated the award-winning box set Pioneers: First Women Filmmakers . Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films mentioned: What 80 Million Women Want (1913) - Will Louis Traffic in Souls (1913) - George Loane Tucker A House Divided (1913) - Alice Guy-Blaché Suspense (1913) - Lois Weber and Phillips Smalley The Adventures of Kathlyn (1913) - Francis J. Grandon Hypocrites (1915) - Lois Weber The Perils of Pauline (1914) - Louis J. Gasnier and Donald MacKenzie The Hazards of Helen (1914) - J.P. McGowan and J. Gunnis Davis The Exploits of Elaine (1914) - Louis J. Gasnier, George B. Seitz, Leopold Wharton, and Theodore Wharton What Happened to Mary (1912) - Ashley Miller and Charles Brabin Fantômas (1913) - Louis Feuillade The Lonely Villa (1909) - D.W. Griffith Shoes (1916) - Lois Weber The Merchant of Venice (1914) - Lois Weber and Phillips Smalley The Consequences of Feminism (1906) - Alice Guy-Blaché Making an American Citizen (1912) - Alice Guy-Blaché Matrimony’s Speed Limit (1913) - Alice Guy-Blaché Falling Leaves (1912) - Alice Guy-Blaché In the Hands of Impostors (1911) - August Blom A Busy Day (1914) - Charlie Chaplin Your Girl and Mine (1914) - Giles R. Warren