Deep Thoughts About Stupid Sh*t: A Pop-Culture Comedy Podcast

Send us a message! Include how to reach you if you want a response. Now put that thing back where it came from or so help me… Tracie revisits the classic Pixar animation Monsters, Inc in today’s episode of Deep Thoughts About Stupid Shit. This family film, which was released just after 9/11, offers the deeply reassuring message that laughter is much stronger than fear, and Tracie argues that our country’s collective mental health needed that pop culture lesson in late 2001. But in addition to the lovely psychology, this classic movie also gave us gorgeous and groundbreaking digital animation, plenty of comedy, a heartwarming relationship between Sulley and Boo, and masterful storytelling. The artists and writers behind this animation clearly took their craft seriously–check out the punny names of the DVDs Boo de-alphabetizes that are only onscreen for a second–while not taking themselves too seriously. That said, the gender dynamics don’t quite hold up to nostalgia. Not only are there a surprising dearth of women and girls in the film, but consider how different the story would be if Boo had been a boy-child. Still, there’s much to love in this delightful comedy. Throw on your headphones and take a listen. Every time you laugh, you help power Monstropolis! Mentioned in this episode: Roger Ebert’s 2001 Review of Monsters, Inc Tags: Deep Thoughts About Stupid Shit, pop culture, animation, mental health, psychology, nostalgia, classic movies, film, comedy, women, storytelling, Pixar, 9/11, feminism, millennial nostalgia, movies, movie reviews, cultural commentary, analyzing film tropes, film analysis, Billy Crystal, John Goodman, Jennifer Tilly Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. “I love you, but I love me more.” This week on Deep Thoughts About Stupid Shit, Emily shares her complicated love of the television show Sex and the City . When the HBO original comedy first aired in 1998, it was a breath of fresh feminism in pop culture. The show featured a quartet of fabulous single women in New York who had created a found family through their deep and abiding friendship with each other. Although Sarah Jessica Parker’s Carrie Bradshaw and Kristin Davis’s Charlotte York both dreamed of romance, SatC wasn’t exactly a romcom—at least, not at first. It offered audiences a peek into the sexy, infuriating, and overwhelming world of New York dating, along with trenchant cultural commentary on the difficulty of meeting Mr. Right, even if there was no shortage of Mr. Right Nows. But some pretty regressive politics lurked behind the progressive feminism. Kim Cattrall’s Samantha Jones was consistently slut-shamed by the show, even as she took control of her own sexuality. Early episodes included some very regrettable racial politics and bisexual erasure. And the fact that all four women end the series paired up with a man seems counter to the feminism the first season promised us. Emily also shares why And Just Like That is dead to her (it has nothing to do with Mr. Big!), and the line that makes her tear up every single time. I couldn’t help but wonder…why not start listening to this episode right this minute? Tags: deep thoughts about stupid shit, feminism, comedy, pop culture, women, romance, cultural commentary, millennial nostalgia, gen x nostalgia, romcom, storytelling, psychology, mental health, HBO, sex and the city, Sarah Jessica Parker, Kim Cattrall, Darren Star Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Don't let your past dictate who you are, but let it be part of who you will become. In this episode of Deep Thoughts About Stupid Shit, Tracie revisits the surprise hit of 2002: My Big Fat Greek Wedding . This comedy broke many of the tropes that can make romcoms hard to watch, from the Hollywood gorgeous leading lady who is clumsy to show she's just a normal woman to the heroine enjoying a glow-up in response to her new romance. Writer, director, and star Nia Vardalos created a film that allows every woman to use their agency, even in sexist situations, for a sunny comedy that refrains from making anyone a villain. But in addition to a romantic comedy, My Big Fat Greek Wedding is also a meditation on cultural differences. The movie offers a hilarious and compassionate portrayal of feeling out-of-place as the American child of immigrants. Although Vardalos tells the very specific story of a Greek family, the details resonated with audiences from myriad other cultures. Counterintuitively, the specificity of the storytelling made the film feel universal, so that audiences felt seen--even if they had never once eaten moussaka. The root of the word "headphones" is Greek. So throw those bad boys on and listen in! Tags deep thoughts about stupid shit, comedy, romcom, women, cultural commentary, storytelling, romance, classic movies, film, movie reviews, feminism, pop culture, film analysis, millennial nostalgia, my big fat greek wedding, nia vardalos, john corbett, mental health Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. “Somebody has to save our skins. Into the garbage chute, flyboy!” On this week's episode of Deep Thoughts About Stupid Shit, Emily tackles the foundational pop culture text of every Gen X childhood: the 1977 film Star Wars IV: A New Hope . By following the storytelling rubric offered by Joseph Campbell's monomyth (a.k.a., The Hero's Journey), George Lucas created a film that changed the industry. (If only he knew when to leave well enough alone.) Emily reminds Tracie of how the depiction of Princess Leia as a badass inspired their mother, who knew that storytelling where a woman grabs the blaster and saves herself was revolutionary. But Leia is the only woman in the galaxy far far away, which meant the sisters also learned that there was only one way to be a heroine, and that she must be flawless. The sisters also discuss how the film drew inspiration from history, including the recently ended Vietnam War. George Lucas intended for the rebels to represent the Viet Cong while the Empire represents America--a message the flew over the heads of the audience who most needed to recognize the critique. But Lucas also undermined his point by hiring an entirely white cast, making it much easier for viewers to identify with the rebels. Finally, Emily admires the way Lucas made the world of Star Wars feel lived in--in part by making space and alien worlds look dingy, dented, and distressed, but also by refusing to slow down the plot to explain everything. Undermining this storytelling choice in later installments (we're looking at you Midichlorians!) is one of Emily's biggest disappointments with the greater Star Wars canon. Stuck behind a big walking carpet? Throw on some headphones and listen in while you wait. Mentioned in this episode Power and Oppression in Star Wars: A New Hope The Politics of Star Wars The Real History That Inspired ‘Star Wars’ Soldadera Clara de la Rocha Why Fascists Love Stories That Hate Them Tags: deep thoughts about stupid shit, storytelling, pop culture, gen x childhood, film, feminism, movies, mental health, comedy, classic movies, women, sci fi, analyzing film tropes, cultural commentary, gen x nostalgia, film analysis, nostalgia, star wars, george lucas, carrie fisher Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Don’t you…forget about me…Don’t Don’t Don’t Don’t! In this reprise of episode 23, Tracie takes another look at the 1985 John Hughes film The Breakfast Club . This classic Gen X teen movie passes the Bechdel test and explicitly names the prude-or-slut trap of female sexuality. It also treats Claire and Allison like prizes for the boys in the film and assures the audience that we’re not so different from each other–by featuring a cast that is entirely white, cishet, thin, and able-bodied. The romance between John Bender and Claire have the sisters unpacking the difference between being prickly to protect a soft underbelly and just being mean, and our current stage of life has us looking with greater sympathy at (some of) the parents in the film. Sounds like your earbuds and my earbuds should get together and listen to this podcast. CW: Discussion of on-screen sexual harassment, evidence of physical abuse, and suicidal ideation. Emily’s article about the characters’ retirement: What Retirement Might Look Like for the Characters in ‘The Breakfast Club’ Tags: deep thoughts about stupid sh*t, pop culture, romance, comedy, storytelling, cultural commentary, feminism,, gen x childhood, gen x nostalgia, millennial childhood, millennial nostalgia, john hughes, molly ringwald, anthony michael hall, ally sheedy, judd nelson Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Hold on to your butts. On this week’s episode of Deep Thoughts, Emily shares her analysis of the 1993 film Jurassic Park, a pop culture phenomenon that offers a surprising level of feminism. Emily describes the social thrill of being the target audience for a summer blockbuster (she was 14 when it came out) and her discomfort with how Michael Crichton's original book portrayed the only two female characters as an annoying child and a cardboard cutout with breasts. She and Tracie talk about how the film that teaches us that life finds a way makes for an unexpected (and unintended) allegory for the importance of reproductive autonomy. And Emily explains why Muldoon’s final words of “Clever girl” are her favorite movie moment. Throw on some headphones and listen to the adventure 65 million 31 years in the making! Note: We had some technical difficulties during recording and lost a couple minutes of recording but Tracie mentioned some of the missing information in her synthesis. Specifically, in the missing section, Emily talked about Dr. Sattler saying “Dinosaurs eat man. Woman inherits the earth” and about Spielberg’s desire to cast Joseph Mazzello as Tim, which affected the ages of the children in the film compared to the book. Mentioned in this episode: Episode 39: Deep Thoughts About Event Horizon with Scott Kenemore Episode 40: Deep Thoughts About Who Framed Roger Rabbit? Episode 41: King Kong with William Patrick Day: Deep Thoughts About Our Pop Culture Obsession with the Giant Ape Tags: deep thoughts about stupid sh*t, pop culture, comedy, storytelling, cultural commentary, feminism, gen x childhood, gen x nostalgia, millennial childhood, millennial nostalgia, steven spielberg, sam neill, jeff goldbloom, feminism, dinosaurs, special effects, cgi Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Tale as old as time? It’s old, alright. True as it can be? Hmm, about that... Beauty and the Beast is an old and not-so-necessary model for romantic love. Hiding in the remarkable Howard Ashman score to this 1991 film is a not-like-other-girls feminism and a reified classism that isolates poor Belle and gives her no choice but to fall for her captor. The sisters grapple with the conditioning from this movie (and so many other sources) that invites us to find meaning and satisfaction in providing kindness and accommodation to beasts in order to transform them into husbands. The Disney version of the story, with its animated inanimate objects, provides a classism that is deeply essentialist. To wit: a clock can never climb the social ladder, and obviously the clock’s owner doesn’t consider its well-being when making major life decisions. Tracie & Emily spend some time lamenting the fact that this curse was rendered, originally on an 11-year-old, but they find some comfort when imagining the beast as an allegory for self-hatred. Be our guest, and throw on some headphones for some deep thoughts about Disney’s Beauty & the Beast. Tags: deep thoughts about stupid sh*t, pop culture, romance, comedy, storytelling, cultural commentary, feminism, Disney, animation, gen x childhood, gen x nostalgia, millennial childhood, millennial nostalgia, howard ashman, feminism, classism Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. It smells like the funk of 40,000 years in here! In today’s episode, Tracie shares her deep thoughts about the iconic and groundbreaking 1983 music video for Michael Jackson’s Thriller. From the way the mini film subverts expectations to the meaning behind the horror tropes it relies on to how to contextualize Jackson’s immense talent with the troubled and abusive life he led, the Guy girls explore what it means that a novelty song featuring a zombie flash mob and Vincent Price saying “y’all’s” helped make MJ king of the world. Throw on your headphones and listen…before darkness falls across the land! Content warning: Oblique references to the allegations against Michael Jackson and the childhood abuse he endured. Mentioned in this episode: Our TikTok about Horror Deep Thoughts about Clue Inflation Calculator The full Thriller video Episode 29 was released March 26, 2024. Tags: deep thoughts about stupid sh*t, pop culture, horror, comedy, storytelling, cultural commentary, feminism, pop music, mtv, gen x childhood, gen x nostalgia, music video, thriller, michael jackson, john landis Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Sometimes you wanna go Where everybody knows your name This week on Deep Thoughts About Stupid Shit, Tracie revisits the must-see-TV comedy that was always on at the Guy Sisters' house: Cheers . This powerhouse of 80s and 90s pop culture, created by the Charles brothers and the late James Burrows , is genuinely funny: the pilot episode is used by TV writers to teach efficient storytelling to establish a new sitcom. And while the ensemble cast offers great physical and verbal comedy, some of the cultural commentary from the 1980s doesn't pass the sniff test in 2026. While pop culture back then could accept that a womanizing ex-baseball player (as played by Ted Danson) was still a great guy at heart despite how he harassed women, it gives both Tracie and Emily the ICK in the modern era. Similarly, pop culture's insistence on taking strong women down a peg, just for the audacity of having ambition or thinking they are smart, seems like a terrible expectation with hindsight. Our troubles may not all be the same--but throw on your headphones, and you can take a break from all your worries! Tags deep thoughts about stupid sh*t, pop culture, women, comedy, storytelling, cultural commentary, feminism, romance, gen x childhood, gen x nostalgia, sitcom, cheers, james burrows, ted danson, shelley long, kirstie alley Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Grease is the time, is the place, is the motion Grease is the way we are feeling This week on Deep Thoughts About Stupid Shit, Emily revisits one of the classic movies of her Gen X childhood: Grease . This musical comedy was set in high school, but all of the lead actors were in their 20s and 30s, which may help explain why much of the lessons about romance, performing adulthood, and gender expression sailed over her head as a child. The lyrics in many of the songs were unapologetically ugly--the Greasers actually ask Danny if Sandy put up a fight!--but the actual characterization of the young men and women show that they are adolescents flailing their way through what they think masculinity, femininity, sexuality, adulthood, and romance are supposed to look like. Even the ick factor of Sandy changing into a leather-clad Greaser girl for Danny at the end is a little more nuanced than the Guy sisters remembered, since all she did was change her clothes, while Danny actually ran track for the entire school year. Talk about romance--maybe? We'll be hopelessly devoted to you--if you listen to this episode! Mentioned in this episode: Grease: Performing Gender Yes, Grease was deeply problematic – but it was ahead of its time, too Tags deep thoughts about stupid sh*t, romance, women, feminism, classic movies, film, gen x childhood, film analysis, nostalgia, cultural commentary, analyzing film tropes, comedy, movie reviews, storytelling, comedy podcast, pop culture, musical comedy, grease, john travolta, olivia newton john Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. I am standing here beside myself. For this week's episode of Deep Thoughts About Stupid Shit, Tracie returns to one of the beloved movies from her and Emily's shared Gen X childhood: Short Circuit . The sisters remembered the charming robot Number 5 who gained sentience, the romance between Newton (Steve Guttenberg) and Stephanie (Ally Sheedy), and the funny malapropisms from Ben, the Indian character played by Fisher Stevens--a white actor in brown face. Even though brown face in pop culture was never "okay," for some reason it was "acceptable" in 1980s-era movies. In Short Circuit, the racism puts a pall over this otherwise life-affirming comedy. While the comedy of Stevens' Ben is mostly based on his humorous misuse of the English language, Tracie discovered that Ben was originally written as an Eastern European character. Which means making the white actor into an Indian caricature for both Short Circuit movies--Ben returned as the hero of the sequel--was entirely superfluous. You need input. Throw on your headphones to input this episode! Tags deep thoughts about stupid sh*t, movies, pop culture, romance, 80s and 90s movies, sci fi, storytelling, comedy, women, feminism, psychology, mental health, film, cultural commentary, analyzing film tropes, steve guttenberg, ally sheedy, fisher stevens, aziz ansari, gen x nostalgia Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. “…all this nothing has meant more to me than so many somethings.” This week, Emily revisited everyone and their aunt’s favorite late-90s advertisement, er, romcom, You’ve Got Mail. The film was a feature-length commercial for America Online starring two of the biggest names in romcom, Tom Hanks and Meg Ryan. With the biting interactions that lead to romance between Kathleen Kelly (Ryan) and Joe Fox (Hanks), this Nora Ephron-written and -directed film showed us something so true about what life was like for women in the late 20th century, it took decades before we realized just how infuriating it was. In the sisters’ conversation they unpack the sins Hanks’ charm manages to cover, the irony-not-irony in a romcom about the destruction of a small business being bankrolled by brands like AOL and Starbucks, and what ingredients made this film so beloved (comedy, pacing, chemistry, and dramatic irony). And in what may be a first, the sisters note how this movie makes New York City feel cozy. Emily and Tracie may not be Hanks and Ryan, but we have our charms. Throw on your headphones and be charmed! Tags: deep thoughts about stupid sh*t, romcom, comedy, film, storytelling, cultural commentary, 80s and 90s movies, movies, psychology, movie reviews, women, classic movies, romance, analyzing film tropes, millennial nostalgia, nostalgia, film analysis, tom hanks, meg ryan, nora ephron Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. No-one said anything to me about the full monty! For this week's episode of Deep Thoughts About Stupid Shit, Tracie returns to the 1997 British comedy The Full Monty . The film is a meditation on masculinity from multiple angles, including economic, sexual, psychological, physical, parental, and societal, as well as a treatise on the political aftermath of Thatcherism that left an entire generation of British men without jobs. But instead of a snooze-fest of dry cultural commentary on these issues, writer Simon Beaufoy and director Peter Cattaneo wisely wrapped these important social issues in comedy storytelling with hilarious results. Through comedy, the audience gets to see how the mental health of these men was affected by Thatcher's policies and how they get through the tough times by leaning on each other--and putting together a truly ridiculous strip show. It's the spoonful of sugar that lets the political messaging go down. You don't have to take your kit off. Just put your headphones on and listen in! Content warning: Brief discussion of suicide ideation/attempt. tags: deep thoughts about stupid sh*t, comedy, film, storytelling, mental health, cultural commentary, 80s and 90s movies, movies, psychology, movie reviews, women, classic movies, romance, analyzing film tropes, millennial nostalgia, nostalgia, film analysis, simon beaufoy, the full monty, british film Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. By the Power of Grayskull! On Deep Thoughts About Stupid Shit this week, Emily returns to her first pop culture crush: He-Man, aka, Adam, prince of Eternia. As a very small child, she loved the cartoon He-Man and the Masters of the Universe , and she was somewhat disheartened to learn that this beloved staple of her Gen X childhood was created specifically to sell He-Man toys. The animation, storytelling, and even the cultural commentary (via little public service announcements at the end of each episode) were all in service of Mattel convincing children to bug their parents to buy action figures. But something funny happened on the way to the cash grab. Mattel created a pop culture phenomenon, in part because they created a cult classic cartoon by catering to the exact interests of their target audience of five-to-ten year old boys. The toy company's market research determined that demographic was most interested in soldiers, space technology, and fantasy barbarians--so Mattel shrugged and gave it to them, thereby creating an enduring pop culture franchise that remains beloved 40-some years later. (Mattel also created a queer icon with some serious homoerotic subtext, but that flew right over baby Emily's head at the time). You have the POWER! To listen to this episode… Mentioned in this episode: How He-Man Changed the World & How It All Fell Apart: The Story of The Masters of the Universe Tags deep thoughts about stupid sh*t, pop culture, animation, storytelling, cultural commentary, cult classic, sci fi, gen x childhood, nostalgia, gen x nostalgia, he-man, skeletor, mattel, social, television, masters of the universe, nicholas galitzine This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. "E.T. phone home!" On this week's episode of Deep Thoughts About Stupid Shit, Tracie revisits one of the classic movies of her Gen X childhood: E.T. the Extra-Terrestrial . Director Steven Spielberg is at the top of his storytelling game with this sci fi film that introduces E.T., a gentle alien botanist who is accidentally stranded on Earth and taken in by 10-year-old Elliott, the middle child of divorced parents. Not only does Spielberg use every visual tool available to show his storytelling rather than drown the audience in exposition, but he also makes it clear that he truly understands the psychology of children. The film doesn't condescend to children in its audience and it recognizes how kids see the world. And because Spielberg relies on visual storytelling rather than exposition, he ensured that baby Emily and Tracie, aged 3 and 6 when the film debuted, understood what was happening on screen. This movie deserves every bit of your nostalgia. Beeee goooood, and listen to this episode! Tags deep thoughts about stupid sh*t, storytelling, classic movies, gen x childhood, film, movies, psychology, 80s and 90s movies, pop culture, movie reviews, women, sci fi, gen x nostalgia, nostalgia, film analysis, steven spielberg This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. "I see dead people..." This week on Deep Thoughts About Stupid Shit, Emily returns to M. Night Shyamalan's 1999 masterpiece The Sixth Sense . The film was a pop culture phenomenon when it debuted, and all everyone could talk about was the last ten minutes of the plot, when Bruce Willis's Malcolm Crowe (and the audience) realizes that his situation is much different from what he had believed. And to give Shyamalan his due, this plot twist uses masterful storytelling, playing by the rules and giving the audience all the clues necessary to connect the dots. The problem is that pop culture as a whole and Shyamalan in particular grabbed onto the idea that the twist is what made the film great, rather than the storytelling, psychology, relationships, and acting. As Emily remarks to Tracie, The Sixth Sense is a remarkable film that happens to have a twist ending, not a remarkable film because of its twist ending. The result is that a promising young director became a bit of a pop culture punchline as Shyamalan kept trying to recreate the twist rather than leaning into his remarkable storytelling and directorial abilities. Which is a damn shame. Throw on your headphones to hear two live sister podcasters making each other laugh over this film! Mentioned in this episode: Roger Ebert’s review of The Sixth Sense Tags: deep thoughts about stupid sh*t, pop culture, storytelling, psychology, mental health, film, classic movies, bruce willis, m night shyamalan, 80s and 90s movies, movies, movie reviews, haley joel osment, toni colette, analyzing film tropes, millennial nostalgia, film analysis, cultural commentary, ghost story, plot twist This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. Whether you like it or not, you're in the middle of a war that has been raging for the better part of a thousand years. Tracie returned to the 2003 film Underworld to find a delightful – but maybe not very good – vampire and werewolves version of the Matrix. Starring Kate Beckinsale as Selene in skin-tight leather, Underworld is a visually beautiful, blue-tinged movie that marries some of the ideals of feminism with the same sexist tropes that feminism has been shining a light on since the invention of movies. Because so much of our storytelling requires badass women to fall in love with "chosen ones" rather than simply be the protagonists on their own. The sisters also unpack an explicit fantasy allegory about interracial relationships that is well-meaning but perhaps not as effective as the movie-makers intended: race is made up, but the difference between werewolves and vampires is visible under a microscope. Sex and sexiness are also key topics of conversation, because vampires. And Kate Beckinsale. (Even though the feminism of a sexy Kate Beckinsale in skintight leather is definitely suspect.) Though we cannot predict the future, the consequences of this episode will reverberate through 54 minutes of listening pleasure. So put on some headphones and stay out of the shadows. Tags deep thoughts about stupid sh*t, feminism, women, fantasy, film, movies, storytelling, allegory, underworld, kate beckinsale, michael sheen, vampires, werewolves, race, analyzing film tropes, cult classic, cultural commentary, pop culture, film analysis, psychology This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. I am Connor MacLeod of the Clan MacLeod. I was born in 1518 in the village of Glenfinnan on the shores of Loch Shiel. And I am immortal. On this week's episode of Deep Thoughts About Stupid Shit, Emily revisits one of the most unhinged pieces of Gen X pop culture: the 1986 cult classic film Highlander . Starring French-American actor Christopher Lambert (who didn't speak English prior to being cast) and noted Scot Sean Connery (who was playing an Egyptian character with a Spaniard's name), the movie's surface storytelling is about immortal beings decapitating each other over the centuries. But director Russell Mulcahy (himself a gay man) offers some pretty unsubtle queer subtext throughout the film--including the homoeroticism of the training montages between Lambert and Connery and AIDS metaphors that would be abundantly clear to any LGBTQ audiences of 80s and 90s movies. Mulcahy created a pop culture phenomenon that deeply resonated with everybody's dad (and specifically Tracie & Emily's stepdad) in the 1980s, even though the cultural commentary about the American queer experience of living through homophobia, the AIDS epidemic, and societal indifference and hostility, all while trying to remain open to romance, sailed RIGHT OVER THEIR HEADS. Because swords are cool. And where else you gonna get your decapitation fix in the average piece of pop culture? There can be only one...podcast episode to listen to over the next hour. So throw on your headphones and get started! Mentioned in this episode: Highlander: Love, Violence, and Sword Metaphors Tags deep thoughts about stupid sh*t, pop culture, cult classic, cultural commentary, storytelling, 80s and 90s movies, romance, analyzing film tropes, queer lens, film, film analysis, gen x childhood, gen x nostalgia, mental health, movies, nostalgia, psychology, sci fi, women, sean connery This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. We must have a wawwy. You know, a large gathering of mice for a reason. This week on Deep Thoughts About Stupid Shit, Tracie returns to one of the classic movies of the animation storytelling boom of the 1980s: An American Tail . Animated by Don Bluth, the film follows young Fievel Mousekewitz, a Russian mouse immigrating to America to escape the pogroms (perpetrated by Cossack cats and humans in this world) who is separated from the rest of his family. But Fievel is smart, curious, and able to prevail through the power of storytelling--specifically because he recalls the story of Rapunzel (the Mouse with Really Long Hair) and the Mouse of Minsk (a golem allegory). The film offers some interesting cultural commentary about populist politicians and the importance of the immigrant experience in American history, but Tracie points out that the newly arrived mice seem somewhat insular rather than integrating into American culture--although that is true to the lived reality of immigrants in the late 19th century. And while Fievel and his family are Jewish, it's also interesting from a storytelling perspective that cats represent oppressors in general (including the Mafia, gangs, and criminals) rather than anti-semitic oppressors in particular. Also, where are all the dogs? If you are somewhere out there, beneath the pale moonlight--throw on your earbuds and take a listen to this episode! Tags deep thoughts about stupid sh*t, storytelling, animation, pop culture, cultural commentary, movies, film, analyzing film tropes, classic movies, film analysis, don bluth, steven spielberg, gen x childhood, gen x nostalgia, movie reviews, 80s and 90s movies, madeline kahn, dom deluise, somewhere out there Deep Thoughts Episodes mentioned in this episode: The Land Before Time: Deep Thoughts About Grief, Animation, and How Much Scientific Verisimilitude We Require From Talking Dinosaur Cartoons Avalon: Deep Thoughts About Family, Money Psychology, and Waiting to Cut the Turkey Airplane!: Deep Thoughts About Comedy That Questions Everything--Except a Woman as a Prize This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!

Send us a message! Include how to reach you if you want a response. The Big Apple needs a worm like Fielding! This week on Deep Thoughts About Stupid Shit, Emily revisits a favorite television comedy from her Gen X childhood: Night Court . Not only did the Guy sisters watch this workplace comedy in syndication in the afternoons starting in elementary school (despite the fact that much of the humor was very much not meant for children), but it was also part of the Must See TV lineup on Thursday nights that Tracie and Emily watched with their parents. Showrunner Reinhold Weege (and yes, that's really his name) created a true laugh-a-minute comedy that also offered well-meaning storytelling that was surprisingly progressive about trans acceptance, mental health, and racial equality. But the treatment of women in the show, especially how John Larroquette's Dan Fielding constantly hit on every woman indiscriminately and Markie Post's Christine Sullivan in particular, feels much slimier now than the writers intended. While Fielding was always the butt of the joke and made to pay for his sleazy ways, Night Court is a pop culture reflection of the belief that unwanted male attention was the price of being a woman. The fact that Larroquette still managed to make Dan likable is a testament to his acting skills and the strength of the ensemble cast, headed by Harry Anderson. Throw on your headphones and take a listen...and we'll consider the case of The People vs. The Podcast Listener dismissed! Tags deep thoughts about stupid sh*t, comedy, gen x childhood, storytelling, sitcom, television, night court, john larroquette, markie post, harry anderson, women, mental health, pop culture, gen x nostalgia, cultural commentary, society, new york city, criminal justice, slapstick, 1980s pop culture This episode was edited by Resonate Recordings. Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus content, live zooms with Tracie & Emily, discounts on merch, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirls Don't miss out on updates and event invitations from Tracie & Emily! Join the Guy Girls VIP List at guygirlsmedia.com/keepintouch We are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls. We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com . For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia . You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!