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Published by Graham Coath
Welcome to My Music, a compelling music interview podcast in which host Graham Coath invites listeners to the lives of musicians, songwriters, and artists who shape the sounds we love. With a genuine passion for music and years of experience in the industry, Graham connects with each guest in a way that draws out the heart of their story, creating episodes that are as rich, unpredictable, and entertaining as the music itself. My Music goes beyond the beats.
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Nobody expects a conversation about investment banking to end in tears over a piano. That's exactly what happens on this episode. Stephen Ridley walked out of a top investment bank at 11 am on a Thursday, having had no plan to quit that morning. Thirty minutes later he bought a £100 piano from a bloke in a thrift shop on Brick Lane, dragged it onto the street, and started playing. Over a decade on, he's performed in more than 70 countries, played for royalty, sheikhs and A-listers, built a piano academy with over 40,000 students, and still can't quite explain why he does it, except that it's about connection. We get into what happens when you strip away the performance and just have a proper conversation. Why phones are exhausting an entire generation. What military torture and hypnotism have in common with doomscrolling. The three minutes Stephen spent holding his dying father, and the lesson that changed the rest of his life. A story about jumping onto a table at the Monaco Grand Prix in a £5,500 tuxedo and throwing it on the floor. And a message from one of his students, a woman called Faye, that will stop you in your tracks. This one goes deep. Grab a cuppa and give it the time it deserves.
Graham Coath talks to Mark Hamilton from Ash as the band celebrates the 30th anniversary of their landmark debut album, 1977 . Mark looks back at how the album was written and recorded at Rockfield Studios, the last-minute decision that gave it its title and the stories hidden inside one of the defining records of the 1990s. They discuss the newly completed track “Bittersweet Blue,” originally recorded during the 1977 sessions, the band’s Star Wars obsession, secret tracks hidden at the beginning of the original CD and the unusual ways producer Owen Morris created the right atmosphere in the studio. Mark also talks about returning to the old stone cottage where Ash first rehearsed as teenagers, nearly 30 years after they were last there, to film the video for “Bittersweet Blue.” A warm, funny and nostalgic conversation about teenage ambition, musical mistakes, forgotten memories and an album that still means an enormous amount to Ash and their fans three decades later. My Music is sponsored by 13th Floor Sound
In Part II of Graham Coath’s conversation with Dream Delay, Sam returns—and this time Anna joins him to tell her side of the band’s story. Anna reveals how a chance connection on a musicians’ app changed the direction of her music, why building confidence as a singer takes more than believing in yourself, and how she learned to deliver emotion on stage without becoming overwhelmed. The conversation explores vulnerability, the pressure to be performative, writing from experience without becoming trapped in anger, and why the best songs often need time before they are ready to be written. Anna and Sam also discuss their forthcoming song, “Spare You”—a powerful reflection on a destructive relationship, finding wisdom in the darkness and choosing not to seek revenge. There is also a glimpse of an unfinished Dream Delay song, “The Next Three Quarters of a Century”, unexpected T-shirt design advice from Graham, and a wider conversation about how live music creates connection, community, and a sense of belonging between complete strangers. This is MyMusic with Graham Coath: conversations about the people, experiences and ideas behind the music. My Music is sponsored by 13th Floor Sound
Graham Coath talks to Helsinki-based musician Tuomas Ahva about growing up with copied cassettes, rediscovering music on vinyl and creating music somewhere between technology, art and culture. Tuomas explains how experimenting with an iPad led to his solo project, Ahva, and the creation of Padworks an EP he describes as “experimental play” rather than simply extended play. They also discuss The Bike Song , the growing confidence behind Tuomas’s vocals, the influence of Daft Punk, his track Trapped in Freedom and the long-awaited arrival of his new album on vinyl. Along the way, Graham and Tuomas explore whether computer-perfect music is losing its soul, the impact of AI music generators and an idea for a festival with no predetermined line-up. And what is the one song Tuomas still wants to write? The song his friends ask him to play whenever he picks up an acoustic guitar. MyMusic is hosted by Graham Coath and sponsored by 13th Floor Sound.
Graham Coath talks to Olly (Oliver) Forget Them Wendy What happens when music is allowed to be beautiful, catchy and accessible — but still has something slightly uncomfortable going on underneath? In this episode of MyMusic , Graham Coath talks to Edinburgh-born producer and guitarist Oliver Price of Forget Them Wendy , the project he created with songwriter Laura James . Forget Them Wendy brings together Laura and Oliver to make music that draws on the sounds they grew up with while exploring something much more current: growing up, finding your place in the world and trying not to lose the creativity and magic of childhood. And that idea is right there in the name. Forget Them Wendy comes from Peter Pan and that tension between growing up and wanting to hold onto the part of ourselves that still wants to play, explore and create. As Oliver explains, when Laura suggested the name, it seemed to capture what they were already making almost perfectly. The conversation goes far beyond the story of the band. Oliver talks about the reality of being a working songwriter and producer and why creativity isn't necessarily about waiting for inspiration. Some days you walk into the studio feeling inspired and make something terrible. Other days you drag yourself in when you don't feel creative at all — and something brilliant happens. There isn't a formula. You turn up. You make things. And occasionally something good happens. Graham and Oliver also explore how much the music world has changed. Technology has lowered the barriers to making and releasing music, giving more people the opportunity to create than ever before. But that creates another problem: an enormous amount of music is now released that almost nobody ever hears. Which leads to one of the big ideas in this conversation: If a song falls in the forest and nobody hears it, does it really exist? Oliver describes music as a social language — something that gains its power when it reaches another human being. Creating may be rewarding in itself, but music is also about connection, sharing, understanding and creating ripples of human expression. Stories also lie behind the songs. Wise Guy grew out of an argument involving Oliver — with Laura turning his behaviour into a song. Apple Pie takes something apparently simple and summery and puts something darker underneath it: enjoying the warmth and apparent permanence of summer while knowing that eventually it has to end. Then there is AI. Forget Them Wendy aren't particularly interested in becoming influencers. Their online identity is built largely around their music and distinctive painted artwork rather than endless photographs of themselves. The unexpected consequence? Some people have assumed Forget Them Wendy must be an AI band . That takes Graham and Oliver into a much bigger conversation about authenticity. If AI can create convincing people, voices, images, and even online personalities, does seeing someone's face online still prove they're human? And could the growth of AI ultimately make genuinely human experiences more valuable? Along the way there is surfing, Scotland, Hackney, tape machines, The Cranberries, Garbage, The Sundays, the disappearance of the old-fashioned music legend and the importance of having something outside your creative obsession that allows you to come back to your work with fresh energy. Forget Them Wendy haven't played live yet, but the album is nearly finished. Oliver's request is wonderfully straightforward: Go and listen. Love it or hate it, have an opinion . And if you love it, share it. Because perhaps music really is a social language. And a song nobody hears really is a little like a tree falling in a forest. MyMusic with Graham Coath — talking to Oliver Price from Forget Them Wendy. This episode is sponsored by 13th Floor Sound , an independent record label based in Las Vegas dedicated to keeping real music alive.
What happens when you know exactly how you want your music to sound… while still insisting you don't really know what you're doing? In this episode of MyMusic , Graham Coath talks to Jorge Wilson about creativity, perfectionism, independence and finding a sound that actually feels like your own. Jorge describes himself as a self-taught musician who often plays by ear, layering instruments according to what sounds right rather than what the rulebook says he should be doing. Yet behind that apparently instinctive approach is someone with a remarkably clear idea of the tones, textures and atmosphere he wants to create. They talk about the influences behind both Jorge's music and his distinctive visual identity from David Bowie, Steve Lacy and Michael Jackson to Richard Ashcroft, Johnny Marr, Tame Impala and Mac DeMarco and why imperfection can sometimes be precisely what makes music interesting. There's also the story behind Life Goes On , a song Jorge describes almost as a message to himself. As a perfectionist and an over-thinker, he wanted to remind himself to let things go rather than allowing everything to keep playing on his mind. His songwriting often works that way: the emotion comes first, and sometimes he doesn't fully understand what he's written about until the song is finished. The conversation gets into the strange trade-off that comes with becoming a solo artist too: complete creative freedom also means being on your own . Jorge talks about needing people around him who will give him an unfiltered opinion, including producer Steven Griffiths, and why he'd rather hear that something isn't good enough than receive comfortable praise. And perhaps most importantly, they discuss learning to accept that not everybody has to like what you make . Jorge's approach is wonderfully straightforward: if somebody doesn't like his song, that's fine. If he still loves what he's created, that's what matters. Plus: the borrowed Höfner bass that made Graham jealous, why having too many instruments can actually make creativity harder, Jorge's first song after seeing Richard Ashcroft, the forthcoming debut of the black suit on stage, and why Paul McCartney and Johnny Marr represent musicianship at its best. Jorge's debut EP JPW is available on streaming platforms. MyMusic conversations about the lives, stories and creative processes behind the music. My Music is sponsored by 13th Floor Sound
Graham Coath talks to Australian singer-songwriter Caddy Callaghan about the music we carry with us, sometimes for years, before finding the courage and space to bring it fully to life. Caddy remembers sitting at her grandmother’s old wooden piano at just four years old and feeling something she describes beautifully: “It gave me resonance.” That connection has remained with her ever since, through teaching, motherhood, periods of doubt and the constant bells of everyday life competing for her attention. She shares the remarkable story behind her single Sweet Fool , written many years ago in a school piano room when she was supposed to be planning a lesson, and its eventual journey to Nashville, where she recorded with acclaimed musician and producer Rick Price. They also talk about repetition, creative bubbles, romantic hope, the fear of failure and why producing three minutes of music can represent ten years of dreaming. There is even time to hatch a plan involving Caddy’s vineyard and a future bottle of Sweet Fool Pinot Noir. This is a warm, honest conversation about remaining hopeful without remaining naïve, allowing yourself to be carried when life becomes difficult, and making room for the thing that gives you resonance. MyMusic is hosted by Graham Coath and proudly sponsored by 13th Floor Sound.
Steve Hackett | The Roaring Waves | My Music with Graham Coath Steve Hackett has spent more than five decades creating some of the most influential guitar music ever recorded, from his groundbreaking work with Genesis to an extraordinary solo career that continues to evolve. In this episode of My Music , Graham Coath sits down with Steve to explore The Roaring Waves , his long-awaited collaborative album with fellow guitar legend Steve Rothery of Marillion . Together they discuss the eight-year journey behind the record, the friendship that made it possible, and why this is far more than a "guitar album". Inspired by the sea, the Yorkshire coastline around Whitby, and the power of nature, The Roaring Waves is an atmospheric, cinematic collection that allows two distinctive guitar voices to have a conversation without ever competing for attention. Steve shares stories from recording the album across multiple studios and home setups, explains how different guitars and unusual tunings shaped the sound, and reflects on what he's learned from working alongside Steve Rothery. The conversation also looks back at Genesis, GTR, Marillion, the enduring appeal of instrumental music, and why sometimes the most powerful notes are the ones you choose not to play. As always, this isn't just an interview about an album. It's a conversation about creativity, patience, collaboration, and a lifetime devoted to making music. In this episode, you'll discover: Why The Roaring Waves took almost a decade to complete. How Steve Hackett and Steve Rothery built a genuine musical partnership. The stories and locations that inspired the album. Steve's approach to guitar tone, recording and songwriting. Memories of Genesis, GTR and working alongside some of progressive rock's greatest musicians. Why creating space in music can be just as important as playing more notes. If you enjoy thoughtful conversations about music, creativity and the people behind the records, don't forget to follow My Music , leave a rating, and share the episode with another music lover. My Music is hosted by Graham Coath , bringing you conversations that go beyond the songs to explore the stories, inspiration and personalities behind the music. My Music is sponsored by 13th Floor Sound
For nearly four decades, DEARDARKHEAD have quietly built a reputation as one of New Jersey's most distinctive underground alternative rock bands. Now, after a 25-year gap between full-length albums, they're back with The Pendulum Swings – a record that proves creativity doesn't have an expiry date. On this episode of MyMusic , Graham Coath sits down with drummer Robert Weiss to explore the band's remarkable journey from their beginnings in Atlantic City in 1988 to creating an album that blends shoegaze, post-punk, psychedelia and cinematic instrumental storytelling. The conversation goes far beyond the new record. Robert explains why the band embraced becoming an instrumental act, how they create songs without relying on lyrics, and why emotion has become the band's true lead vocalist. They discuss the challenges of making music over nearly four decades, the influence of producers Brian McTear and Amy Morrissey, experimenting with drum loops and unusual time signatures, and why The Pendulum Swings feels like the perfect statement of everything DEARDARKHEAD have experienced together. There's also a fascinating discussion about the lost art of listening to albums from start to finish, the changing music scene, working in record stores, favourite drummers, Stewart Copeland, shoegaze influences, and why sometimes the greatest success is simply making the next record. If you enjoy thoughtful conversations about creativity, longevity and music made with purpose, this is an episode you'll want to spend time with. Listen to The Pendulum Swings and discover why critics are calling it a stunning return for one of New Jersey's most enduring underground bands.
What happens when an artist stops trying to impress people and starts telling the truth? In this episode of MyMusic , Graham Coath welcomes New York-based singer-songwriter ROREY for a thoughtful conversation about vulnerability, creativity and the emotional honesty that sits at the heart of her music. Ahead of the release of her latest single, "Binary Thinking" (out 31 July ), ROREY explains how the song explores the conflicting emotions that follow heartbreak. As she puts it: "I think we all want to stand on the belief that the other person will regret losing us, but I also wondered if I even mattered enough to be felt as a loss... Silence is open to interpretation, and the intention behind it doesn't change the impact." The indie-pop track blends lush acoustic guitars, expressive bass and memorable melodies to create the immersive sonic landscapes that have become ROREY's signature. During the conversation, Graham and ROREY explore: The inspiration behind Binary Thinking . Why she describes herself as someone who was "making sound" long before making music. Turning heartbreak into art. The fear of visibility in the age of TikTok and social media. AI, authenticity and why human creativity still matters. Why musicians need more than likes—they need genuine support. How music helps us understand ourselves and the world around us. It's an honest conversation about creativity, mental health, relationships and finding your voice—exactly the kind of discussion that reminds us why music remains one of the most powerful forms of human connection. ROREY has earned acclaim from OnesToWatch , Zane Lowe , LADYGUNN and Atwood Magazine , while her music has featured on major Spotify editorial playlists including Fresh Finds , Fresh Finds Indie , New Music Daily and New in Pop . If you enjoy conversations that go beyond the music and uncover the person behind it, subscribe to MyMusic , leave a rating, and share this episode with someone who believes great songs begin with real stories. My Music is sponsored by 13th Floor Sounds
MyMusic with Graham Coath – Jonny Couch What does it take to step out from behind the drum kit and become the artist at the front of the stage? In this episode of MyMusic , Graham Coath is joined by Jonny Couch , the New Jersey singer-songwriter whose journey has taken him from pounding the drums in touring punk bands to becoming an acclaimed solo artist with a love of classic songwriting, unforgettable melodies and timeless rock 'n' roll. Their conversation travels from Jonny's early days touring the UK with legendary acts such as Theatre of Hate and sharing stages with bands including Buzzcocks, through to finding his own voice as a frontman after spending years in the background. Along the way they discuss: Why becoming a singer meant learning a completely different set of skills. The art of connecting with an audience through eye contact, storytelling and performance. Whether social media has changed the relationship between musicians and live audiences. Why Jonny still believes rock stars should look like rock stars. Songwriting, vocal development and the artists who have inspired him, from David Bowie and Bryan Ferry to Joe Jackson, Smokey Robinson and Cheap Trick. Why small clubs still create the strongest connection between artists and fans. The importance of tension, release and dynamics in great songwriting. Why podcasting can help people discover music in a far more meaningful way than a 10-second social media clip. There's plenty of humour too, from stories about touring Britain and navigating UK trains, to ideas for a future podcast called "On the Couch with Jonny Couch" and even a starring role for Jonny's Westie, Alfie. As always, MyMusic goes beyond the songs to explore the people behind them. If you enjoy conversations about creativity, performance, songwriting and what drives musicians to keep creating, this is an episode you won't want to miss.
Mixed Signals: Ben Gardiner on Building a Band, Breaking Out of Scotland & Why Great Music Deserves to Be Heard How do you build a band in a world where social media can matter as much as the songs themselves? In this episode of MyMusic , Graham Coath talks to Ben Gardiner from Scottish alt-rock band Mixed Signals about the realities of being an independent artist today. From the thriving local music scene around Ayr to the band's ambitions of playing London's venues and one day supporting Biffy Clyro at Glasgow's legendary Barrowland Ballroom, Ben shares an honest insight into life as a musician trying to take the next step. The conversation explores where the band's name came from, why relationships and "mixed signals" inspire so much of their songwriting, how they balance melody with huge cinematic soundscapes, and why they believe writing better songs will always matter more than chasing algorithms. Graham and Ben also discuss the challenges facing emerging artists, the importance of musicians supporting one another across the UK, why discovering new music has never been easier—or harder—and whether the industry could do more to help talented bands find their audience. If you enjoy discovering new artists and hearing the stories behind the music, this is a conversation well worth your time. If you enjoy the episode, don't forget to follow Mixed Signals on social media, stream their music, and subscribe to MyMusic for more conversations with the artists creating the soundtrack to our lives.
What happens when an award-winning filmmaker, healthcare activist, songwriter and storyteller all exist in the same person? In this episode of MyMusic , Graham Coath is joined from New Jersey by the remarkable Julia Greenberg for a conversation that moves effortlessly between music, creativity, protest, poetry and the stories that shape the songs we write. Julia talks about her beautifully intimate new EP, recorded live in just a single day, why leaving the imperfections in a performance can sometimes reveal the greatest truth, and how producer Bob Perry captured not just the sound, but the atmosphere of the room itself. Along the way, the conversation explores everything from the American healthcare system and the role of protest music, to Dory Previn, songwriting, humour in melancholy, lifelong creativity, and the daily habits that keep artists inspired. This isn't just a conversation about making records. It's about making sense of the world through music. If you've ever wondered where songs really come from, how life outside music influences what we create, or why the stories behind an album can make you hear it differently, this is an episode you won't want to miss. Listen now, then discover Julia Greenberg's music for yourself. MyMusic is hosted by Graham Coath and proudly sponsored by 13th Floor Sound , supporting independent artists and keeping real music alive.
Dream Delay are proving that modern rock doesn't have to choose between big guitars and meaningful lyrics. In this episode of MyMusic , Graham Coath is joined by Sam (known as SCR) , guitarist and songwriter for Dream Delay , for a wide-ranging conversation about how the London-based band came together, why they deliberately write songs that lean towards hope rather than division, and how a chance meeting through a musicians' networking app sparked the beginning of the project. The conversation also shines a light on Anna , the band's French vocalist who performs under the stage name Lonvy , whose distinctive voice and spiritual outlook help shape Dream Delay's unique identity and lyrical direction. Although Anna couldn't make this interview, her influence runs throughout the discussion and the music. Sam (SCR) shares the inspiration behind Dream Delay's latest music, including the powerful message of perseverance in their single Worth It , the band's love of theatrical live performance, and the influence of artists such as David Bowie , Red Hot Chili Peppers , Fleetwood Mac and Nirvana . The conversation explores why Dream Delay are determined to keep guitar-driven rock alive, how they found an exceptional Brazilian drummer through a London musicians' community, and why melody, atmosphere and emotion remain at the heart of great songwriting. Beyond the music, Graham and Sam (SCR) discuss the realities of building an independent band in today's industry, the importance of community, grassroots venues, social media, entrepreneurship in music, and why musicians should never be afraid to carve out their own path. If you enjoy honest conversations with passionate musicians who are creating music with purpose, this is an episode you won't want to miss. In this episode, you'll discover: How Dream Delay was formed during the pandemic. The story behind Sam (SCR) and Lonvy coming together to create the band. The philosophy behind writing positive, uplifting rock music. The inspiration behind Worth It . Why theatrics still have a place in modern rock. Guitar-driven songwriting, melody and creating space in a band. Building an audience as an independent artist. The future plans for Dream Delay. Listen now, follow Dream Delay on social media, add their music to your playlists, and if you can help connect the band with promoters, venues or booking opportunities, they'd love to hear from you.
Music has a way of bringing people together, and this episode of MyMusic is a wonderful example of that. Host Graham Coath is joined by Mandi Seekings , speaking from Las Vegas , for a warm and engaging conversation about songwriting, vinyl, musical influences and the journey that has taken her from growing up in Hawaii to recording and performing in Nevada. Mandi talks about her lifelong love of music, the artists who shaped her sound, overcoming writer's block, and how meeting her life partner, producer and 13th Floor Sound founder Cody , reignited her creativity. Together they discuss the collaborative process behind her music and why some of the best songs begin with nothing more than an acoustic guitar and an idea. The conversation explores Mandi's new debut 45rpm vinyl release, featuring Need You Now and the heartfelt B-side Next To Me , a song written in memory of both her and Cody's fathers while celebrating the enduring presence of those we've lost. Along the way, you'll hear stories about: Growing up in Hawaii and taking those island influences into her music. Performing three nights a week in a Las Vegas lounge. Why vinyl is enjoying such a remarkable revival. The artists who continue to inspire her, from Mariah Carey and Fleetwood Mac to Harry Styles, Tracy Chapman and Jimi Hendrix. Why love remains the driving force behind the songs she writes. As always, Graham steers the conversation beyond the music itself, exploring the stories, relationships and experiences that shape an artist's work. It's a relaxed, thoughtful discussion full of humour, honesty and a shared passion for keeping real music alive. If you enjoy discovering emerging artists, hearing the stories behind the songs, and celebrating the continuing resurgence of vinyl, this is an episode you won't want to miss. MyMusic is proudly sponsored by 13th Floor Sound , the Las Vegas independent record label committed to keeping authentic music alive through analogue recording, modern production and beautifully crafted vinyl releases.
What happens when two of progressive music's most distinctive guitar voices finally make the album they've been talking about for almost a decade? In this episode of MyMusic , Graham Coath welcomes Steve Rothery (Marillion) back to the show to discuss The Roaring Waves , his long-awaited collaborative album with Steve Hackett (Genesis), released on 28 August 2026 . Steve shares the story behind a project that began in 2016 and slowly evolved into a collection of cinematic instrumental pieces inspired by the sea, memory, atmosphere and the landscapes that shaped his childhood. From Whitby's dramatic coastline to the creative chemistry he shares with Steve Hackett, this is a fascinating conversation about patience, collaboration and allowing music to breathe. The discussion explores why The Roaring Waves is far more than a "guitar album", how the pair avoided turning it into a showcase of technical playing, and why creating emotion will always matter more than playing the most notes. Steve also talks about the album's collaborators, the challenge of finishing a project nearly nine years in the making, and hints at plans for a second album together. Along the way, Graham and Steve reflect on Marillion's early comparisons with Genesis, life on the road, the changing way people listen to music, and why albums that encourage listeners to slow down are perhaps more important now than ever. If you love progressive rock, atmospheric instrumental music, or simply hearing world-class musicians discuss the creative process with honesty and humour, this is an episode not to miss. Featuring discussion on: The making of The Roaring Waves Working with Steve Hackett The inspiration behind The Black Sea Growing up by the sea and its influence on songwriting Why emotion always beats technical perfection Marillion, Genesis and nearly 50 years of musical history Whether there could be a second Hackett/Rothery album Sponsored by 13th Floor Sound , an independent record label dedicated to keeping real music alive.
Music doesn't have to fit neatly into a genre, and neither does Melody Zenith . In this episode of MyMusic , host Graham Coath sits down with the independent artist to explore the influences, ideas and experiences behind her music. From growing up on the sounds of Kate Bush , Depeche Mode and The Cure to finding inspiration in disco, trip-hop, R&B and beyond, Melody explains why she's more interested in emotion than labels. The conversation dives into songwriting as therapy, the vulnerability of finding a melody with nothing but your own voice, and why imperfections are often where the magic happens. Melody also shares her thoughts on AI, creativity, artistic ownership, burnout, editing her own videos, building an independent career, and why sometimes the most powerful thing a musician can play is... nothing at all. Along the way, there are conversations about vinyl records, Twitch DJ sets, cats interrupting recording sessions, Bandcamp, touring, and the importance of creating music that genuinely makes people feel something. If you enjoy thoughtful conversations about creativity, songwriting and the realities of being an independent artist, this is an episode you won't want to miss. Listen now and discover Melody Zenith's music after the interview. If it resonates with you, consider supporting independent music by buying merch, following her work and sharing her songs. Check out the new show sponsor https://13thfloorsound.bandcamp.com/merch
On this episode of MyMusic , Graham Coath is joined by Canadian singer-songwriter Mandi Leigh , fresh from a life-changing move across Canada to begin the next chapter of her musical journey in Toronto. From growing up on a soundtrack of Fleetwood Mac, Pink Floyd, and '90s country to fronting an alternative rock band before finding her own voice as a solo artist, Mandi shares the story of her evolution into an Americana-inspired songwriter whose music is rooted in honesty, healing, and human connection. The conversation explores the realities of being an independent artist in 2026, why original music matters more than ever, the challenges of streaming, the enduring value of CDs, and what it really takes to build a career from your art. Along the way, there's plenty of laughter, a discussion about Stevie Nicks, dream venues, favourite guitar chords, country music's unexpected rise in the UK, and Graham's passionate plea for people to support independent musicians. If you enjoy discovering authentic artists before everyone else does, this is a conversation you'll want to hear. Listen now and discover the music of Mandi Leigh.
In this episode of My Music , Graham Coath is joined by Mani and Rob from Professional 101 for a conversation that starts with their powerful new single "Liar" and quickly expands into something much bigger. Together they explore why we lie to ourselves, how narratives become accepted as truth, and what happens when music becomes a way of making sense of a complicated world. The discussion moves effortlessly between philosophy, politics, creativity, AI, social media, human nature and the role of artists in an increasingly technological society. Along the way, they discuss why being in a rock band is "the greatest lie you can tell yourself," why imperfections make music truly human, the future of live performance, and why Professional 101 are determined to keep creating on their own terms. The episode also looks ahead to the band's ambitious Rock 'n' Roll Freakshow events, their upcoming cover of Madonna's "Vogue" , and the release of their debut album, available on vinyl, CD, cassette and digital formats. Thought-provoking, funny and completely unpredictable, this is far more than a music interview. It's a conversation about truth, creativity and why art still matters. If you enjoy discovering independent artists and hearing the stories behind the music, don't forget to subscribe to My Music and listen to Professional 101's latest releases. #MyMusic #Professional101 #IndependentMusic #RockMusic #MusicPodcast #NewMusic #Liar #LiveMusic #Creativity #AI #HumanNature
Graham kicks this one off with a case of mistaken identity involving a pub, a band name and an office furniture manufacturer in Manchester which tells you something about the kind of conversation this is going to be. Jake is one of the people behind Flok, a four-piece from Manchester who used to be called Blue Train Lines, named themselves after a local pub on something of a whim, and are currently in the middle of a twelve-gig run across eight weeks while spending a lot of money on petrol. In this episode, Graham and Jake get into what it actually takes to build a following from scratch in 2026, why Flok respond to absolutely everyone who reaches out to them, and what it felt like to go from playing in front of nobody to a room full of people who already know the words. They also talk about the Manchester rehearsal studio run by a bloke called David, who has an unexplained obsession with monkeys, why a room that is too clean is the enemy of creativity, and the one song in Flok's set that they have seriously considered never recording in a studio and why that might actually be the point. New single out now. Twelve gigs across the summer. Bristol on the horizon. Well worth your time.
Ranking source
Apple Podcasts rankings via the Mato Topic Intelligence Platform.
Observed September 13, 2026. Cached outside the daily freshness window; the positions keep the date they were taken on.
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