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Published by Marc Masters
A podcast about music books, talking to authors about how they wrote their books about music! Hosted by music writer Marc Masters.
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On this episode, Marc talks to Kip Lornell and Tom Mindte , co-authors of "Buzz Busby: Father of Washington, DC Bluegrass," published in June of 2026. It's a thorough and fascinating biography of the Bluegrass pioneer Buzz Busby, who moved from Louisiana to Washington DC as a teenager to work for the government, but quickly became an influential player and songwriter, starring on a daily local TV show, performing everywhere around the region, even participating in the show Louisiana Hayride when a budding young star named Elvis Presley was there. Tom Mindte has worked on this project for decades, gathering recollections of Buzz and researching his life, as well as having played with Buzz himself in various groups. Kip Lornell is a professor and historian, particularly of DC music - in 2024, he wrote "Capital Bluegrass: Hillbilly Music Meets Washington, D.C.," which Mindte contributed to, and in 2009 he co-wrote "The Beat: Go-Go Music from Washington, D.C." with Charles Stephenson. As they write, "This book is the result of some 20 years of research, including personal interviews with 35 of Buzz Busby's musical associates and family members. But a large part of the story is from the words of Busby himself, capture on tape in the mid-1980s...This quote from Busby sums up his view of his own life: "I started at the top and diligently worked my way to the bottom." We hope you enjoy Marc's conversation with Kip Lornell and Tom Mindte!
On this episode, Marc talks with Ashley Kahn, author of "Days Of Miracle And Wonder: Paul Simon and the Trials and Triumphs of Graceland," released in August of 2026. It's an in-depth look at the making of Simon's classic 1986 album, in which he launched into a new style of songwriting and production, working with many African artists, sometimes in Africa, at a time when there was a loose cultural boycott due to the ongoing apartheid there. Kahn's book delves into how that situation was more complicated than headlines suggested, and is also a fascinating exploration of musical collaboration and how records were made at a time where analog and digital converged. As Ashley writes, "It is challenging to describe a time when the world seemed to be moving in sync, toward a common good...Graceland served as a soundtrack to that time...[It] was music built on the priority of collaboration and what it locked into was the spirit of community. Simon's triumph was to achieve that, and to do it in a way that, for a moment, swung doors wide open, inviting all to celebrate. We hope you enjoy Marc's conversation with Ashley Kahn!
On this episode, Marc talks to Ira Robbins , editor of "Zip It Up! Too: More of the Best of Trouser Press Magazine, 1974-1984," published on his own Trouser Press Books. It's a follow up to 2024's "Zip It Up!," the first anthology of pieces from the legendary music magazine which Robbins co-founded and co-edited; I talked to him about that book when it came out, and you can hear our conversation in episode 31 which ran in March 2024. This second volume features more great articles from Trouser Press, as well as the full series of what they called "Autodiscographies," in which bands such as Blondie, John Cale, Iggy Pop, Sparks and more give guided tours through their own discographies as they stood at the time. The book also includes features divided into categories such as The Old Guard, New Wave and Beyond, and Characters, with fascinating pieces on artists from Paul McCartney to the Cure to Can to Duran Duran. As Ira writes, "The story of Trouser Press resembles the story of a band. We met in high school, got things going in college, had fun for a while, met a lot of great people, made no money, broke up - and then got famous. We never had a clear sense of what the magazine meant to anyone until we stopped. Since 1984, I have been amazed by how durable a concept, a memory, an ideal Trouser Press turned out to be." We hope you enjoy Marc's conversation with Ira Robbins!
On this episode, Marc talks with John Davis , author of "Keep Your Ear to the Ground: A History of Punk Fanzines in Washington, DC," published in October of 2025. It's a thorough history of punk fanzines in DC from the 70s to the present day, focused on the stories of the people behind these publications and the way they both covered and influenced one of the most vital music scenes in the world. Davis gives time to small-run, more obscure zines that might otherwise have been lost to history, and shows how punk and indie in DC developed, changed, and continues to matter. As John writes, "Without the photographers, concert promoters, volunteers, audio engineers, showgoers, record stores, and other key elements, there is no punk scene. This book examines another of those integral, yet under-explored, parts of DC punk – fanzines and the fans who made them." Keep Your Ear to the Ground grew out of the work Davis has done as curator of Special Collections in Performing Arts at the University of Maryland's Michelle Smith Performing Arts Library, where he's been since 2013, and where he established the D.C. punk and indie fanzine collection, an archive of DC zines that continues to grow and is open to the public. Read more here: https://www.libraryjournal.com/story/diy-dc-punk-and-indie-fanzine-collection-at-university-of-maryland-college-park-archives-deep-dive We hope you enjoy Marc's conversation with John Davis!
On this episode, Marc talks with Craig Robertson , author of "Chris Knox: Not Given Lightly," published in October of 2025 in New Zealand and available for pre-order now in the US. It's an incredibly thorough biography of the musician, artist, critic, and character who had so much influence on New Zealand indie music from the 70s until now, through his bands the Enemy, Toy Love, and Tall Dwarfs, as well as his huge role in the country's legendary indie label Flying Nun. As Craig writes, "Knox deserves a biography because of the immense impact he’s had in New Zealand and overseas, largely through his music. But he’s also a critic, a cartoonist, a writer, an artist. And he’s an enormously colourful personality — opinionated, provocative, endlessly creative." We hope you enjoy Marc's conversation with Craig Robertson!
On this episode, Marc talks Barry Walters , author of "Mighty Real: A History of LGBTQ Music, 1969-2000," published in May of 2026. It's a fascinating version of music history focused on LGBTQ musicians and audiences, with chapters centered on specific artistsm from the Velvet Underground through David Bowie up to Judas Priest, Diana Ross, Prince, Depeche Mode, and so many more. Walters delves into each with the eye of a seasoned rock critic and the skill of a journalist, telling their stories and measuring their impact on LBGTQ culture and society as a whole. As he writes, "Straight critics have been telling us how to hear our music for ages, so I’m simply offering a queer alternative—based on forty years of professional research and two prior decades of fandom, with insights gleaned not only from when these records were new and we experienced them in the moment but also from retrospection and insider information." We hope you enjoy Marc's conversation with Barry Walters!
On this episode, Marc talks Steve Lowenthal , author of "Dance of Death: The Life of John Fahey, American Guitarist, " published in June of 2014. It's an enthralling biography of the legendary guitarist, writer, painter, and music historian, whose solo instrumental guitar work drew on so many sources and added so much that an entire genre became associated with him. "Dance of Death" is lean and efficient, but Lowenthal manages to fit such a wealth of information in its 220 pages that you might be astounded by how much you've learned once you've finished reading. As Steve writes, "John Fahey remains an ineffable presence, a touchstone. Seemingly, his career was in preparation for his legacy, with his copious notes and fictions providing its building blocks. His albums are the soundtrack to his story, and Blind Joe Death his alter ego. As a scholar, he saw the scope of modern music, and carved his place therein by weaving fragments of cultures and genre together in his own strange collage." We hope you enjoy Marc's conversation with Steve Lowenthal!
On this episode, Marc talks with Ben Cardew , author of "Space Age Batchelor Pad Music: The Story of Stereolab in 20 Songs," published in April of 2026. It's a mix of biography and criticism that gets at both how Stereolab made their music and why it's had such an effect on so many people. The 20 song framework helps Cardew structure the narrative well, but he is also not beholden to it, as he covers many other songs, albums, stories, and ideas that surround this fascinating group. As Ben writes, "I've been listening to Stereolab since around 1992...and I still don't fully understand them...This is the story of Stereolab in twenty songs, each of which illustrates a certain facet of the band's abundant personality. It's not a comprehensive list, and it's not meant to be; it's a guide, a weak torch with dodgy batteries to light up your trip into the yawning Stereolab cave." We hope you enjoy Marc's conversation with Ben Cardew!
On this episode, Marc talks with Caryn Rose , author of Why Patti Smith Matters , published by the University of Texas Press, and Three Chords and Blessed Noise: A Patti Smith Tour Chronicle , a chapbook released on her own Till Victory Press imprint. The former is part biography, part memoir of Smith fandom, and part critical analysis of Smith's work and life. The latter is a tour diary that Rose wrote when she went to four Smith concerts held in celebration of the 50th anniversary of Smith's debut album Horses in November of 2025. Taken together, these books paint a portrait of Smith as a vital artist but also a devoted worker, someone who never stops putting time and energy into her art. Rose herself has been a writer for many decades, so she knows what it's like to treat creativity as a job, and it makes her insights about Smith particularly sharp. As Rose writes in Why Patti Smith Matters , "This is not a biography and this is not a hagiography. This is a book about Patti Smith's work, because it is her work that matters, and because of that work and the value that she places on her labor within the creative process." We hope you enjoy Marc's conversation with Caryn Rose!
On this episode, Marc talks with Richard Langston , author of "The Clean: In the Dreamlife You Need a Rubber Soul," published in April of 2026. It's an excellent oral history of the Clean, the band started by brothers David and Hamish Kilgour along with Peter Gutteridge, and then Robert Scott. Langston tells their story thoroughly through interviews with the band and the many New Zealand music figures who surrounded them as well as American bands who played with them, alongside quotes from reviews and interviews during the band's tenure and archival material like their journals and letters. As Richard writes, "Once Hamish Kilgour and Robert Scott also agreed to tell the story, David and I discussed how to go about it, and we agreed on an oral history. We liked that format of storytelling as you can hear the unmediated voices of the different participants, giving it an immediacy and the richness of multiple voices talking about the same events." We hope you enjoy Marc's conversation with Richard Langston!
On this episode, Marc talks with Steve Bowie , author of "Concerto for Cootie: The Life and Times of Cootie Williams," released in October of 2025. It's an in-depth look at the saga of a revered trumpet player who was a vital member of Duke Ellington and Benny Goodman's groups, as well as spending 20 years as a band leader of his own. He was a massively popular artist who consistently filled venues and won jazz awards, but he never had a crossover hit and subsequently his story has been somewhat lost to history. Bowie corrects that omission skillfully, telling the tale of a man who made great art for a living. As Steve writes, "In Mr. Williams's seventy-four years on this earth, his story has a lot of territory to cover...Most of the available biographical information doesn't dive beyond the surface and consists of a handful of articles and chapters in anthology-style biographies...Willams's years as a leader and the time he spent under the baton of Mercer Ellington has received scant coverage. You can buy "Concerto for Cootie" here . We hope you enjoy Marc's conversation with Steve Bowie!
On this episode, Marc talks with Melvin Gibbs , author of "How Black Music Took Over The World, " published today, April 14, 2026. It's a unique look at what Gibbs considers "the science of Black Music," a combination of musical theory, analysis, history, and memoir. Gibbs has played in such diverse projects as Defunkt, Ronald Shannon Jackson's Decoding Society, Rollins Band, and the Punk-Funk All Stars, as well as collaborating with Arto Lindsay, Bernie Worrell, Marc Ribot, Vernon Reid, and so many more. He brings all this experience and knowledge to his book, combing through history, telling stories of his work, and analyzing how black music works rhythmically, melodically, and culturally. As he writes, "Even when culturally sensitive people analyze Black music, and they are able to properly situate it in its cultural context, they still have to wrestle with Western cultural hierarchies and tussle with the Western musical tool set. This book is my effort to reset that dynamic, to wrestle out of its straitjacket that confines analysis of Black music. I analyze the music on its own terms, using tools I've uncovered and methods I've either discovered or had passed on to me." We hope you enjoy Marc's conversation with Melvin Gibbs!
On this episode, Marc talks to two authors, Peter J. Woods and John Melillo . Peter is an assistant professor in learning sciences at the University of Nottingham in England, and John is an Associate Professor of English at the University of Arizona. They've both written academic books about noise: Woods' "Learning Through Noise" was published in early 2025, and Melillo's "The Poetics of Noise from Dada to Punk" was published in 2020. In the former, Woods examines noise as a potential vehicle for education, because "noise music as a distinctive musical genre relies on the production of unique learning ecologies and vice versa." And Melilo's book looks at 20th century poetry through the lens of noise, "constructing a literary history of noise through poetic sound and performance...and tracing how poets figure noise in the disfiguration of poetic voice." In our chat, Peter and John talk about how they approach something as abstract as noise through academic analysis, and how writing academic books is unique and challenging. Peter and John are both musicians themselves as well as show organizers, so they both bring more than just academic experience to the subject of noise. We hope you enjoy Marc's conversation with Peter J. Woods and John Melillo!
On this episode, Marc talks with Adele Bertei , author of "No New York: A Memoir of No Wave and the Women Who Shaped the Scene," released today, March 31, 2026. It's an insightful and super-entertaining chronicle of Bertei's journey through New York music and art in the late 70s, including her time in Contortions and The Bloods as well as her solo career. It also delves deep into so many figures of the scene that Bertei worked and associated, particularly women such as Lydia Lunch, Nan Golden, Vivienne Dick, Patti Smith, and so many more. As she writes, "I wrote this book to dig deeper. What truly set No Wave apart from other artistic movements of the 1970s and early '80s? The women. They didn't just participate. They set the tone – and they lit the fuse...resisting tired stereotypes and reinventing according to our individual artistic visions...dismantling art's male-dominated paradigms, we ignored the boundaries of gender and genre." We hope you enjoy Marc's conversation with Adele Bertei!
On this episode, Marc talks with Kembrew McLeod , the author of two closely related books: "Parallel Lines," an entry on Blondie's 1978 album for the 33.3 series published in 2016, and "The Downtown Pop Underground: New York City and the Literary Punks, Renegade Artists, DIY Filmmakers, Mad Playwrights, and Rock 'N' Roll Glitter Queens Who Revolutionized Culture," published in 2018. Both books cover all the amazing counterculture music and art made in the 60s and 70s in New York, and how it bubbled up into the mainstream. "Parallel Lines" of course focuses on Blondie, but also on the context within which the group operated, particularly as punk was crossing with disco. "The Downtown Pop Underground" extends to many other musicians as well as poets, playwrights, actors, venues, organizers, and much more. As McLeod writes in Parallel Lines , "Blondie was part of a social network of artists, musicians, intellectuals, and freaks who remade popular culture... Parallel Lines was the multiplatinum punctuation point on a slow-building subcultural explosion, a fuse that was lit in the early 1960s by a handful of outsiders living in the margins of New York City. Today, we inhabit a world that was conjured into existence by these downtown denizens." We hope you enjoy Marc's conversation with Kembrew McLeod!
On this episode, Marc talks with Ronen Givony , author of "Us v. Them: The Age of Indie Music and a Decade in New York (2004-2014)," published in March of 2026. It's a fascinating history of the indie and underground music scene in Brooklyn during a time when Givony ran the Wordless Music concert series, worked for Nonesuch records, and pursued many other music-related activities. Givony divides the book into chapters on individual bands, curators, venues, and publications that had a huge effect on music in New York – groups such as Oneida, Parts and Labor, Weyes Blood, and Vagabon, and spaces such as Glasslands, Silent Bard, and Death by Audio. As he writes, "This is a book about a dozen or so individuals and bands with a curious claim to fame. A few of them achieved a degree of renown; a few would nearly make it big, only to self-destruct; as of this writing, though, none is a household name. Yet what they did was more decisive for the culture of New York than billionaire philanthropists whose names were carved in concert halls, more enduring than bands with fifty times their sales." You can buy "Us v. Them" here . We hope you enjoy Marc's chat with Ronen Givony!
On this episode, Marc talks to Andy Beta , author of "Cosmic Music: The Life, Art, and Transcendence of Alice Coltrane," published in March of 2026. It's a thorough and insightful biography of the musician and her various lives as a prodigious young student, a seasoned jazz player, a wife and mother tightly bonded to her husband John Coltrane, and a swami who reached spiritual heights as a teacher and leader. Andy charts all of these versions of Coltrane while also providing close readings of her many amazing recordings. As he writes, "Even five years ago, it seemed unlikely that Journey in Satchidananda and the music of Alice Coltrane could ever be acknowledged or accepted by a wider audience...Yet I'm reluctant to classify Alice Coltrane as an example of a beloved artist going from obscurity to belated discovery. The stars are always above us, but the conditions on Earth must be right in order to fully glimpse their splendor. In that sense, Alice's "Cosmic Music" was always there, waiting for that moment when a new generation would be ready to hear its message." You can buy "Cosmic Music" here . We hope you enjoy Marc's conversation with Andy Beta!
On this episode, Marc talks with Daniel Rachel , author of "This Ain't Rock'n'Roll: Pop Music, the Swastika, and the Third Reich," published in February of 2026. It's an enthralling and massively important look at many of the bands and artists who have flirted with, or even flat out adopted, Nazi iconography in their art, music, dress, performances, and more. Rachel lays out plainly and with thorough context the stories of these artists' use of Nazi symbols, in the process showing how rarely their decisions and motivations have been questioned. As he writes, "The central question of this book concerns the extent to which artists have commented on their flirtation with the swastika and the Third Reich, and whether rock'n'roll – that is musicians, the media, and the record industry – has ever taken responsibility for it...the notable absence of significant archival documentation underscores rock'n'roll's failure to confront its past." You can buy "This Ain't Rock'n'Roll" here . We hope you enjoy Marc's conversation with Daniel Rachel!
On this episode, Marc talks with Howard Fishman , author of "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" , published in May of 2023. It's part biography, part detective story, as Fishman combs through the facts and myths behind singer and guitarist Connie Converse, who made music in the 1950s that went unreleased in her time, and then vanished in the mid-70s at age fifty, never to be heard from again. Fishman meets her family members, friends, people who saw her play, and more, making the case for her music as important and unique, and painting a picture of a singularly creative person. As Howard writes, "The more I listened to her music, the more my curiosity grew...In short order, I stopped writing my own music and became devoted only to Connie Converse – to learning more about her; to piecing together her life; to spreading the gospel of her particular brand of genius everywhere and everyhow I could; to, eventually, inserting myself into the life she left behind to the point that – at times – I felt that I'd become part of the plot." You can buy "To Anyone Who Ever Asks" here . We hope you enjoy Marc's conversation with Howard Fishman!
On this episode, Marc talks with Matthew Blackwell , author of "Plunderphonics," part of the 33.3 "Genres" series of books focusing on specific musical styles and movements. "Plunderphonics" covers artists who use other people's recordings in their music without permission, often to make a statement about copyright law, the idea of fair use, and so forth. Blackwell focuses primarily on four artists - John Oswald, who coined the term Plunderphonics, Negativland, Avalanches, and Girl Talk - but he also covers many more who've played a vital role in this genre, such as Evolution Control Committee, the Tape Beatles, and Dangermouse. As Matthew writes, these artists "tried to change the system. They did so by creating music that was deemed illegal, responding to lawsuits with daring media blitzes, and educating their audience about their own right to adapt and transform media." You can buy "Plunderphonics" here. We hope you enjoy Marc's conversation with Matthew Blackwell!
Ranking source
Apple Podcasts rankings via the Mato Topic Intelligence Platform.
Observed September 19, 2026. Cached outside the daily freshness window; the positions keep the date they were taken on.
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