Published by Amy Lively
An audio documentary of 70s music. This podcast examines the intersection of a wide variety of musical genres -- pop, rock, country, country-pop, disco, punk, soul -- with the historic events and decisions that helped shape our modern world.
Listen on Apple Podcasts56 min
Magazines were an important part of the 70s music experience. Rolling Stone, CREEM, and yup, even Tiger Beat gave information and access to our favorite singers and bands. Their influence was definitely not the same because their target audience was not the same. You were not going to see a Charles Manson interview in Tiger Beat, but that was not the reason for Tiger Beat's existence, but in a pre-internet world, there is little debate that print media was a strong influence in promoting the careers of musicians who made some of the seminal music of the era. Support the show by being a patron! Be a Patron of FTR70 PLAYLIST "Your Song" by Elton John (1970) "Sugar Mama" by Bonnie Raitt (1975) "Changes" by David Bowie (1971) "Bad Reputation" by Joan Jett (1979) "We're an American Band" by Grand Funk Railroad (1973) "Heartbeat, It's a Love Beat" by The DeFranco Family (1973) "Hey Deanie" by Shaun Cassidy (1977)
43 min
As the U.S. approaches the 150th anniversary of The Declaration of Independence, FTR70 looks back to Episode 31, which examines 1976 and state of the nation -- and pop music -- in that bicentennal year. Things were a bit dicey in America in 1976. Gerald Ford was president, even though he only became president because of Nixon's Watergate scandal. The country was dealing with high gas prices, a shaky economy, the challenges of living with the civil rights legislation of the 1960s, and the consequences of American involvement in Vietnam. Not matter how much you trusted Walter Cronkite, the nightly news could be a bit stressful. If you were looking for an escape from all that, the pop music world was just the ticket! "Afternoon Delight," anyone?
54 min
Casey Kasem was at the height of his powers as the 1980s began. The countdown show that he launched on July 4, 1970, "American Top 40," was now an international phenomenon and could be heard on over 500 stations around the world. Casey had made rooting for your favorite single's climb up the Billboard charts akin to a sport — would your favorite song be played after the drumroll this week? He even branched out to a Top 10 countdown television show. However, you could also make the case that his success led to his own demise as "American Top 40" attracted competitors, particularly in the form of radio disc jockey Rick Dees. This episode moves beyond the 70s and into 80s, following the changes in the music and the show itself, leading to the end of Casey Kasem's reign as the king of pop music countdowns.
45 min
The 1970s gave us some of the most memorable songs ever recorded and some artists who, for one reason or another, only broke through once. In this episode, we take a closer look at those so-called "one-hit wonders" and the stories behind the songs that stuck. From the laid-back groove of " How Long" by Ace , to the quiet melancholy of " Good Time Charlie's Got the Blues" by Danny O'Keefe , we explore what made these tracks connect and why they lasted. We'll get into the funk-rock crossover of " Play That Funky Music" by Wild Cherry , the sunny pop of " Sweet City Woman" by The Stampeders , the tight pop classic " Cruel to Be Kind" by Nick Lowe , and the disco smash "Ring My Bell" by Anita Ward. And how do you make a hit song about a brief encounter in a Chevy van, anyway? Was it luck? Timing? Skill? A little of all of that? Tune in for a discussion on these classic hits of the 1970s.
45 min
Imagine a train carrying the precious cargo that includes Janis Joplin, The Grateful Dead, The Band, and many more of our legendary performers! This was not a figment of the imagination but a real tour in the summer of 1970. This episode examines why this tour, which is not considered in the same vein as Woodstock, deserves its place in early 70s rock history.
49 min
"Baby, if you ever wondered, wondered whatever became of me, I'm living on the air in Cincinnati, Cincinnati WKRP." In this episode, WKRP in Cincinnati proves that a sitcom can be more than laughs—it can capture a cultural moment. Through sharp writing and memorable characters, the show explores the intersection of music, politics, and culture through the power of radio. In this case, it was a fictional radio station on a sitcom that aired from 1978 to 1982. However, even though it was fictional, it felt real to its fans and even to record labels, who appreciated its authenticity and its cultural reach.
41 min
Television. The Ramones. Patti Smith. The Talking Heads. Blondie. These bands and more used the iconic club, CBGB, as their proving ground, giving rise to punk and new wave rock. The environment might have been dicey, but hey, what's a few weird smells and maybe a rat or two when you have the chance to listen to some of the most unique live music the 70s had to offer!
53 min
Americans watched a lot of television in the 70s and talk shows were among the most popular shows to watch. Talk shows were the true intersection of music, politics, and culture. This episode will examine some of the most popular talk shows of the 70s including "Dinah!" "The Mike Douglas Show," and, of course, "The Tonight Show" with Johnny Carson. Its hard to discuss 70s politics without Richard Nixon entering the fray, which he does in his attempts to deport Mike Douglas's co-host, John Lennon, and by using the power of the presidency to threaten "Soul!" and other public affairs programming on PBS.
46 min
The heartland is an American region, but heartland rock is not regional. In fact, it can be argued that it is more of a culture than a sub-genre of rock. This episode discusses the origins of heartland rock and the themes that attracted fans to it, which are far more universal than record companies and music executives of the 70s and 80s would have liked to admit. Artists such as Bob Seger, Bruce Springsteen, and John Mellencamp created music that touched on feelings and issues that many people could relate to, whether they lived in the American heartland or not.
7 min
46 min
How did heavy metal change from the 70s to the 80s? This episode examines the birth of "hair metal" and how, for a short but LOUD period of time, heavy metal was one of the most popular genres in American music. Bands such as Quiet Riot, Def Leppard, and even Van Halen benefitted from widespread exposure on MTV as the visual aspect of a band's image became as important as the music. *This also marks a change in venue for 80s music topics as FTR80 will be merged into the FTR70 feed. Look for 80s topics to be a continuation of topics previously discussed on FTR70.*
42 min
The roots of country music are black and white. So, why do most people think of country as a white person's genre? This episode considers answers to that question and examines the contributions that African American artists made to country music in the 1970s.
37 min
It isn't easy to write an original Christmas song that stands the test of the time, but artists of the 70s gave us several, such as "Feliz Navidad" by Jose Feliciano and "Step into Christmas" by Elton John. These songs, combined with some iconic covers, added a wide variety of Christmas music created in the 70s to the holiday song canon.
45 min
Rock critics may have hated it but millions of music fans loved so-called "soft rock." This episode examines possible theories for this genre's popularity and makes the case that this "safer" version of rock music may have actually been an expansion of it that is still part of popular music. *Fans of this podcast should also check out "For the Record: The 80s!*
38 min
Southern rock from bands such as the Allman Brothers and Lynyrd Skynyrd was not just loved by Americans from the South. Southern rock has broad appeal. For many white southerners, though, this form of rock tapped into a desire for nostalgia, rebellion, and a reclaiming of the South as a distinct region. This episode discusses the question of how we should think about that music now, as well as the very thorny question of what the Confederate flag has to do with any of it.
32 min
How and why did artists such as John Denver and Olivia Newton-John upset the country music establishment in the 1970s? Country radio has created the country music sound it has wanted since Elvis and rock and roll began to lure away its customers. This was not pleasing to country music purists in the 1970s. This episode discusses why more people began to listen to "countryish" music in the 70s and why it became difficult to distinguish country from other pop music. [ This episode has been slightly updated since its original publication in November 2018. ]
46 min
Disco and the 70s had a love-hate relationship. This episode examines who hated disco and why, as well as why it thrived in the underground until radio and the movie, "Saturday Night Fever," helped bring disco into the mainstream.
48 min
In just over a two-year span as the 1970s marched on toward the 1980s, John Travolta starred in three cultural touchstone movies: "Saturday Night Fever" (released on December 12, 1977), "Grease" (released on June 16, 1978), and "Urban Cowboy" (released on June 6, 1980). This episode examines the cultural significance of those films, the music in them, and how much Travolta himself had to do with the popularity of the movies.
43 min
In 1974, a local Austin PBS station aired the first episode of "Austin City Limits" and, with that, took the first step to showing the entire country how Austin, Texas celebrated and encouraged experimentation with country music. One of the founders of the show carried a business card that described the show's music as "free form country folk rock science fiction gospel gum existential bluegrass guacamole opera music." As the show celebrates it's 50th anniversary in 2024, it continues to be an example of how a commitment to music rather than glitz and glamour can find a loyal television audience.
43 min
The year 1974 shoulder much of the blame for the so-called worst music of not only the 1970s, but the worst of all time. Is this true? While we know that 1974 had much good to offer, is it true that it also had the worst of the worst? If so, does it matter. This episode takes a closer look at some songs considered the all-time worst, including "Seasons in the Sun" by Terry Jacks, "Cat's in the Cradle," by Harry Chapin, and "Billy, Don't Be a Hero" by Bo Donaldson and the Heywoods.