Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thi

“It’s always very interesting that we have to make a case for art because we don’t have to make a case for fast food. Like, we don’t have to make a case for all of these sort of things in our lives that we do not need, and yet we have to make a case for beauty? We have to make a case for the soul? We have to make a case for humanity? We have to make a case for singing back the wounded world? That to me is fascinating” My guest today is Ada Limón . She served two historic terms as the 24th poet laureate in the United States. She has brought poetry to public parks across the US, and her words have traveled through deep space, engraved on NASA’s Europa Clipper spacecraft. In over 20 years of writing in celebrated collections like Bright Dead Things and The Carrying and her new book, Startlement: New and Selected Poems , Ada has brought a sincerity to American poetry rooted in connection to the natural world. She’s written with inspiring honesty about the death of loved ones, trying to conceive and also the unexpected liberation of deciding to step away from societal expectations of motherhood and embrace a life happily childfree. Her latest book on craft, Against Breaking: On the Power of Poetry , asks how a poem can hold our heaviest grief without letting the human spirit fracture. After years living in Kentucky and New York, she bought back her childhood home in Sonoma Valley, stepping back into the rooms where her poetic imagination first took root. We’ll talk about the discipline of paying attention and why poetry remains an essential act of human survival. (0:03) The Case for Beauty (0:39) About Ada Limón (2:44) The Deepening of Roots (5:01) Reading 'On Earth As It Is on Earth' (6:08) Bearing Witness Without Surrendering to Grief (7:50) The Definition of Beauty and the Dissolving Self (9:41) Love as an Active Daily Choice (11:11) The Practice of Loving-Kindness Meditation (13:28) Reading 'Hell or High Water' (17:01) Writing Without Music and Listening to the Landscape (19:08) Dreams as Archetypes of Consciousness (21:34) The Environmental and Creative Toll of Generative AI (24:02) AI and the Future of the Arts (25:21) Stewardship, Conservation, and Faith in the Invisible Workers (28:14) The Childfree Daughter (29:57) Listening to Trees as an Act of Reciprocity (32:40) The Music of the World (34:03) The Seed of Interconnectedness Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“As a psychotherapist, I've worked with thousands of people over my 53 years of practice, and I have had to learn to love each and every one of them. There is something about opening your heart and stopping judging and arguing, and listening again, inquiring until you find what is most lovable about another person, and that is a very difficult thing to do. We're all inclined to reject one another, even the people we love. It is very difficult to systematically seek to accord the other respect, your attention, your care, your capacity for appreciating and valuing what is good in them and what is possible for them in the future.” Emmy van Deurzen is a philosopher, a therapist and a pioneer who has spent five decades mapping the architecture of human existence. Born in the Netherlands and trained in the radical psychiatric wards of France, she came to London in 1977 to work alongside R.D. Laing, only to realize the anti-psychiatry movement had kind of lost its way. She decided to build something new. Today, she's the founder of the New School of Psychotherapy and Counselling and the leading voice of existential therapy in the United Kingdom and founded the Existential Movement . Her work challenges the medical model of mental illness, suggesting instead that our crises are not diseases to be cured but philosophical crossroads to be understood. Her latest book is a distillation of that life's work. Beginning To Live: The Art of Existential Freedom is her first book written for a general audience, offering a guide on how to reclaim our freedom and find meaning in the face of suffering. Emmy van Deurzen, welcome to The Creative Process . (0:00) The Art of Psychotherapy (1:39) AI and Artificial Wisdom (5:40) Practicing Freedom (8:06) Finding Inner Peace Amidst the Ruins (16:19) The Yellow Balloon (22:36) Freedom and the Confrontation with Death (25:31) Multilingual Roots, Language and Translation (32:03) The End of One Love, The Beginning of a Love of the Arts (37:20) The Art of Loving (45:17) The Canvas of Life (48:24) The Purified Essence (1:01:10) The AI Dependency and the Future of Loving (1:10:22) Radical Psychiatry, R.D. Laing, and The Divided Self (1:17:52) Awakening to Beauty (1:24:38) The Art of Living and Existential Freedom Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

My guest today is Ada Limón . She served two historic terms as the 24th poet laureate in the United States. She has brought poetry to public parks across the US, and her words have traveled through deep space, engraved on NASA’s Europa Clipper spacecraft. In over 20 years of writing in celebrated collections like Bright Dead Things and The Carrying and her new book, Startlement: New and Selected Poems , Ada has brought a sincerity to American poetry rooted in connection to the natural world. She’s written with inspiring honesty about the death of loved ones, trying to conceive and also the unexpected liberation of deciding to step away from societal expectations of motherhood and embrace a life happily childfree. Her latest book on craft, Against Breaking: On the Power of Poetry , asks how a poem can hold our heaviest grief without letting the human spirit fracture. After years living in Kentucky and New York, she bought back her childhood home in Sonoma Valley, stepping back into the rooms where her poetic imagination first took root. We’ll talk about the discipline of paying attention and why poetry remains an essential act of human survival. (1:45) Silence as the Music of the World (9:17) The Deepening of Roots (13:19) 'On Earth As It Is on Earth' (18:08) Bearing Witness Without Surrendering to Grief (21:02) Singing Back the Wounded World and the Case for Beauty (28:22) Love as an Active Daily Choice (30:38) The Practice of Loving-Kindness Meditation (37:34) Writing Without Music, Listening to the Landscape (40:04) Dreams as Archetypes of Consciousness (42:51) The Creative Toll of AI (51:29) Embracing the Liberation of a Childfree Life (1:01:06) Listening to Trees as an Act of Reciprocity (1:06:44) Interconnectedness of Living Beings Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

Emmy van Deurzen is a philosopher, a therapist and a pioneer who has spent five decades mapping the architecture of human existence. Born in the Netherlands and trained in the radical psychiatric wards of France, she came to London in 1977 to work alongside R.D. Laing, only to realize the anti-psychiatry movement had kind of lost its way. She decided to build something new. Today, she's the founder of the New School of Psychotherapy and Counselling and the leading voice of existential therapy in the United Kingdom and founded the Existential Movement . Her work challenges the medical model of mental illness, suggesting instead that our crises are not diseases to be cured but philosophical crossroads to be understood. Her latest book is a distillation of that life's work. Beginning To Live: The Art of Existential Freedom is her first book written for a general audience, offering a guide on how to reclaim our freedom and find meaning in the face of suffering. Emmy van Deurzen, welcome to The Creative Process . (0:00) The Paths to Freedom (2:03) Emmy Van Deurzen, Philosopher, Existential Therapist, Author (3:13) AI and Artificial Wisdom (5:03) Practicing Freedom (7:00) Finding Inner Peace Amidst the Ruins (8:39) The Yellow Balloon (11:17) Multilingual Roots, Language and Translation (13:31) The End of One Love, The Beginning of a Love of the Arts (16:11) The Art of Loving (17:30) The Canvas of Life (20:20) The Purified Essence (27:46) The AI Dependency (30:09) Radical Psychiatry, R.D. Laing and The Divided Self (33:48) Awakening to Beauty (37:18) The Art of Living and Existential Freedom Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

Chiara Barzini has spent her life navigating the literal and cultural fault lines between Italy and California. Today we will discuss her book, Aqua: A Story of Water and Lost Dreams , and her life as an artist living between two countries. In her acclaimed 2017 novel, Things That Happened Before the Earthquake , she wrote about arriving in the San Fernando Valley just weeks after a catastrophic natural disaster and the illusions of the '90s. In Aqua , she examines nature, the California water crisis and the broken dreams of the Hollywood machine. We talk about family, film, art as an act of faith and our collective ecological coming of age, where the end of empire meets the end of abundance, and the consequences of hypercapitalism and colonialism. What does it mean to stare our illusions in the eye and find the courage to imagine a better future? (0:00) Water as Power (2:17) The Necessity of Illusions (4:24) Aqua: A Reading - On Hollywood and Water (7:51) The Edge of Apocalypse & Writing (9:10) The Etruscans and the Art of Dying (13:13) Translation and the Creative Spark (14:38) Raising Children in a Crazy World (16:18) Poetry, Ruins, and The Waste Land (18:48) Scents and Sounds of Two Cities (Rome and Los Angeles) (20:43) The Connection with Animals and Nature (22:54) The Evolution of Love and Compassion (24:12) The Memory Museum (27:04) We are in this lifetime together Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“I think first of all that in order to have disillusion, you need to have illusion and I really want to sort of take a stand in the name of being a delusional person, you know? I do think illusions are necessary to our sense of creativity, and we need to fall in love with extreme projects, and we need to have ideas that are sometimes unsustainable. We need to dream big in order to be creative and feel alive. The illusions that are a part of Aqua are larger illusions. They're illusions that have to do with my adult life. They're connected to nature and the presence or absence of water, the illusion that we can keep sustaining a city even though the water has run out.” My guest today, Chiara Barzini , has spent her life navigating the literal and cultural fault lines between Italy and California. Today we will discuss her book, Aqua: A Story of Water and Lost Dreams , and her life as an artist living between two countries. In her acclaimed 2017 novel, Things That Happened Before the Earthquake , she wrote about arriving in the San Fernando Valley just weeks after a catastrophic natural disaster and the illusions of the '90s. In Aqua , she examines nature, the California water crisis and the broken dreams of the Hollywood machine. We talk about family, film, art as an act of faith and our collective ecological coming of age, where the end of empire meets the end of abundance, and the consequences of hypercapitalism and colonialism. What does it mean to stare our illusions in the eye and find the courage to imagine a better future? (0:00) The Necessity of Illusions (1:40) Chiara Barzini, Author, Screenwriter (4:44) The End of Empire and Ecological Anxiety (12:15) The Allure and Cruelty of Capitalism (16:07) Aqua: A Reading - On Hollywood and Water (21:02) Screenwriter Robert Towne and the Legacy of Chinatown (26:20) AI Consumption and Water Bankruptcy (30:23) The Edge of Apocalypse and Bombay Beach (33:41) The Etruscans and the Art of Dying (42:33) Translation and Creativity (44:28) Raising Children in a Crazy World (47:30) Poetry, Ruins, and The Waste Land (57:33) Scents and Sounds of Rome and Los Angeles (01:04:17) The Connection with Animals and Nature (01:07:35) The Evolution of Love and Compassion (01:09:17) The Memory Museum (01:13:00) We Are in This Lifetime Together Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that’s the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It’s New York’s biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people’s notion of Lincoln Center is because it’s a space that is very aspirational, which is a great thing.” Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts —the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance. (0:00) Reimagining Lincoln Center (2:27) Art and the Human Experience (4:40) The Curiosity of Childhood (5:44) Alvin Ailey and the Pivot (8:29) The Invisible Arts (9:06) The Power of Public Theater (17:03) Curation, Programming and the Art of Listening (23:42) San Juan Hill and The Wall (31:23) Art as the Oldest Technology (35:02) globalFEST: Music and Connection (38:20) Finding Universal Belonging (41:20) The Gift of Pause (54:27) A Collective Caretaking Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“We are in the middle of a labyrinth which suggests to us many fake corridors. What's the superpower of literature? Literature is like an antidote against propaganda. Propaganda explains the world easily in a two-dimensional way. Literature gives you a more complex explanation. Literature tells personal stories.” Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinov is widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow , won the prestigious Jan Michalski Prize in 2016 , blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel , a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prize for Time Shelter —the first book written in Bulgarian to ever receive the honor. Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia. (0:00) The Trap of Nostalgia (2:13) The Art of Translation (5:44) The Pandemic of the Past (11:30) Reading from ‘Time Shelter’ (14:28) Death and the Gardener (19:34) The Translator's Calling (26:05) Cultural Rhythms of the Bulgarian Language (30:00) The Nonlinear Approach to Storytelling (34:30) Separating Personal and Historical Pasts (42:55) Storytelling vs Propaganda (47:19) Bodies, Animals and the Loneliness of the Minotaur (56:00) Reading ' Eight Minutes and 19 Seconds’ (1:00:28) What makes a good life? What has given your life meaning? (1:04:18) Childhood, Memory and Imagination (1:10:38) Reflections on God and the Stories His Grandmother Told Him (1:17:20) Education and the Empathic Imagination (1:23:25) The Museum of Memory (1:26:15) The Importance of Hugging and Empathy (1:28:02) AI and the Future of Humanity Episode Website www.creativep rocess.info/pod Instagram: @creativeprocesspodcast

Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinov is widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow , won the prestigious Jan Michalski Prize in 2016 , blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel , a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prize for Time Shelter —the first book written in Bulgarian to ever receive the honor. Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia. (0:00) The Trap of Nostalgia (1:22) The Nonlinear Approach to Storytelling (3:53) Translating the Atmosphere (4:31) The Pandemic of the Past (6:37) Death and the Gardener (9:49) The Translators Calling (11:00) Slowing Down Time (13:14) Storytelling vs Propaganda (15:54) Translating the Atmosphere (18:19) What makes a good life? What has given your life meaning? (20:56) Reflections on God and the Stories His Grandmother Told Him (23:43) The Importance of Hugging, Empathy and Storytelling Episode Website www.creativep rocess.info/pod Instagram: @creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together." Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts —the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance. "I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together." Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts —the nation's largest performing arts complex. Before stepping into this role, she spent sixteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance. (00:00) Reimagining Lincoln Center (03:09) A Collective Caretaking (03:47) The Technology of Human Creation (04:20) The Curiosity of Childhood (09:25) San Juan Hill and The Wall (14:20) globalFEST: Music and Connection (16:06) The Gift of Pause (17:20) A Collective Caretaking Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

For over a decade, technology has promised to make life easier. Social media was meant to connect us, we were told smartphones would simplify our lives, and now artificial intelligence promises to lift even more daily burdens. Yet these advances also raise an important question: when do tools enhance human creativity, and when do they replace the very experiences that give life meaning? While AI holds immense promise, many people face challenges coping with current technological advancements that ‘redefine’ human communication, work, education, and democratic values. Today, we examine societal and cultural impacts of AI, identity, inclusion, governance, education, and community well-being. And are speaking with Nacho de Gregorio , author of TheWhiteBox , one of Medium's most-followed AI analysts, for a level-headed conversation about both the remarkable potential and the real limitations of AI. (0:00) The AI compute gap and national security (1:56) The hidden risks of the AI debt bubble (4:40) Separating AI hype from job displacements (12:38) Shadow borrowing and the data center boom (17:19) Europe's missing infrastructure and tech sovereignty (21:52) The Jevons paradox and the demand for compute (26:37) Regulatory capture and doomerism (31:12) Why open source AI is the best path forward (42:19) The chess paradox and the future of human art (46:35) Unmeasurable domains and future-proofing your career (53:45) T utoring and AI in education (1:01:48) Navigating the AI slop and information ecosystem (1:16:00) Finding beauty in the natural world (1:20:18) The pleasure of waiting vs. the hustle (1:35:01) Setting healthy boundaries with technology Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“ I'm a believer in this technology. I believe that the cheaper it is, the more people will use it. So, even if we assume that models will get smaller for the same level of intelligence, the demand to actually have more compute is going to be enormous. And the reason why you want to have the, the compute close to you is not only in terms of performance. As a national security threat, I'm not saying this will happen, but it could happen that, China or US or whoever decides to stop exporting compute to the rest of the world. If that happens today, Europe has zero AI at the scale of data the data center.” For over a decade, technology has promised to make life easier. Social media was meant to connect us, we were told smartphones would simplify our lives, and now artificial intelligence promises to lift even more daily burdens. Yet these advances also raise an important question: when do tools enhance human creativity, and when do they replace the very experiences that give life meaning? While AI holds immense promise, many people face challenges coping with current technological advancements that ‘redefine’ human communication, work, education, and democratic values. Today, we examine societal and cultural impacts of AI, identity, inclusion, governance, education, and community well-being. And are speaking with Nacho de Gregorio , author of TheWhiteBox , one of Medium's most-followed AI analysts, for a level-headed conversation about both the remarkable potential and the real limitations of AI. (0:22) The hidden risks of the AI debt bubble (0:55) Shadow borrowing and the data center boom (3:12) The AI compute gap and national security (5:40) Europe's missing infrastructure and tech sovereignty (8:13) The Jevons paradox and the demand for compute (10:25) Why open source AI is the best path forward (12:31) The chess paradox and the future of human art (12:53) Unmeasurable domains and future-proofing your career (14:00) Tutoring and AI in education (15:11) Navigating AI slop and the information ecosystem (16:24) The Pleasure of Waiting vs. The Hustle Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

"So synanthropes are animals that have adapted to human-modified environments, and the Greek translation essentially is together with humans, so synanthrope. And they're a fascinating subset of wild animals that they're all around us, but we don't really notice them. And so in this new book, I was excited about writing something that had to do with the natural world. I was excited about writing something that touched on climate change. These are not just insects and earthworms and things like that. These are very large predators that have nevertheless found a way to survive among us. And that in and of itself I think is just an amazing story and what I explore in this book." If you live in a city, you’ve probably had that moment in the middle of the night. You hear a scratching in the walls, or you catch the glowing eyes of a raccoon peering out from a dumpster, and for a second, the concrete world feels a lot less 'controlled' than we like to pretend. We’ve been taught to think of cities as 'biological deserts'—places where nature goes to die. But my guest today, Dan Werb, says that’s a myth we tell ourselves to feel safe. Dan is an award-winning epidemiologist and a musician, and in his new book, Our Wild Familiars , he explores the 'synanthropes'—the wild creatures that aren't our pets, but aren't quite strangers either. They are the coyotes, the bats, and even the octopuses that are learning to use our cities as laboratories for their own rapid evolution. He’s also the author of The Invisible Siege and City of Omens . (0:02) The unexpected biodiversity of urban areas and wild familiars (2:32) Defining synanthropes and the myth of the biological desert (6:04) Why cities are becoming magnets for wildlife and natural biodiversity (14:32) How our discarded garbage acts as a reliable nutrition source (18:01) The raccoon city and highly adaptable urban mesopredators (21:49) Redesigning cities as crucial sites for wildlife conservation and containerisation (26:31) The impact of highways on mountain lion migration in Los Angeles (31:03) The ancestral spiritual bond between early humans, ravens, and foxes (38:24) Facial recognition, grudges, and the intense intelligence of urban crows (42:40) Discovering giant Pacific octopuses living in discarded garbage near Seattle (49:04) How translucent boardwalks helped save baby salmon afraid of the dark (52:42) Building green corridors and ecological stepping stones in the concrete (1:01:07) Cultural shifts in pods of orcas sinking boats off the Iberian coast (1:05:23) Social epidemiology, vulnerable populations, and insights from City of Omens (1:08:29) The epidemiological triangle and the environmental causes of novel viruses (1:16:08) The rhythm shift required to observe wild animals in urban spaces (1:25:26) Why we need more cosmological humility when studying animal biology (1:31:06) The illusion of AI connection and why engaging with nature expands the mind (1:34:46) Memories, Laughter, and Animal Connection Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

If you live in a city, you’ve probably had that moment in the middle of the night. You hear a scratching in the walls, or you catch the glowing eyes of a raccoon peering out from a dumpster, and for a second, the concrete world feels a lot less 'controlled' than we like to pretend. We’ve been taught to think of cities as 'biological deserts'—places where nature goes to die. But my guest today, Dan Werb, says that’s a myth we tell ourselves to feel safe. Dan is an award-winning epidemiologist and a musician, and in his new book, Our Wild Familiars , he explores the 'synanthropes'—the wild creatures that aren't our pets, but aren't quite strangers either. They are the coyotes, the bats, and even the octopuses that are learning to use our cities as laboratories for their own rapid evolution. He’s also the author of The Invisible Siege and City of Omens . (0:02) The unexpected biodiversity of urban areas and wild familiars (1:18) What is a Synanthrope? (4:15) The Myth of the Biological Desert (8:04) The Ancestral Bond between early humans, ravens, and foxes (9:15) Crows and Grudges (12:42) Stepping Stones in the Concrete (14:20) The Epidemiological Triangle (17:58) The Illusion of AI Connection (19:56) The Museum of Memory Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

Today, we hear from writers Yann Martel, Carl Safina and David George Haskell on the practice of listening to the living world. Tom Chi discusses the dangerous volatility of a one-degree shift. Clayton Aldern explores how climate change alters brain health and behavior, while Ami Vitale,Osprey Orielle Lake and Martín Von Hildebrand remind us of the kinship we share with nature. Fred Pearce discusses 40 years as a journalist reporting on climate from around the world, while Richard Black of the environmental think tank Ember and Paula Pinho, European Commission’s Chief Spokesperson, talk about policy, hope and the radical empathy required to protect the planet for future generations. (0:00) Clayton Page Aldern – Finding awe and beauty in the world (0:40) David George Haskell – On consequences of humans tuning out the sounds of the living world (2:11) Yann Martel – How animals ask us to step out of our humanity (3:12) Carl Safina – The interior lives of non-human animals (5:08) Ami Vitale – Environmental collapse and human conflict (6:37) Martín von Hildebrand – Indigenous views of nature (8:00) Richard Black – Transition to clean energy vs. massive fossil fuel subsidies (10:01) Tom Chi – Climate destabilization (11:07) Paula Pinho – Europe’s vision for energy independence (14:04) Osprey Orielle Lake – Māori concept of "I am the river and the river is me” (16:08) Bill Hare – On limiting global warming to 1.5 degrees (17:19) Fred Pearce – Finding hope in nature’s resilience To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod @creativeprocesspodcast

“Architecture should bring a true sensation of wellbeing. We were really lucky to experience that as children, and now as architects, we try to bring all that we learned into our practice.” Salwa and Selma Mikou are the founders of Paris-based Mikou Architecture . Born in Fez, Morocco and educated in Paris, they have spent the last two decades reimagining the relationship between the built environment and the cultural landscape. After honing their craft under two of the world’s most iconic architects, Jean Nouvel and Renzo Piano, they founded their own studio. For them, architecture is a living interaction with landscape and what they call the Atlas of Resonance , interpreting the hidden layers of a territory, geology, memory, and craft. It is a philosophy that rejects the generic, seeking instead to weave together technological innovation with local materials. Whether it is a mosque in the north of England or a hybrid innovation hub in a former royal manufactory, their work asks a fundamental question: How does space shape the way we think, learn and remember? They were selected by Rem Koolhaas to represent Morocco at the Venice Biennale. Most recently, they were commissioned by Hermès to create a 17,000-square-meter facility that bridges industrial performance with poetic expression. At the heart of their practice is a belief that architecture is not just about building—it’s about shaping relationships: between people, between past and future, between technology and craft. (0:04) The Intuitive Knowledge of Living Art (4:24) The Medina and the Geometry of Childhood (8:18) The Social Spaces of Rooftops (13:46) The Intuitive Knowledge of Living Art (15:31) Contextual Echoes & Traces of the Site (19:18) The Twin Dynamic and Confrontation with 'l'autre' (26:42) The Temples of Water (33:24) The Mosque as Pure Spatiality (38:01) The Crisis Period and Structural Systems (48:24) Building Culture with Yves Saint Laurent & Pierre Bergé (51:38) The Wast ed-dar (وسط الدار) and the Heart of a Building (57:02) Preserving the Human Core of Expression (1:04:29) Urban Acupuncture in the Modern City (1:08:46) The Smells and Sounds of Home (1:10:02) Balance, Nature, and Sisterhood Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

Why do we write? Is it to capture a memory before it vanishes or to build a bridge between the person we are and the stories we've been told? In this episode of The Creative Process , we explore the practice of writing as an awakening and tool for discovery with a group of celebrated poets, novelists, musicians and thinkers. We hear from neuroscientist, dancer and author Julia Christensen on how literature inspires transformative aesthetic experiences. Award-winning poet and clinical psychologist Hala Alyan discusses navigating displacement through narrative, while bestselling author Andre Dubus III reflects on the honest labor of the writer and the willingness to fail. Pulitzer Prize-winning poet Jericho Brown shares how the sounds of American vernacular guide his work and Fmr. US Poet Laureate Ada Limón discusses holding hope within frightening thoughts about the future of our planet. NYT Bestseller Aimee Nezhukumatathil speaks on tenderness towards the natural world and naturalist Sy Montgomery shares how animals have been her greatest teachers. The conversation expands with poet Max Stossel on finding humanity in conflict, Tiokasin Ghosthorse on the ancient energy of the earth and Julian Lennon on art as a collective human endeavor. Finally, composer Erland Cooper takes us to the landscape of his youth, where the sound of the sea informed his creative voice. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

Why does our economy treat environmental destruction as an inevitable side effect rather than a massive design flaw? How can shifting our focus from polarizing "talkers" to practical "builders" literally save the planet? We are repeatedly told that the climate crisis is too vast and volatile to solve, but what if the true obstacle is simply bad design? Tom Chi is a physicist, designer, inventor, and investor whose work has shaped everything from Google Glass and rapid prototyping at Google X to some of the most ambitious climate technologies being built today. He’s now the founding partner of At One Ventures , where he invests in deep-tech companies focused on a bold goal: a world where humanity is a net positive to nature. Tom’s new book, Climate Capital: Investing in the Tools for a Regenerative Future , reframes economics itself—not as a fixed law, but as a design discipline that can be reimagined to align with the physical realities of our planet. Drawing on science, systems thinking, and lessons from nature, the book offers a grounded, practical framework for moving beyond both climate doom and empty optimism—and toward real, regenerative solutions. Today’s conversation is about what Tom calls the 4Cs: Capital, Compassion, Climate, and Community—but also about agency, responsibility, and what becomes possible when we stop treating the future as something that happens to us and start designing it deliberately. 0:00) Build Integrity: Choosing Builders Over Talkers Why prioritizing those who physically create solutions over those who merely debate them is essential for systemic change (1:21) Overcoming Powerlessness Through Creativity, Critical Thinking, Community Compassion Utilizing a specific framework of portable skills to move from climate anxiety into meaningful, iterative action (2:22) Capital Misallocation: Taxing What We Want to See A critique of current tax structures that burden labor while under-taxing capital and failing to serve societal needs (3:47) The Volatility Gap: Why Average Temperatures Mislead Understanding why increasing climate volatility—rather than just average temperature rise—is the true driver of human distress (6:19) Economics As Design: Redesigning The Global Engine Moving beyond "physics envy" in economics to treat the global market as a discipline that can be redesigned for better outcomes (9:11) Depth Over Breadth: Reforming Education Through Experience (13:30) Local Resilience: How Cities Can Lead The Transformation Practical, block-by-block strategies for urban adaptation, from expanding tree canopies to improving household efficiency (16:33) AI and Robotics in Agriculture (19:12) Human-Centric AI: Flipping The Priority Of Automation (20:18) Thinking In Pictures: A Language Beyond Words Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

“In the book I spend a bunch of time basically teaching skills and teaching frameworks of thinking. Not to indoctrinate, it's not a framework like an ideology where you need to believe exactly these things. This is a lot more about how does one use their minds effectively to solve problems that have been solved before. Of course, I work on things that have to do with investment and climate and the future of the economy and automation. The main things I'm trying to teach in the book are skills around creativity, critical thinking, community compassion and frameworks around how to go and use that on problems that should be relatively portable to a bunch of problems that are meaningful to you. The way that education needs to change is that people need to actively be working on things that truly matter to them so that over time they end up being able to go make that difference.” Tom Chi is a physicist, designer, inventor, and investor whose work has shaped everything from Google Glass and rapid prototyping at Google X to some of the most ambitious climate technologies being built today. He’s now the founding partner of At One Ventures , where he invests in deep-tech companies focused on a bold goal: a world where humanity is a net positive to nature. Tom’s new book, Climate Capital: Investing in the Tools for a Regenerative Future , reframes economics itself—not as a fixed law, but as a design discipline that can be reimagined to align with the physical realities of our planet. Drawing on science, systems thinking, and lessons from nature, the book offers a grounded, practical framework for moving beyond both climate doom and empty optimism—and toward real, regenerative solutions. Today’s conversation is about what Tom calls the 4Cs: Capital, Compassion, Climate, and Community—but also about agency, responsibility, and what becomes possible when we stop treating the future as something that happens to us and start designing it deliberately. (0:00) Overcoming Powerlessness through Creativity, Critical Thinking, Community Compassion Why broad hopelessness about the future is a purposeful tactic to maintain the status quo. (7:16) How average temperature metrics fail to communicate the true danger of extreme climate volatility. (11:54) Economics as Design (17:11) Multi-disciplinary Learning Centered on Real-World Impact (26:12) Local Resilience (31:15) Tax & Capital Misallocation (36:52) Build Integrity (45:32) AI and Robotics in Agriculture (51:08) The First Honeybee Vaccine (56:11) The Entropy Curve of Pollution (1:15:31) Human-Centric AI Flipping the priority of automation to serve the collective good rather than enriching a select few (1:20:59) Thinking in Pictures How learning to communicate and problem-solve without language fueled a career in deep tech invention Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast

What if the defining revolution of Earth's history wasn't led by animals or humans, but by flowers? Are we truly individuals, or are our bodies and minds just walking ecosystems? Our guest today is David George Haskell , a biologist who has spent much of his life training himself to see the universal within the infinitesimally small. He's famously sat for a year in a single square meter of Tennessee's forest, a mandala experience that revealed the deep history of the world through a single fallen leaf. He's a two-time finalist for the Pulitzer Prize for his books The Forest Unseen and Sounds Wild and Broken , and he received the John Burroughs Medal for The Songs of Trees . His work often focuses on what he calls the unwaged labor of the natural world, the complex biological communities that sustain our planet without a monetary ledger. And his latest book is How Flowers Made Our World . In it, he argues that we are essentially grass apes dependent on the ancient innovations of flowering plants for two-thirds of our daily calories. (0:00) How Flowers Made Our World The incredible ancient history of flowers on Earth (4:56) Contemplating the Small Expanding our world by restricting our gaze (14:30) The Illusion of Individuality Why atomism is false and interconnectedness is the foundation of life (26:08) We Are Grass Apes The evolutionary origins of humans and our dietary dependence on grass (33:32) Memories of His Childhood in Paris & Wild Orchids (38:55) The Networked Intelligence of Forests How trees communicate and share resources beneath the soil (44:00) The Earth in Full Song Tracing the sonic history of our planet (51:08) The Practice of Listening Why tuning in to the natural world is crucial for our survival (1:01:21) Silence Without Expectation Sitting with nature without demanding progress or enlightenment (1:11:01) Transforming Ourselves Why personal change matters in the fight for the climate (1:15:20) Escaping the Screen Finding real human-to-human connection away from technology (1:16:16) The True Cost of AI The devastating impact of data centers on our fossil fuel consumption (1:23:18) A Sensory Legacy for the Future What we must preserve for the generations not yet born Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast