Published by Marcus Mizelle
Past Present Feature is a film appreciation podcast hosted by Emmy-winning director Marcus Mizelle, showcasing today’s filmmakers, their latest release, and the past cinema that inspired them.
Listen on Apple PodcastsI Is Another marks Felix Randau's return to the Locarno Film Festival, where the film premieres in competition. Inspired by the true story of Felix Kersten, personal masseur to Heinrich Himmler, we discuss why Randau rejected a conventional hero narrative in favor of a morally ambiguous portrait, exploring the blurred line between truth, history, and the stories we choose to believe. We also discuss antiheroes, historical storytelling, filmmaking in Germany, and the films that shaped Felix's love of cinema, including The African Queen , Heat , The Third Man , and the work of John Huston, Michael Mann, François Truffaut, and Fritz Lang. At its core, our conversation is about resisting simple answers, embracing moral complexity, and recognizing that history is often shaped as much by storytelling as it is by fact. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Danish filmmaker Mads Mengel joins Past Present Feature just before his world premiere of The Guest in the Crystal Globe Competition at the Karlovy Vary International Film Festival. Since this recording, The Guest has gone on to win the festival's Special Jury Prize, while Mengel received the Best Director Award. We discuss how the film grew from a simple question into an intimate family drama shaped by years of writing, collaboration, and refinement. Along the way, we explore contained storytelling, the Danish filmmaking model, building a visual language around performance rather than coverage, and why practical limitations often lead to stronger creative decisions. Mads also reflects on the films and filmmakers that shaped his love of cinema, including Magnolia , Eternal Sunshine of the Spotless Mind , The Lord of the Rings , 12 Angry Men , and The Conversation . At its core, our conversation is about making more with less, trusting the people around you, and discovering that limitations often become your greatest creative advantage. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Cara Cusumano, Director of Programming for the Tribeca Festival, joins Past Present Feature as the festival celebrates its 25th year. She pulls back the curtain on how one of the world's premier film festivals selects its films, and how curation, audience, and timing shape every lineup. Along the way, Cara reflects on the films and filmmakers that shaped her own cinematic taste, from F for Fake , Jiro Dreams of Sushi , to the fiction work of David Fincher, Agnès Varda, and Steven Spielberg. The conversation also explores Tribeca's origins following 9/11, the future of film festivals in the streaming era, why filmmakers shouldn't let deadlines dictate their creative process, and why the stories that resonate most are often the ones that keep moving, staying one step ahead of their audience, and continuing to surprise us. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure. The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page. At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Alan D’Escragnolle breaks down how his company Filmhub is rethinking distribution, shifting away from gatekeeping toward flexible, film-specific strategies. Instead of a single path, films are matched with what they actually need, whether that’s AVOD, SVOD, or a more hands-on sales and marketing push. The bigger shift is economic. With hundreds of thousands of titles entering the market each year, access is easier than ever, but monetization is harder. Success now comes down to positioning, artwork, and understanding where a film fits in an oversaturated landscape. At its core, the model has flipped. Distributors can get your film out, but they won’t build your audience. The takeaway is simple: know who your film is for, think long-term, and treat distribution as part of the process, not the finish line. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn’t separate fiction and nonfiction, approaching cinema as one language built around truth and urgency. The film follows survivors returning to the prison where they were held, using reenactment to access memory rather than spectacle. Built around faces instead of events, it focuses on the human imprint of trauma, with the process itself forcing Sabouni to confront experiences he nearly walked away from. Drawing from filmmakers like Rithy Panh ( The Missing Picture ) and Joshua Oppenheimer ( The Act of Killing ), the film blends personal testimony with cinematic form. The takeaway is clear: tell the stories that matter, especially the ones others would rather ignore. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist , this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes immediate, emotional, and human. Co-directed by Daniel Roher, Academy Award winning director of Navalny , and produced by Daniel Kwan, Academy Award winning director of Everything Everywhere All At Once , the filmmaking process was massive and chaotic, built from dozens of interviews, extensive transcripts, and layered animation. The challenge was finding clarity inside that volume while keeping the film engaging and cinematic, reflecting a lineage of documentaries that blend personal narrative with larger ideas. Charlie’s past inspirations include Stories We Tell by Sarah Polley and recent films Weapons and 28 Years Later . At its core, AI is already here, already shaping everything, and the real question is who chooses to engage with it. Don’t assume someone else will shape the future for you. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone’s Sorry Nowadays , a coming-of-age story set almost entirely inside a single home and a young girl’s mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character’s inner world to life. She talks through her unconventional path into directing, from acting and production work to navigating Europe’s state-funded film system. A key turning point came not from making films, but from receiving funding, the moment she says she finally felt “allowed” to call herself a director. The conversation digs into adapting a novel, working within creative limitations, and why fear is an unavoidable part of the process. Migom cites films like Boy , Arizona Dream , the work of Céline Sciamma and Andrea Arnold, and Eternal Sunshine of the Spotless Mind as touchstones for balancing realism with subjectivity. She also shares a simple philosophy that carried her through: feel the fear, do it anyway - and trust that the process will lead you where you need to go. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Jeremy Workman discusses Secret Mall Apartment , his Netflix documentary about a group of Rhode Island artists who secretly built and lived in an apartment inside a busy shopping mall, filming the entire four-year experiment themselves. After a strong self-released theatrical run, the film is now streaming on Netflix. Jeremy traces the project back to a chance meeting in Athens, where he connected with the main subject and slowly earned the trust of the full group after years of other filmmakers being turned away. He also reflects on his path into nonfiction, growing up around editing through his father, Chuck Workman, and building a career through independently financed documentaries. He cites films like American Movie (Chris Smith), Man on Wire (James Marsh), The Raft (Marcus Lindeen), and The Act of Killing (Joshua Oppenheimer) as inspirations for playful, form-bending nonfiction. The conversation also explores self-distribution, theatrical strategy, and why filmmakers should stop waiting for perfect conditions and just go make the thing. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Gille Klabin discusses Weekend at the End of the World , his follow-up to The Wave , and the deliberate choice to build a second feature that didn’t require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave ’s release, where traditional distribution left him frustrated by opaque marketing spends and limited transparency, and how that experience reshaped his approach to ownership, equity, and rollout strategy the second time around. Gille discusses the current indie landscape not as a lament, but as a tactical puzzle, and breaks down the realities of aggregators versus distributors, the economics of digital-first releases, and why he chose to prioritize transparency and direct recoupment over a conventional deal. Drawing comparisons to films like Shaun of the Dead , Tucker & Dale vs. Evil , and The Cabin in the Woods , he discusses the balance of tone, heart, and genre - and how surprise and emotional whiplash can be a strategic storytelling tool. He also outlines a 50/50 equity split between investors and cast/crew, a flat-rate pay structure on set, and a belief that if independent filmmakers want a more just system, they have to build it at their own scale first. The conversation closes on preparation, resilience, and the long game: make the movie you can actually control, learn the business as deeply as the craft, and let your specific weirdness become the thing that carries you forward. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable can happen in a place that looks quiet on the surface. The film moves beyond headlines into character, contradiction, and the uncomfortable gray areas that fueled the raid. We dig into craft and access: how Liese drove two hours the moment she heard the news on NPR, earned trust without a formal agreement for months, and built a film out of surveillance footage, body cams, courtroom material, and intimate interviews. She talks about structuring the story around a one-year time jump, using a young reporter as an audience surrogate, shaping tone so viewers can register the absurdity without losing the stakes, and making the call to abandon fourth-wall devices in favor of a cleaner, more immersive approach. She shares the films that informed her thinking during the edit, including All the President’s Men and the investigative restraint of Laura Poitras’ Citizenfour and Cover Up . Sharon reflects on what it meant to launch the film at Sundance amid both celebration and uncertainty in the documentary market. Advice to filmmakers: there are no shortcuts. Put in the hours, earn trust slowly, and keep showing up until the experience begins to live inside the work. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Gabby Osio Vanden and Jack Weisman join the show after winning Sundance’s Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear’s journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labeled a “nuisance” in a shared landscape. We dig into craft and access: finding the right position for the camera so the story can reveal itself, structuring the feature in two halves, and how a dialogue-free short film born partly out of COVID constraints became the proof of concept that unlocked TIFF, The New Yorker, and eventually A24. They also talk candidly about what the audience never sees: rough living conditions, long hours waiting, the specific agony of “the best thing happened, and we missed it,” and the slow but important work of earning trust, where listening comes before filming. They share influences that shaped them, including Miyazaki’s sense of nature and modernity, Gus Van Sant’s bravery with form, and John Cassavetes’ belief in the energy of a set. The conversation closes on what it meant to experience Sundance as both a career peak and a personal milestone, getting engaged and then married during the festival. Advice to filmmakers: be tenacious when you know you need to tell a story, protect trust like it is part of the craft, and do not turn on each other when the pressure spikes. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
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Stephanie Ahn discusses Bedford Park , (Special Jury Award) her Sundance U.S. Dramatic Competition debut about a Korean American woman in her 30s pulled back into her parents’ home after her mother’s car accident, where she meets the man responsible and an unexpected connection begins to form. Ahn shares why she needed to make this film, how growing up Korean American left her hungry for stories that felt real beyond familiar clichés, and why writing Bedford Park meant finally walking straight into something deeply autobiographical she avoided for years. She talks about choosing uncertainty over comfort and taking the scary road on purpose, stepping away from a stable editing career to pursue a story that wouldn’t let go. Ahn reflects on journaling as a way into the script, years of rejection, and learning to be ruthless with her own material as the film evolved from a family drama into a more intimate relationship story. Rather than starting with a message, she describes how the film’s themes revealed themselves over time, ultimately centering on human connection, being truly seen, and how that clarity reshapes self-understanding. Ahn walks through the long, practical build: seven years of persistence, financing that finally unlocked through relationships and Korean backing, and an unusually deep rehearsal process with actors that stretched across years before shooting in New Jersey. She reflects on editing as a brutal but clarifying search for truth alongside a trusted co-editor, and on the films she kept returning to for structure and inspiration, including A Separation, Secret Sunshine, Rust and Bone, Heat, and The Insider . What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Documentary filmmaker and editor J.M. Harper discusses Soul Patrol (Best Director Winner at Sundance ‘26), his six-year journey telling the story of the first Black special operations unit in Vietnam. What began with reading Eddie Manuel’s book grew into years of weekly conversations, slow trust-building, and eventual access to never-before-seen Super 8 footage and photographs shot by the soldiers themselves. Harper also reflects on how his work editing Jeen‑Yuhs: A Kanye Trilogy sharpened his instincts around character, structure, and letting footage reveal meaning over time. We talk about point of view and theme as the engine of a film, not ideas layered on afterward. Harper frames Soul Patrol around a central question: whether speaking openly about acts committed in war, long buried and rarely acknowledged, can offer any form of healing. Drawing on Steven Spielberg’s Saving Private Ryan , he discusses how cinema can confront violence without glamorizing it, and the ethical tension of rendering horrific experiences with clarity, restraint, and intention. He reflects on editing as discovery, assembling a team of editors with different strengths, and shaping a film that moves between memory, present-day reckoning, and historical record. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, marketplace “success,” and why Vimeo analytics do not tell the full story. Ania breaks down what actually happens behind the scenes at Sundance, how programmers balance limited slots with thousands of film submissions, and why being the right fit matters more than trends or agendas. She shares why festivals need balance between urgent, heavy films and work that is entertaining, humane, and emotionally alive. Drawing from examples like André Is an Idiot and Gleason , Ania explains how character-driven storytelling can carry even the most difficult subjects. Advice to filmmakers: do your research, be clear about what you are making, and remember that programmers are rooting for you, even when the answer might still be no. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Italian documentarian Parsifal Reparato discusses She , his five-year journey inside Vietnam’s electronics manufacturing world, where young migrant women work 12-hour shifts producing devices for the global market. What began as labor-rights research grew into a portrait of fear, capitalism, and survival, earned through slow trust-building with workers afraid to speak openly. We unpack creative influences like Lars Von Trier’s Dogville , Joshua Oppenheimer’s The Act of Killing , and the observational approach he absorbed from working with Roberto Minervini. Parsifal explains how the film’s black-box reenactment set became a space where workers could rebel, speak freely, or even destroy it. Instead, they rest together, revealing exhaustion itself as resistance. We talk filmmaking as labor, the emotional toll of activist storytelling, parting with his first editor and later rebuilding the film with Alice Roffinengo, whose perspective shaped its final form. Parsifal reflects on his Locarno premiere, the weight of representing real people on screen, and the responsibility of carrying stories born from hardship. Advice to filmmakers: trust your voice early, accept risk, and if you’re going to struggle, struggle for something that matters. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Taiwanese filmmaker Shih-Ching Tsou traces her path from a strict upbringing in Taipei to directing Left-Handed Girl , Taiwan’s 2025 Oscar submission for Best International Film, and now streaming on Netflix. After years working alongside Sean Baker, the four-time Academy Award winner known for Anora , Tangerine , and The Florida Project , and her creative partner since they co-directed their first feature Take Out , Shih-Ching steps forward with her solo directorial debut. Shih-Ching and Baker wrote the script for Left-Handed Girl in 2010, but financing challenges kept the project on hold for more than a decade. Principal photography finally began in July 2022, a delay she now views as part of the film’s natural evolution. The story draws from her experience growing up left-handed in a culture with rigid expectations for girls, and its emotional specificity has already connected with audiences around the world. Shot on an iPhone 13 with Beastgrip anamorphic lenses, the film captures Taipei’s night markets with stripped-down realism influenced by Dogme 95 and Lee Chang-dong’s Oasis . Shih-Ching worked with a small mobile crew, created the soundscape herself, and shaped the edit with Baker, whose instinct for editing performances she considers unmatched. After premiering at Cannes Critics’ Week, Left-Handed Girl traveled the global festival circuit before Netflix acquired most territories, followed by theatrical releases in Taiwan, New York, and Los Angeles. Now representing Taiwan internationally, Shih-Ching reflects on stepping into visibility after decades behind the scenes. Her advice to filmmakers: trust your voice, avoid trends, build community, and keep going. Some films take time, and recognition often arrives later. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
12 films. 3 nights. 1 Collective. The Past Present Feature Film Festival is a curated, three-day showcase of cinematic storytelling across time, highlighting overlooked gems, current festival hits, and future feature films in the making. Sponsored by The Past Present Feature Podcast and Leica Camera , all screenings take place November 19 – 21 in Hollywood, CA, at the Eastwood Performing Arts Center (1089 N OXFORD AVE, 90029) Tickets @ pastpresentfeature.eventive.org 🎟️ ALL ACCESS PASSES Now Available (use code 10OFF for a 10% early discount): go to BUY PASSES to lock yours in now, before they're gone! 🎟️ From exile to reckoning to the edge of reality: stories that reveal who we are, where we’ve been, and what lies ahead. And beyond the screen, a shared home for those who make and love film. Sponsored by Leica Camera. SCHEDULE Wednesday, Nov 19 SEARCHING FOR HOME • When survival demands movement, the search for belonging begins. The Solitude Trilogy (15m) dir. Albert Choi Take Out (88m) dirs. Sean Baker & Shih-Ching Tsou Walk Run Cha-Cha (20m) dir. Laura Nix Roads of Fire (119m) dir. Nathaniel Lezra Thursday, Nov 20 ROOTS & RECKONINGS • When the past refuses to stay buried, identity and loyalty collide. The Bad Man (25m) dir. Manny Duran Our Father, The Devil (108m) dir. Ellie Foumbi Ree’s Destiny (16m) dir. Steven J. Mosley Pierce (109m) dir. Nelicia Low Friday, Nov 21 BEYOND THE EDGE • When the familiar world falls away, what remains is instinct, consequence, and chaos. Sunday Sauce (14m) dir. Matt Campanella The Wave (87m) dir. Gille Klabin Other Side of the Box (15m) dir. Caleb J. Phillips The Thicket (105m) dir. Elliot Lester The festival culminates with the AUDIENCE AWARD, honoring the most well-received film across all categories - past, present, or future. Chosen by the audience, whose voices define the spirit of the festival. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature
Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star. Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway’s 2020 legalization of single-parent conception. Janicke’s cinematic influences span Fritz Lang’s expressionism, Billy Wilder’s Sunset Boulevard , and Maren Ade’s Toni Erdmann . On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.” Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don’t wait for permission. What Movies Are You Watching? Introducing the Past Present Feature Film Festival , a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more. Visit revivalhub.com to see what's playing this week. Support the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature