Published by Jazz Legends
Conversations about the all-time jazz legends from local jazz legends Gunnar Biggs, Keith Bishop, Joey Carano, Leonard Thompson, and Bob Weller. Soak in their stories and expertise as they prep for their Sunday night shows at St. Michael’s-by-the-Sea in Carlsbad, California.
Listen on Apple PodcastsSaxophonist Charlie Parker (nicknamed Yardbird or Bird) (born Aug 29, 1920) and trumpeter Dizzy Gillespie (nicknamed Diz) (born Oct 21, 1917) are two of the most innovative musical minds of the twentieth century. Dizzy was often quoted that he and Parker were two halves of the same heart. Together they were architects of the bebop style that swept jazz in the 1940s and they influenced literally every jazz musician since. Help sponsor St. Michael's Jazz Fest Donate to the Jazz Legends podcast
Saxophonist/composer Wayne Shorter (born Aug 25, 1933) is one of the most influential and prolific performers and composer in jazz. His time with the bands of Art Blakey and Mikes Davis firmly established him as one of the most original voices on his instrument, and provided a platform for his incredible original compositions. He is also featured on his myriad recordings as a leader in his own right. He was one of the cofounders of the supergroup Weather Report in the 70s. Help sponsor St. Michael's Jazz Fest Donate to the Jazz Legends podcast
Pianist/composer Kenny Werner (born Nov 19, 1951) has been leading his own trios since 1981. He played with the Mel Lewis Orchestra in the early 1980s and was encouraged by Lewis and Bob Brookmeyer to compose for the band, which led to him composing for many European radio bands. He played duo with Toots Thielmans for 14 years and was awarded a Guggenheim fellowship in composition. His book Effortless Mastery, about the psychological aspects of music performance is widely read and he teaches a course based on it at the Berklee School in Boston. Help keep the music and this show alive! Donate here .
Oregon was a jazz and world music group started in 1970, featuring multiple woodwind artist Paul McCandless, guitarist/pianist Ralph Towner, bassist Glenn Moore, and percussionist Collin Walcott. The personnel remained stable for decades, with the percussion chair changing once or twice, but their musical output remained unique throughout. Esoteric sounds of oboe, English horn, and bass clarinet gave the band a unique sound, and the compositions of McCandless and Towner bridge jazz and world music styles creating a unique and original melange unique to the group.
Everyone in the group writes original music, some of which has been played publicly in the past and some which will be premiered this week. In this episode, the guys discuss what it's like to write their own original tunes.
Saxophonist/composer Michael Brecker (born March 29, 1949) was one of the most recorded saxophonists of all time. Over his four-decade career he appeared on over 900 recordings as a leader and sideman and received fifteen Grammys. His virtuoso saxophone technique and soulful expressiveness made him a clear favorite of a whole generation of players who fell under his influence, setting the bar extremely high for anyone trying to emulate his prodigious abilities.
Pianist, organist, composer, and bandleader Carla Bley (born May 11, 1936) considered herself primarily a composer, saying she was 99% composer and 1% pianist. She associated herself with the avant guard movement, allying herself with musicians like Charlie Haden, Michael Mantler, and others in her cutting edge ensembles, she organized the Jazz Composers Guild in the 1960s featuring many of the most innovative musicians in NYC at the time, and her record label released recordings of Don Cherry, Roswell Rudd and Clifford Thornton.
Composer and lyricist Burton Lane (born Feb 2, 1912) is perhaps best remembered as the composer of the hit Broadway shows "Finian’s Rainbow" and "On a Clear Day You Can See Forever", but he had a long and distinguished career writing for films and the stage, and his tunes are much loved vehicles for jazz musicians.
Pianist and composer Richie Beirach (born May 23, 1947) made hundreds of recordings, both as a leader of his own groups, and as part of a long-standing duo with saxophonist Dave Liebman. He taught jazz piano in Leipzig, Germany at the University of Music and Theater and lived in Germany up to his death earlier this year.
Pianist /composer Keith Jarrett (born May 8, 1945) has had a long and distinguished career performing with his own groups, making a succession of solo piano recordings, and playing with the bands of Miles Davis, Art Blakey and Charles Lloyd. In recent years he has been sidelined by the effects of a stroke which tragically left him without the use of his right hand.
Singer/songwriter/pianist Matt Dennis (born Feb 11, 1914), while not exactly a household name, wrote some of the most enduring gems of the Great American Songbook. "Angel Eyes", "Everything Happens to Me", "Let’s Get Away from it All", "The Night We Called it a Day", and "Violets for Your Furs" are all standards that will be played for years to come.
Songwriter Vincent Youmans (born Sept 7, 1898) was one of the leading Broadway composers of his day, and collaborated with most of the top lyricists of his generation. While he is only credited with around 100 tunes, 18 of them are recognized as standard songs, many of which have been embraced by jazz musicians over many years. Tunes like 'Tea For Two', 'More Than You Know', 'Sometimes I’m Happy' and 'Without a Song' have been recorded innumerable times over the years.
Brazilian singer/songwriter Ivan Lins (born June 16, 1945), has been active for over fifty years. His composition 'Love Dance', a hit in 1989, is one of the most recorded songs in contemporary music. He has won several Latin Grammy awards and his tunes have been recorded by myriad artists, a veritable who’s who of the jazz world.
Vibraphonist / composer Bobby Hutcherson (born January 27, 1941), was inspired to take up the vibraphone at the age of twelve after hearing Milt Jackson, and became the inspiration for younger musicians like Joe Locke, Stefon Harris, and Steve Nelson. He recorded for Blue Note records from 1963 to 1977, longer than anyone else was associated with that label with the exception of Horace Silver.
Pianist/composer Michel Legrand (born Feb 24, 1932) is credited with composing over 200 film and television scores. He was active in the jazz world for most of his life. A musical milestone was his recording "Legrand Jazz" which released in 1958 and featured luminaries like Miles Davis, John Coltrane, Bill Evans, Hank Jones and many others. His recordings over the years featured his virtuoso piano playing and his compositions have been embraced by jazz musicians for decades.
William “Count” Basie, (born August 21, 1904) was a pianist, organist and composer who lead one of the greatest big bands of all time for 50 years. The band still performs hundreds of dates throughout the world to this day. Over the years, a procession of jazz giants have passed through the band: Lester Young, Eddie “Lockjaw” Davis, Frank Foster, Frank Wess, and Thad Jones, just to name a few.
Songwriter Jimmy McHugh (born July 10, 1894) was one of the most prolific songwriters from the 1920s through the 1950s, credited with over 500 songs. His songs have long been favorites of jazz musicians for their interesting harmonic and melodic content. The tunes "On the Sunny Side of the Street", "I Can’t Give You Anything But Love", "Don’t Blame Me", "Exactly Like You", "I’m In the Mood For Love" and many others have been recorded by countless musicians over the years.
Pianist, composer Bud Powell (born September 7, 1924) was one of the primary innovators of bebop. His prodigious technique and strong sense of swing placed him head and shoulders above all his contemporaries. His struggles with mental issues sadly affected his career, particularly later in life.
Since even before the advent of “talkies” music has been an integral part of motion pictures. Even small cinemas often had a pianist or organist who contributed musical accompaniment to the action on screen, but with the advent of sound, the music composed and synchronized with the action on screen and became an integral part of every film from then on. Great songwriters were drawn to work in Hollywood and their work of course was embraced by jazz musicians over the years.
Victor Young, born in Chicago (August 8, 1899), started playing the violin at the age of six and was sent to live with his grandfather in Poland when he was ten. He attended the Warsaw Conservatory, and while still a teenager, embarked on a career as a concert violinist with the Warsaw Philharmonic. World War I kept him from returning to the United States until 1920, when he took a job performing with a Chicago theater orchestra. In the mid-1930s, he relocated to Hollywood and composed a number of songs for films that have become standards and embraced by jazz musicians for decades. Young won a posthumous Oscar for his score for Around the World in 80 Days in 1957. Jazz Evensong Schedule: https://stmichaelsbythesea.org/evensong